| And Thou Shalt Love | |
|---|---|
 | |
| Directed by | Chaim Elbaum |
| Written by | Chaim Elbaum |
| Produced by | Pazit Lichtman |
| Starring | Uri Lachmi Omer Zonenshein |
| Music by | Ophir Leibovitch |
Release date |
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Running time | 29 minutes |
| Country | Israel |
| Language | Hebrew |
And Thou Shalt Love (Hebrew:ואהבת,translit. V'ahavta) is an Israelishort film. It was directed byChaim Elbaum as part of his studies at theMa'aleh religious film school. The film tells the story of aHesderyeshiva student dealing with beinggay, based on Elbaum's own experiences.
The hero is torn between his love for his God and his desire to be a full partner inTorah and Yeshiva life, and hissexual orientation. The recognition of his attraction to men creates a difficult conflict for the hero, both with his faith and his identity. The film touches on the loaded subject carefully and does not suggest any solution to the dilemma facing the protagonist.
Along with other developments of the time, such as the establishment of organizations such asBat Kol,Havruta andHod, statements by rabbis such asYuval Cherlow who deviated from the traditional position on the subject, and documentaries "Trembling Before G-d" and "Keep Not Silent", the film led to the opening of an open internal discussion withinReligious Zionism on the status ofgays and lesbians in the religious society, and the beginning of a change in relation to them.
It won the best drama award at the 2008Jerusalem Film Festival and is regarded as a significant cinematic effort to bridge the gap betweenreligious beliefs and acceptance ofsexual minorities.[1]
The film examines Ohad's confrontation with himself, his God and his environment.[2]
Ohad, the protagonist, is serving in theIsrael Defense Forces as aHesder student. He has not told anyone about hissexual orientation. He feels that his sexuality contradicts hisreligious identity and he turns to an anonymous religiouscall center called "Atzat Lev" (a name that is a variation on a real organization called "Atzat Nefesh"), which claims to treathomosexuality with the help ofconversion therapy. Following the phone calls, Ohad begins by saying the "Tikkun HaKlali" and fasting for forty days and believes that if he completes the period, he will stop being attracted to men. The painfulrubber band on his wrist is also supposed to help him deal with the forbidden feelings.
Towards the end of the forty days of fasting and prayers, Nir, beloved of Ohad, returns to the yeshiva from thearmy. The encounter overwhelms Ohad with strong feelings and difficult questions towards himself and hisGod. Following the meeting with Nir, Ohad realizes that he has not really changed, and the forty days of correction were of no help. When Nir finds out about Ohad's feelings, he is unsympathetic and retorts "You should leave the yeshiva". Later, Nir does not allow Ohad, who is a Cohen, to bless the blessing of priests ("Cohanim"), since "how can you pray if theTorah says that this is anabomination?". Ohad decides to remove the rubber band from his wrist and goes in to say the blessing of the priests, a step that shows he is at peace with the situation.
According to research, the film signifies the emergence of New Israeli Religious Queer Cinema at the beginning of the third millennium. This genre is notable for being driven by religious filmmakers who are also members of sexual minorities, aiming to foster tolerance and acceptance of homosexuality within Jewish Orthodox communities in Israel. In this sense, the film represents the dual challenges of combating negative representations of religious communities and addressing the heightened stigmatization often directed at religious LGBTQ+ individuals.[3]
The film received positive reviews immediately upon its screening and was shown at several film festivals in Israel and around the world. The film won the following awards:[4]
| Actor | Role |
|---|---|
| Uri Lachmi [he] | Ohad |
| Omer Zonenshein | Nir |
| Yehonadav Perlman [he] | The Rabbi |
| Itzik Haikeh | Benni |
| Yariv Kook | The voice of Menachem |
| Sigalit Ya'akobi | The voice of the woman |
