Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948), is an English composer andimpresario of musical theatre. Several of his musicals have run for more than a decade both in theWest End and onBroadway. He has composed 21 musicals, asong cycle, a set ofvariations, twofilm scores, anda Latin Requiem Mass.
LW Entertainment (formerly The Really Useful Group),[8][9] Lloyd Webber's company, is one of the largest theatre operators in London. Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber musicals under licence from LW Entertainment. He is also the president of theArts Educational Schools, London, a performing arts school located in Chiswick, west London. Lloyd Webber is involved in a number of charitable activities, including theElton John AIDS Foundation,Nordoff Robbins,Prostate Cancer UK andWar Child. In 1992, he started the Andrew Lloyd Webber Foundation which supports the arts, culture, and heritage of the UK.[10]
Lloyd Webber studied at theRoyal College of Music in London as did his father William. In 2014, he received an honorary doctorate from the college for his "contribution to musical life".[16]
Lloyd Webber started writing his own music at a young age: asuite of six pieces at the age of nine.[17] He also put on "productions" with Julian and his aunt Viola in his toy theatre (which he built at Viola's suggestion). In his memoir, he writes: "mum was determined that I should be a prodigy in something or other."[18] His aunt Viola, an actress, took him to see many of her shows and through the stage door into the world of the theatre. His father enrolled him as a part-time student at theEric Gilder School of Music in 1963.[19] At this time he was working on aGenghis Khan musical calledWestonia!.[18]
"The names of Andrew Lloyd Webber andTim Rice are, of course, forever bound together in musical theatre history, like those ofGilbert and Sullivan."
—Theatre criticMark Shenton on the partnership of Lloyd Webber and Rice.[23]
In 1965, when Lloyd Webber was a 17-year-old budding musical-theatre composer, he was introduced to the 20-year-old aspiring pop-song writerTim Rice.[24][25] Their first collaboration wasThe Likes of Us, anOliver!-inspired musical based on the true story ofThomas John Barnardo.[26] They produced a demo tape of that work in 1966,[24] but the project failed to gain a backer.[25]
Although composed in 1965,The Likes of Us was not publicly performed until 2005, when a production was staged at Lloyd Webber'sSydmonton Festival. In 2008, amateur rights were released by the National Operatic and Dramatic Association (NODA) in association with the Really Useful Group. The first amateur performance was by a children's theatre group in Cornwall called "Kidz R Us". Stylistically,The Likes of Us is fashioned after the Broadway musical of the 1940s and 1950s; it opens with a traditional overture comprising a medley of tunes from the show, and the score reflects some of Lloyd Webber's early influences, particularlyRichard Rodgers,Frederick Loewe, andLionel Bart. In this respect, it is markedly different from the composer's later work, which tends to be either predominantly or whollythrough-composed, and closer in form to opera.
In the summer of 1967, Alan Doggett, a family friend of the Lloyd Webbers who had assisted onThe Likes of Us and who was the music teacher at theColet Court school in London, commissioned Lloyd Webber and Rice to write a piece for the school's choir.[24][25][27] Doggett requested a "pop cantata" along the lines ofHerbert Chappell'sThe Daniel Jazz (1963) andMichael Hurd'sJonah-Man Jazz (1966), both of which had been published byNovello and were based on theOld Testament.[24] The request for the new piece came with a 100-guinea advance from Novello.[24] This resulted inJoseph and the Amazing Technicolor Dreamcoat, a retelling of the biblical story ofJoseph, in which Lloyd Webber and Rice humorously pastiched a number of pop-music styles such as Elvis-style rock'n'roll,Calypso andcountry music.Joseph began life as a shortcantata that gained some recognition on its second staging with a favourable review inThe Times. For its subsequent performances, Rice and Lloyd Webber revised the show and added new songs to expand it to a more substantial length. Continued expansion eventually culminated in a 1972 stage musical and then a two-hour-long production being staged in the West End in 1973 on the back of the success ofJesus Christ Superstar.[28]
In 1969, Rice and Lloyd Webber wrote a song for theEurovision Song Contest called "Try It and See", which was not selected. With rewritten lyrics, it became "King Herod's Song" in their third musical,Jesus Christ Superstar (1970). Debuting onBroadway in 1971, by 1980 the musical had grossed more than$237 million worldwide.[29] Running for over eight years in London between 1972 and 1980, it held the record for longest-runningWest End musical before it was overtaken byCats in 1989.[30] The planned follow-up toJesus Christ Superstar was a musical comedy based on theJeeves and Wooster novels byP. G. Wodehouse. Tim Rice was uncertain about this venture, partly because of his concern that he might not be able to do justice to the novels that he and Lloyd Webber so admired.[31] Rice backed out of the project and Lloyd Webber subsequently wrote the musicalJeeves withAlan Ayckbourn, who provided the book and lyrics.[32]Jeeves failed to make any impact at the box office and closed after a run of only 38 performances in the West End in 1975.[33] Many years later, Lloyd Webber and Ayckbourn revisited this project, producing a thoroughly reworked and more successful version entitledBy Jeeves (1996).[34]
Evita at the West End'sAdelphi Theatre. Lloyd Webber purchased the theatre in 1993.
Lloyd Webber collaborated with Rice once again to writeEvita (1978), a musical based on the life ofEva Perón. As withJesus Christ Superstar,Evita was released first as a concept album (1976) featuringJulie Covington singing the part of Eva Perón. The song "Don't Cry for Me Argentina" became a hit single and the musical was staged at the West End'sPrince Edward Theatre in a production directed byHarold Prince and starringElaine Paige in the title role.[35] This original production was enormously successful, eventually running for nearly eight years in the West End.[36]
Evita transferred to Broadway in 1979, in a production starringPatti LuPone as Eva andMandy Patinkin as Che; it won seven Tony Awards, including Best Musical, helped launch the careers of both LuPone and Patinkin, and ran for almost four years. Rice and Lloyd Webber parted ways soon afterEvita, although they have sporadically worked together since then.[37]
In 1978, Lloyd Webber embarked on a project with his cellist brother Julian, theVariations, based on the24th Caprice by Paganini; this reached number two in the pop album chart in the United Kingdom. The main theme was used as the theme tune forITV's long-runningSouth Bank Show throughout its 32-year run.[38] The same year, Lloyd Webber also composed a new theme tune for the long-running documentary seriesWhicker's World, which was used from 1978 to 1980.[39] He also composed the instrumental "Argentine Melody" as the theme music for the BBC's coverage of the1978 FIFA World Cup held in Argentina.[40]
Lloyd Webber embarked on his next project without a lyricist, turning instead to the poetry ofT. S. Eliot.Cats (1981) was to become the longest-running musical in London, where it ran for 21 years and 8,949 performances before closing.[43] On Broadway,Cats ran for 18 years, a record which would ultimately be broken by another Lloyd Webber musical,The Phantom of the Opera.[44][45] Elaine Paige collaborated again with Lloyd Webber, originating the role ofGrizabella inCats, and had a Top 10 UK hit with "Memory".[46]
Starlight Express (1984) was a commercial hit, but received negative reviews from the critics. It ran for 7,409 performances in London, making it theninth longest-running West End show. It ran for less than two years on Broadway. The show has also seen two tours of the US, as well as an Australian/Japanese production, a three-year UK touring production, which transferred to New Zealand later in 2009.Starlight Express runs full-time in a custom-built theatre inBochum, Germany, where it has been running since 1988.[47] The German production holds theGuinness World Record for most visitors to a musical in a single theatre.[48]
Lloyd Webber wrote aRequiem Mass dedicated to his father, William, who had died in 1982. It premiered atSt. Thomas Church in New York on 24 February 1985. Church music had been a part of the composer's upbringing and the composition was inspired by an article he had read about the plight of Cambodian orphans. Lloyd Webber had on a number of occasions written sacred music for the annualSydmonton Festival.[49] Lloyd Webber received aGrammy Award in 1986 forRequiem in the category of best classical composition.Pie Jesu from Requiem achieved a high placing on the UK Singles Chart and was certified silver.[50] Perhaps because of its large orchestration, live performances of the Requiem are rare.
In 1986,Prince Edward, the youngest son of QueenElizabeth II, commissioned a short musical from Lloyd Webber and Rice for his mother's 60th birthday celebration.[51]Cricket (1986), also calledCricket (Hearts and Wickets), reunited Lloyd Webber with Rice to create this short musical for the Queen's birthday, first performed atWindsor Castle.[52][53] Several of the tunes were later used forAspects of Love andSunset Boulevard.
Lloyd Webber premieredThe Phantom of the Opera atHer Majesty's Theatre in the West End in 1986, inspired by the1911 Gaston Leroux novel. He wrote the part of Christine for his then wife,Sarah Brightman, who played the role in the original London and Broadway productions alongsideMichael Crawford as the Phantom. The production was directed by Harold Prince, who had also earlier directedEvita.Charles Hart wrote the lyrics forPhantom with some additional material provided byRichard Stilgoe, with whom Lloyd Webber co-wrote the book of the musical. It became a hit and is still running in the West End; in January 2006 it overtook Lloyd Webber'sCats as thelongest-running show on Broadway. On 11 February 2012,Phantom of the Opera played its 10,000th show on Broadway.[45] With over 14,200 London productions it is thesecond longest-running West End musical.[54] The Broadway production closed on 16 April 2023, having played 13,981 performances, the most in Broadway history.[55]
Aspects of Love followed in 1989, a musical based on the story byDavid Garnett. The lyrics were byDon Black and Charles Hart and the original production was directed by Trevor Nunn.Aspects had a run of four years in London, but closed after less than a year on Broadway. It has since gone on a tour of the UK. It is famous for the song "Love Changes Everything", which was performed byMichael Ball in both the West End and Broadway casts. It stayed in the UK Singles Chart for 14 weeks, peaking at number 2 and becoming Ball's signature tune.[56]
Lloyd Webber had toyed with the idea of writing a musical based onBilly Wilder's critically acclaimed movie,Sunset Boulevard, since seeing the film in the early 1970s, but the project did not come to fruition until after the completion ofAspects of Love when the composer finally managed to secure the rights fromParamount Pictures,[58] The composer worked with two collaborators, as he had done onAspects of Love; this time Christopher Hampton andDon Black shared equal credit for the book and lyrics.Sunset Boulevard opened at theAdelphi Theatre in London on 12 July 1993, and ran for 1,529 performances.[59]
In 1994,Sunset Boulevard became a successful Broadway show, opening with the largest advance in Broadway history, and winning seven Tony Awards that year. Even so, by its closing in 1997, "it had not recouped its reported $13 million investment."[60] From 1995 to 2000, Lloyd Webber wrote the Matters of Taste column inThe Daily Telegraph where he reviewed restaurants and hotels, and these were illustrated by Lucinda Rogers.[61]
In 1998, Lloyd Webber released afilm version ofCats, which was filmed at the Adelphi Theatre in London.[62]David Mallet directed the film, and Gillian Lynne choreographed it. The cast consisted of performers who had been in the show before, including Ken Page (the original Old Deuteronomy on Broadway), Elaine Paige (original Grizabella in London) and John Mills as Gus: the Theatre Cat.[63]
In 1998,Whistle Down the Wind made its debut, a musical written with lyrics supplied byJim Steinman. Originally opening in Washington, Lloyd Webber was reportedly not happy with the casting or Harold Prince's production and the show was subsequently revised for a London staging directed by Gale Edwards. The production included theBoyzone number-one hit "No Matter What", which remained at the top of the UK charts for three weeks. HisThe Beautiful Game opened in London and has never been seen on Broadway. The show had a respectable run at The Cambridge Theatre in London. The show was re-worked into a new musical,The Boys in the Photograph, which had its world première atThe Liverpool Institute for Performing Arts in April 2008.[64][65]
Having achieved great popular success in musical theatre, Lloyd Webber was referred to byThe New York Times in 2001 as "the most commercially successful composer in history".[1] In 2002 he turned producer, bringing the musicalBombay Dreams to London. With music byIndian Music composerA.R. Rahman and lyrics by Don Black, it ran for two years at theApollo Victoria Theatre. A revised Broadway production at theBroadway Theatre two years later ran for only 284 performances. On 16 September 2004, his production ofThe Woman in White opened at the Palace Theatre in London. It ran for 19 months and 500 performances. A revised production opened on Broadway at the Marquis Theatre on 17 November 2005. Garnering mixed reviews from critics, due in part to the frequent absences of the show's star Maria Friedman due to breast cancer treatment, it closed only a brief three months later on 19 February 2006.[66]
Between April and June 2007, he appeared in BBC One'sAny Dream Will Do!, which followed the same format asHow Do You Solve a Problem Like Maria?. Its aim was to find a new Joseph for his revival ofJoseph and the Amazing Technicolor Dreamcoat.Lee Mead won the contest. Viewers' telephone voting during the series raised more than£500,000 for the BBC's annualChildren in Need charity appeal, according to hostGraham Norton on air during the final.[71]
In April 2008, Lloyd Webber reprised his role as judge, this time in the BBC musical talent showI'd Do Anything. The show followed a similar format to itsMaria andJoseph predecessors, this time involving a search for an actress to play the role of Nancy in a West End production ofLionel Bart'sOliver!, a musical based on theCharles Dickens' novelOliver Twist.[77] The show also featured a search for three young actors to play and share the title character's role, but the show's main focus was on the search for Nancy. The role was won byJodie Prenger despite Lloyd Webber's stated preference for one of the other contestants; the winners of the Oliver role were Harry Stott, Gwion Wyn-Jones and Laurence Jeffcoate. Also in April 2008, Lloyd Webber was featured on the U.S. talent showAmerican Idol, acting as a mentor when the 6 finalists had to select one of his songs to perform for the judges that week.[78]
Lloyd Webber managed theUK's entry for the2009 Eurovision Song Contest, to be held in Moscow. In early 2009 a series, calledEurovision: Your Country Needs You, was broadcast to find a performer for a song that he would compose for the competition.Jade Ewen won the right to represent Britain, winning with "It's My Time", by Lloyd Webber andDiane Warren. At the contest, Lloyd Webber accompanied her on the piano during the performance. The United Kingdom finished fifth in the contest.[79]
Following the opening ofLove Never Dies, Lloyd Webber again began a search for a new musical theatre performer in the BBC One seriesOver the Rainbow. He cast the winner,Danielle Hope, in the role ofDorothy Gale, and a dog to playToto in his forthcoming stage production ofThe Wizard of Oz. He and lyricist and composerTim Rice wrote a number of new songs for the production to supplement the songs from the film.[81]
After the 2016 English National Opera's revival of Lloyd Webber's 1990s musicalSunset Boulevard at theLondon Coliseum was well-received, in 2017 the production transferred to thePalace Theatre on Broadway(pictured).
In April 2016, theEnglish National Opera staged a revival ofSunset Boulevard at theLondon Coliseum.[87] The limited run, semi-staged production directed byLonny Price broughtGlenn Close to reprise her star turn as Norma Desmond, which was her first time performing the role in London; she had originated the role in Los Angeles in December 1993 and then on Broadway in November 1994 (which won her the1995 Tony Award for Best Actress in a Musical). The 2016 London revival was so well-received that the production transferred to the Palace Theatre on Broadway in February 2017, making Lloyd Webber the first musical-theatre composer since 1953 to have four musicals running simultaneously on Broadway – a feat that his heroesRodgers and Hammerstein had previously achieved.[88][89]
Lloyd Webber's memoir,Unmasked, was published in 2018.[90] On 9 September 2018, Lloyd Webber, along with Tim Rice andJohn Legend each won an Emmy forJesus Christ Superstar Live in Concert. With this win, Lloyd Webber, Rice and Legend joined thelist of people who have won Academy, Emmy, Grammy, and Tony Awards.[91] Lloyd Webber wrote the song "Beautiful Ghosts" withTaylor Swift for thefilm adaptation ofCats, produced byGreg Wells and released in December 2019.[92] In an interview in August 2020, Lloyd Webber called the film "ridiculous" in the ways that it changed the musical: "The problem with the film was that Tom Hooper decided that he didn't want anybody involved in it who was involved in the original show."[93] He said that seeing the film caused him to get a dog.[94]
Lloyd Webber's new version ofCinderella opened at theGillian Lynne Theatre in the West End in 2021. The opening, which was originally set to take place in August 2020, wasdelayed due to the COVID-19 pandemic.[95] Based on a book byEmerald Fennell, Lloyd Webber wrote: "Emerald Fennell has written something truly exciting and original, and the moment I read her outline I knew I'd found my latest collaborator."[96] He garnered press attention in July 2021 for saying that he was "prepared to be arrested" to openCinderella to full houses in spite of rising Covid cases and in defiance of Government advice.[97] A 2021 feature inVariety suggested: "Lloyd Webber, at 73, appears to have been reanimated creatively in recent years. BothSchool of Rock andCinderella earned him some of the best reviews of his career and had a lightness and wit that had been missing from his work."[94]
...brings a new dramatic tension to Mendelssohn's original melody through the confused emotions of Mary Magdalene. The opening theme may be Mendelssohn, but the rhythmic and harmonic treatment along with new lines of highly effective melodic development are Lloyd Webber's. The song works in its own right as its many performers and audiences can witness.[103]
An accusation of plagiarism regarded the 1971Pink Floyd albumMeddle. The sixth track of the album, "Echoes", has a riff on which Lloyd Webber allegedly based the opening organ riff in "The Phantom of the Opera". The two riffs share very similar notes and the order of the notes played. Lloyd Webber's pipe organ riff from "Phantom of the Opera" plays D, C♯, C, B, A♯, then ascending A♯, B, C, C♯, D. Pink Floyd's "Echoes" plays C♯, C, B, A♯, A, then ascending A, A♯, B, C, C♯. Pink Floyd bassist and co-lead vocalistRoger Waters pointed this out and said it was "probably actionable", but stated that he did not care to take it to court.[104]
Noting similarities between Lloyd Webber's "The Music of the Night" and a recurring melody inGiacomo Puccini's 1910 opera,La fanciulla del West (The Girl of the Golden West), in 1987 the Puccini estate filed a lawsuit against Lloyd Webber, accusing him of plagiarism. The case wassettled out of court, but details were not released to the public.[105] The songwriterRay Repp claimed in a court case that Lloyd Webber had stolen a melody from his own song "Till You", but the court ruled in Lloyd Webber's favour.[106]
Lloyd Webber has been married three times. He married first Sarah Hugill, youngest daughter of Lieutenant-Commander AntonyHugill and FannynéeGore Browne, on 24 July 1971; they divorced on 14 November 1983. Together they had two children, a daughter and a son:
He then married English sopranoSarah Brightman on 22 March 1984, inHampshire. He cast Brightman in the lead role in his musicalThe Phantom of the Opera, among other notable roles. They divorced on 3 January 1990, but have remained close friends and have also continued to work together.[107]
Thirdly, he marriedMadeleine Gurdon inWestminster on 9 February 1991. They have three children, two sons and one daughter.
Lloyd Webber and his third wife Madeleine founded the Watership Down Stud in 1992. In 1996, they expanded their equestrian holdings by purchasing Kiltinan Castle Stud nearFethard in County Tipperary, Ireland.[108] They were invited to ride in the King's procession atRoyal Ascot 2023.[109]
In a 1971 interview withThe New York Times, Lloyd Webber said he is an agnostic. He also said he views Jesus as "one of the great figures of history".[110]
In late 2009, Lloyd Webber had surgery for early-stageprostate cancer,[113] but had to be readmitted to hospital with post-operative infection in November. In January 2010, he declared he was cancer-free.[114] He had his prostate completely removed as a preventative measure.[115]
In 2023, Lloyd Webber's son Nicholas died at the age of 43 after an 18-month battle with gastric cancer.[116]
Lloyd Webber is anart collector, with a passion forVictorian painting. An exhibition of works from his collection was presented at theRoyal Academy in 2003 under the titlePre-Raphaelite and Other Masters – The Andrew Lloyd Webber Collection. In 2006, Lloyd Webber planned to sellPortrait of Angel Fernández de Soto byPablo Picasso to benefit the Andrew Lloyd Webber Foundation.[122] In November 2006, he withdrew the painting from auction after a claim that the previous owner had been forced to sell it under duress inNazi Germany.[123] An out-of-court settlement was reached, where the foundation retained ownership rights.[124] On 23 June 2010, the painting was sold at auction for £34.7 million to an anonymous telephone bidder.[125]
In 2013, the Andrew Lloyd Webber Programme was launched to aid the Music in Secondary Schools Trust (MiSST), which aims to give every child at participating schools across the UK the opportunity to study a musical instrument as part of the curriculum.[128] He toldLBC: "What music does in these schools, isn't actually necessarily about trying to make the children musicians. But what it does, is it really helps them as people."[128]
In October 2015, Lloyd Webber was involved in a contentious House of Lords vote over proposed cuts totax credits, voting with the Government in favour of the plan. Lloyd Webber was denounced by his critics because he flew in from abroad on his personal plane to vote, when his voting record was scant.[134][135] In October 2017, Lloyd Webber retired from theHouse of Lords, stating that his busy schedule was incompatible with the demands of Parliament considering the upcoming crucialBrexit legislation.[136]
A special performance ofThe Phantom of the Opera at the Royal Albert Hall for the 25th anniversary was broadcast live to cinemas in early October 2011 and later released on DVD and Blu-ray in February 2012. The same was also done with a reworked version ofLove Never Dies. Filmed inMelbourne, it received alimited cinema release in the US and Canada in 2012, to see if it would be viable to bring the show toBroadway.
Variations (1978) – A set of musical variations onNiccolò Paganini's Caprice in A minor that Lloyd Webber composed for his brother, cellist Julian. This album featured fifteen rock musicians including guitaristGary Moore and pianistRod Argent and reached number 2 in the UK album chart upon its release. It was later combined withTell Me on a Sunday to form one show,Song and Dance. Lloyd Webber also used variation five as the basis forUnexpected Song in Song and Dance. The main theme is used as the theme music toThe South Bank Show.
Requiem (1985) – A classical choral work composed in honour of his father, William.
Watership Down (1999) – Lloyd Webber andMike Batt, main soundtrack composer of the animated series adaptation ofRichard Adams' novel of the same name, composed the song "Fields of Sun". The actual song was never used on the show, nor was it available on the CD soundtrack that was released at the time. He was however still credited for the unused song in the show's opening titles.
^abcdeChandler, David (2012). "'Everyone should have the opportunity': Alan Doggett and the modern British musical".Studies in Musical Theatre.6 (3):275–289.doi:10.1386/smt.6.3.275_1.
^Ranson, Philip (1984).A Guide to the Popular Names and Nicknames of Classical Music, and to Theme Music in Films, Radio, Television and Broadcast Advertisements. Northern Regional Library System. p. 59.
^"An Exciting Announcement!". SchoolofRock.com. Retrieved20 January 2015.We, here at School of Rock, are so proud and excited to announce that we are now partnered with School of Rock the Musical. Andrew Lloyd Webber and his team have expressed an enthusiastic interest in having School of Rock kids audition for roles in the show!
^"Audition for a Role in School of Rock". Archived fromthe original on 12 January 2015. Retrieved20 January 2015.We are holding band tryouts for rock stars ages 9-15, male and female, who are great singers and actors. We're also looking for talented kids who play drums, bass guitar, guitar, and piano/keyboard. Show us your kid's chops and he or she could be on Broadway!
^"Sunset Boulevard".English National Opera. 9 February 2016. Retrieved27 November 2019.
Harvey Fierstein / Marco Paguia, David Oquendo, Renesito Avich, Gustavo Schartz, Javier Días, Román Diaz, Mauricio Herrera, Jesus Ricardo, Eddie Venegas, Hery Paz, and Leonardo Reyna / Jamie Harrison, Chris Fisher, Gary Beestone, and Edward Pierce (2025)
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