Ananimal painter is an artist who specialises in (or is known for their skill in) the portrayal of animals.
TheOED dates the first express use of the term "animal painter" to the mid-18th century: by Englishphysician,naturalist and writerJohn Berkenhout (1726–1791).[2] From the early 20th century,wildlife artist became a more usual term for contemporary animal painters.[3]
Especially in the 17th century, animal painters would often collaborate with other artists, who would either paint the main subject in ahistorical or mythological piece, or thelandscape background in a decorative one.Frans Snyders, a founder of the Baroque animal painting tradition, often provided the animals, and also still lifes of food, forPeter Paul Rubens; a different landscape specialist might provide the background.[4] The paintings by Snyders and his workshop alone typically lack humans, except in kitchen scenes, and usually show a number of animals of different species (or breeds of dog). There are about equal numbers of paintings of dead animals, usually in a kitchen setting or as hunting trophies in a landscape, and of live ones, often in ferocious combat.
In theDutch Golden Age such specialists tended to produce smaller genre paintings concentrating on their specialism.[5] Animal painters came lower down in thehierarchy of genres, but the best painters could make a very good living; many royal and aristocratic patrons were more interested in their subject matter than that of the more prestigious genres. Mainly in England, there were still more specialised painters from the 18th century who produced portraits of racehorses and prize specimens of livestock,[6] whereas in France animal subjects continued to be decorativecapriccios often set around garden statuary.
In 2014Jonathan Jones ofThe Guardian proposedThe Goldfinch (1654) byCarel Fabritius (1622–1654) as the finest animal portrait;[7] this was not the artist's normal subject matter at all.
Animalier, as a collective plural noun, is a term used inantiques for small-scale sculptures of animals in particular (animalier bronzes), but also paintings of animals. Large numbers of these were produced - often mass-produced - in the 19th century in France and elsewhere. Many earlier examples can be found, butanimalier sculpture became more popular, and reputable, in early 19th century Paris, with the works ofAntoine-Louis Barye (1795–1875) - for whom the term was coined, decisively, by critics in 1831[8] - andChristopher Fratin (1801-1864).[9] By the mid-19th century, a taste for animal subjects was widespread among the middle-classes.[10]
Many modern wildlife artists or art groups hold benefits to supportwildlife conservation, or participate in contests held by wildlife conservation organisations.[11]
Modern wildlife art painters include:
Forerunners of modern wildlife art sculpture include:
Modern wildlife art sculptors include:
