Andries Both (1612/1613 – 23 March 1642), was aDutchgenre painter. He was part of the group of Dutch and Flemish genre painters active inRome in the 17th century known as thebamboccianti, who painted scenes from theeveryday life of the lower classes in Rome and its countryside.[1]
Both, pronounced[bɔt], was born inUtrecht, the son of a glass painter. He studied underAbraham Bloemaert. His brotherJan was a genre and landscape painter.
Andries resided inRouen in 1633 and later traveled on toRome where his presence is documented from 1635 to 1641. He first shared a studio with a fellow painter from Utrecht, Jan van Causteren. In 1638 his brother joined him. The brothers lived on the Via Vittoria in the parish ofSan Lorenzo in Lucina and both may have joined theAccademia di San Luca and the group of mainly Dutch and Flemish artists active in Rome called theBentvueghels.[2]
In 1641 the brothers left Rome to travel back to the Netherlands. Andries died in Venice by drowning in a canal as he was returning from some festivities.
His work is noted for its humorous and outrageous quality, mixed with objectivity and harsh reality, depicting the seamier side of Italian life with broad strokes. The style, known as Bambocciata, after the nickname of its originator, the Dutch painterPieter van Laer, who was known in Rome asil bamboccio,, which means "ugly doll" or "puppet". This was an allusion to van Laer's ungainly appearance, as he is said to have had unusually long legs, short chest and almost no neck.[3]
These Bambocciata works were informed by existing traditions of depicting peasant subjects from16th-century Netherlandish art. They were generally smallcabinet paintings oretchings of theeveryday life of the lower classes in Rome and its countryside.[4]
Andries Both's low-life genre paintings were also influenced by the older tradition ofPieter Brueghel the Elder as well as that of the Flemish genre painter Adriaen Brouwer who had worked in the Dutch Republic for an extensive period in the 1620s.[1]
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