Arthur Edeson, A.S.C. | |
|---|---|
 Promotional portrait | |
| Born | (1891-10-05)October 5, 1891 New York City, U.S. |
| Died | February 14, 1970(1970-02-14) (aged 78) Agoura Hills, California, U.S. |
| Occupation | Cinematographer |
| Years active | 1914–1948 |
| Title | A.S.C. Founding Member |
| Board member of | A.S.C. President (1953–1954) |
Arthur Edeson,A.S.C. (October 24, 1891 – February 14, 1970) was an Americancinematographer.[1] Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, includingThe Thief of Bagdad (1924),All Quiet on the Western Front (1930),Frankenstein (1931),The Maltese Falcon (1941), andCasablanca (1942).
He was one of the founders of theAmerican Society of Cinematographers, and was nominated for threeAcademy Awards in his career in cinema.
Edeson began his career as a still photographer, but turned to movies in 1911 as a camera operator at the AmericanÉclair Studio in Fort Lee, New Jersey when it and many other early film studios inAmerica's first motion picture industry were based there at the beginning of the 20th century.[2][3][4]
When the Éclair Studio was reorganized as theWorld Film Company, he was promoted to chief cinematographer assigned to the starClara Kimball Young.[5] Throughout the twenties, Edeson photographed a number of important films, includingDouglas Fairbanks'Robin Hood (1922) andThe Thief of Bagdad (1924), and the groundbreaking special effects filmThe Lost World (1925).
When sound came in, Edeson experimented with camouflaging the microphones in exterior shots.In Old Arizona (1929), the first sound film to be shot outside a studio, provided evidence to Hollywood executives that talking pictures need not be confined to thesound stage. The westernThe Big Trail (1930), starringJohn Wayne in his first starring role, was also filmed by Edeson in the70mmwidescreen process, known as "Fox Grandeur".[6]
In the early 1930s, perhaps his most memorable creative partnership was formed with directorJames Whale, for whom he photographed the first three of Whale's quartet of horror films:Frankenstein (1931),The Old Dark House (1932), andThe Invisible Man (1933).
According to critic M.S. Fonseca, Edeson was one of the "master craftsmen" of the old American school. His principal work was on the side of realism, which is considered by most film historians to represent the "zenith of Hollywood photography." Edeson built on the influence ofGerman Expressionism, brought to the America cinema by German cinematographers during the 1920s.[7]
In 1919, Edeson was one of the founders of theAmerican Society of Cinematographers.[8]
Arthur Edeson died on February 14, 1970, in Agoura Hills, California.[9]
Source:[10]
Oscar Nominations
In 1955 and 1957, Edeson was awarded the George Eastman Award, given byGeorge Eastman House for distinguished contribution to the art of film.
