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Apala

From Wikipedia, the free encyclopedia
Music genre
For other uses, seeAPALA.
Apala
Stylistic origins
Cultural origins1930s,Yoruba people inColonial Nigeria,British West Africa
Regional scenes
Nigeria

Apala (orakpala) is amusic genre originally developed by theYoruba people ofNigeria,[1] during the country'shistory as a colony of the British Empire. It is apercussion-based style that originated in the late 1930s. The rhythms of apala grew more complex over time, and have influenced the likes ofCuban music, whilst gaining popularity in Nigeria. It has grown less religious centered over time.

Apala music is an offshoot ofWéré music.

Instruments include a rattle (sekere), thumb piano (agidigbo) and abell (agogô), as well as two or threetalking drums.[2]

Ayinla Omowura andHaruna Ishola - amongst others - were notable performers of apala music, these two icons played a major role in popularising the genre. It is distinct from, older than, and more difficult to master thanfuji music.[3] Although fuji music remains one of the popular form of traditional music amongst Yorubas in Nigeria, apala is still very popular amongstMuslims of the Yoruba tribe.[4]

Styles

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Apala fusion, apala pop, apala trap and street pop

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Variant styles of apala include apala pop, apala trap, and apala-fusion, with musical artists such asTerry Apala,Olamide,DJ Tunez andSeyi Vibez being prominent figures associated with apala-centered musical styles. Street pop, also known as street hop, is a genre that emerged in Nigeria in the 21st century. It blends experimental rap with vocal performance, integrating elements of Nigerian hip hop, Nigerian street music, and contemporary African genres. Street pop incorporates aspects of Western music, and its sound is notably influenced by apala music.[5][6][7][8][9][10][11]

References

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  1. ^Africa, Europe and the Middle East. Rough Guides. 1999. p. 43.ISBN 1-85828-635-2.
  2. ^Babátúndé Yussuf, N.; Oladipo Olúbòmęhìn, O. (2018-07-03)."Traditional Music and the Expression of Yoruba Socio-cultural Values: A Historical Analysis".Muziki.15 (2):61–74.doi:10.1080/18125980.2018.1554980.ISSN 1812-5980.S2CID 218637202.
  3. ^"INTERVIEW: Why young Nigerian musicians are avoiding Fuji music - KWAM 1 | Premium Times Nigeria". 2022-03-20.Archived from the original on 2022-06-09. Retrieved2022-06-09.
  4. ^Music, FujiNaija (2021-01-12)."Origin of Apala Music (Part 2: Conclusion)".FujiNaija.Archived from the original on 2022-05-18. Retrieved2022-06-09.
  5. ^"Terry's modern mix of apala and hip hop".Music In Africa. 2016-12-07.Archived from the original on 2024-08-07. Retrieved2024-08-07.
  6. ^Ajose, Kehinde (2022-03-27)."I'm not under pressure to change my style of music — Terry Apala".Punch Newspapers.Archived from the original on 2024-06-15. Retrieved2024-08-07.
  7. ^"The changing face of Nigerian street-pop".PAM - Pan African Music. 2023-02-07.Archived from the original on 2023-12-03. Retrieved2024-08-08.
  8. ^Ihejirika, Uzoma (2023-02-07)."For Its Next Lap, Nigeria's Street Pop Is Pushing Into Experimental Fields".The NATIVE.Archived from the original on 2023-06-09. Retrieved2024-08-08.
  9. ^Okwuego, Oluchi (2023-12-21)."Spotify hails Olamide as top street pop influencer".Voice of Nigeria.Archived from the original on 2024-01-01. Retrieved2024-08-08.
  10. ^Adebiyi, Adeayo (2024-05-17)."Is Afrobeats ready for a Fuji or Apala album?".Pulse Nigeria. Retrieved2024-08-12.
  11. ^Ige, Tofarati (2024-06-07)."I'm determined to preserve apala music — Terry Apala".Punch Newspapers.Archived from the original on 2024-07-31. Retrieved2024-08-07.
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