 Arpeggione built in 1968 by Henning Aschauer following specifications of Alfred Lessing. | |
| String instrument | |
|---|---|
| Classification | Bowed string instrument |
| Hornbostel–Sachs classification | 321.322-71 (Compositechordophone sounded by abow) |
| Developed | 1823 |
| Related instruments | |
Thearpeggione is a six-stringedmusical instrument fretted and tuned like a guitar, but with a curved bridge so it can be bowed like a cello, and thus similar to the bassviola da gamba. The instrument is sometimes also called a guitar violoncello.[1] The body shape of the arpeggione is, however, more similar to a medieval fiddle than either the guitar or the bass viol. It is essentially a bass viol with a guitar-type tuning,E–A–d–g–b–e' . The arpeggione is especially suited to playing runs in thirds, double stops, and arpeggios.[1]
It enjoyed a brief period of popularity for perhaps a decade after its invention around 1823 by theViennese instrument luthiersJohann Georg Stauffer andPeter Teufelsdorfer. The only notable extant piece for the arpeggione is asonata with piano accompaniment byFranz Schubert, D.821, not published until 1871, when the instrument was long out of vogue. This sonata is now commonly played on the cello or viola, and many other instruments have received transcriptions as well.
In the 21st century, a revival of interest in the arpeggione has led to the composition of a number of new works either for the instrument alone or within an ensemble.
Composers who have written the largest number of works include the American Dov Joshua Rosenschein,[2] France's Grégory Guéant,[3] and René Mogensen[4] from Denmark.
Contemporary designs of viol-like instruments have similarities to the arpeggione, and at least one (theGuitarViol) was directly influenced by Stauffer's arpeggione.[5][6]
