| Almost Famous | |
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 Theatrical release poster | |
| Directed by | Cameron Crowe |
| Written by | Cameron Crowe |
| Produced by | Cameron Crowe Ian Bryce |
| Starring | |
| Cinematography | John Toll |
| Edited by | Joe Hutshing Saar Klein |
| Music by | Nancy Wilson |
Production companies | |
| Distributed by |
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Release dates |
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Running time | 122 minutes |
| Country | United States |
| Language | English |
| Budget | $60 million[1] |
| Box office | $47.4 million[1] |
Almost Famous is a 2000 Americancomedy drama film written and directed byCameron Crowe, starringBilly Crudup,Frances McDormand,Kate Hudson,Patrick Fugit, andPhilip Seymour Hoffman. It tells the story of a teenage journalist, played by Fugit, writing forRolling Stone magazine in the early 1970s, touring with the fictitiousrock band Stillwater, and writing his first cover story on the band. The film is semi-autobiographical, based on Crowe's experiences as a teenage writer forRolling Stone.[2]
The film performed poorly in theaters, grossing $47.4 million against a $60 million budget.[3] It was widely acclaimed by critics and earned fourAcademy Award nominations, including a win forBest Original Screenplay. It also won the 2001Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.Roger Ebert hailed it as the best film of the year and the ninth-best film of the 2000s. The film also won twoGolden Globe Awards, one forBest Motion Picture – Musical or Comedy and another forBest Supporting Actress – Motion Picture for Hudson.
The film is regarded by some as acult classic and in a 2016 international poll conducted by theBBC,Almost Famous was ranked the 79th-greatest film since 2000, while it was ranked as the 47th-best film of the 21st century in a 2025 poll byThe New York Times.[4][5][6] In aHollywood Reporter 2014 list voted on by "studio chiefs, Oscar winners and TV royalty",Almost Famous was ranked the 71st-greatest film of all time.[7] Astage musical adaptation of the film opened on Broadway in November 2022.[8]
InSan Diego 1969, child prodigy William Miller struggles to fit in with his peers. His life is further complicated by learning that his widowed college professor mother Elaine has falsely led him to believe he is 13 years old when he is only 11. Strong-willed Elaine's strict ban onrock music and her fear of pop culture have a lasting effect on her children, finally driving William's 18-year-old sister Anita to move toSan Francisco and become a flight attendant.
In 1973, William, now 15 and influenced by Anita's secret cache of rock albums, aspires to be a rock journalist, writing freelance articles for underground papers. Impressed by William's writing, rock journalistLester Bangs gives him a $35 assignment to review aBlack Sabbath concert. William is barred from meeting the band backstage until the opening band Stillwater arrives, and William flatters his way in. Lead guitarist Russell Hammond takes a liking to William, as doesgroupie Penny Lane, who has taken William under her wing. Penny insists she and her friends are not really groupies but actually "band aides", a term she invented to describe female fans who follow bands more for the music than for the rock stars themselves.
On seeing William's article on Black Sabbath,Rolling Stone editorBen Fong-Torres hires him to write an article about Stillwater and sends him on the road with the band aboard "Doris", Stillwater's aging but beloved bus. William interviews the other band members, but guitarist Russell Hammond avoids him. Tensions between Hammond and lead singer Jeff Bebe become evident when the band's first T-shirt is produced, featuring Hammond in full view while the rest of the band is in the shadows. As a journalist, William is jokingly called "the enemy" by the band, but he eventually becomes integrated into their inner circle.
The record label hires professional manager Dennis Hope to handle problems with venues and promoters. Penny has to leave before the band reaches New York, where Russell's girlfriend Leslie will join them. Penny and her three protégée band aids are gambled away to another band in a poker game; Penny acts nonchalant but is devastated. Meanwhile, Dennis charters a small plane so the band can play more gigs.
Penny shows up uninvited at a party at a New York restaurant where William reveals to the group that they are to be featured on the cover ofRolling Stone. Penny leaves after her attempts to get Russell's attention become disruptive. William follows her to her hotel, where he saves her from overdosing onquaaludes. A plane hired by the band encounters severe weather on a flight the next day. Fearing that the plane will crash, everyone aboard confesses long concealed secrets to the group while the simmering conflict between Jeff and Russell erupts. William confesses his love for Penny after Jeff insults her. The plane lands safely inTupelo, leaving everyone to ponder the changed atmosphere.
William later arrives at theRolling Stone office in San Francisco but has difficulty finishing the article. Seeking help, William calls Bangs again, who notes that the boy's perceived friendships with band members are illusions and advises him to "be honest... and unmerciful." The magazine's editors at first enthuse over William's completed article, but Russell lies to the magazine's fact-checker, claiming most of the piece is false.Rolling Stone kills the article, crushing William. Anita encounters William at the airport and offers to take him anywhere; he chooses for them to go back to San Diego, where their mother Elaine is glad to see them both.
Sapphire, one of the protégée "Band Aides", chastises Russell for betraying William. Russell then calls Penny, wanting to meet with her, but she tricks him by giving him William's address instead of her own. Russell arrives and finds himself face to face with William's mother, who during the tour had scolded him over the phone for his behavior. Russell apologizes to William and finally gives him an interview. Russell also verifies the accuracy of the article toRolling Stone, which runs it as a cover feature. Penny fulfills her long-standing fantasy of going toMorocco while Stillwater tours again by bus.
Cameron Crowe used a composite of the bands he had known to create Stillwater, the emerging group that welcomes the young journalist into its sphere, then becomes wary of his intentions. "Stillwater" was the name ofa real band signed to Macon, Georgia'sCapricorn Records label, which required the film's producers to obtain permission to use the name. In an interview, real Stillwater guitarist Bobby Golden said, "They could have probably done it without permission but they probably would have had a bunch of different lawsuits. Our lawyer got in touch with them. They wanted us to do it for free and I said, 'No we're not doing it for free.' So we got a little bit of change out of it."[9] Seventies rockerPeter Frampton served as a technical consultant on the film. Crowe and his then-wife, musicianNancy Wilson ofHeart, co-wrote three of the five Stillwater songs in the film, and Frampton wrote the other two, withMike McCready ofPearl Jam playing lead guitar on all of the Stillwater songs.[10][11]
Patrick Fugit, then "a complete unknown fromSalt Lake City,Utah", was cast late in the process after Crowe and casting director Gail Levin watched Fugit's self-taped audition.[12]
The character of Russell Hammond was originally set to be played byBrad Pitt. However, during rehearsal prior to filming, Crowe and Pitt mutually decided that it was "not the right fit", and Pitt dropped out of the project. The line "I am a golden god!" in the pool-jumping sequence, as well as numerous references to Russell Hammond being unusually good looking, were written for Pitt but remained in the script after Billy Crudup was cast.[13] In a 2020 interview withThe New York Times, Crowe confirmed that the "golden god" scene was inspired byLed Zeppelin lead singerRobert Plant, who had uttered the sentence on a "Riot House" balcony.[14]
Jack Black andJon Favreau auditioned for the role ofLester Bangs.[15]
Crowe based the character of Penny Lane on the real-lifePennie Lane Trumbull and her group of female promoters who called themselves the "Flying Garter Girls Group".[16] Though they were not in the Flying Garter Girls group, various other women have been described as Crowe's inspiration, for instancePamela Des Barres[17] andBebe Buell.[18]Sarah Polley was originally cast as Penny Lane, but, when Brad Pitt dropped out, she dropped out as well and was replaced with Kate Hudson.Natalie Portman was also considered.[19]
The character of William Miller's mother (played byFrances McDormand) was based on Crowe's own mother, who even showed up on the set to keep an eye on him while he worked. Although he asked his mother not to bother McDormand, the two women ended up getting along well.[20]Meryl Streep was also considered for the role.[19]
Alice in Chains' guitarist/vocalistJerry Cantrell was Crowe's first choice for the role of Stillwater bass player Larry Fellows. Cantrell is friends with Crowe and had previously appeared in two films directed by him,Singles (1992) andJerry Maguire (1996). Cantrell was busy writing the songs for his solo albumDegradation Trip and had to turn the role down.Mark Kozelek was cast instead.[21]
Crowe took a copy of the film to London for a special screening with Led Zeppelin membersJimmy Page and Plant. After the screening, Led Zeppelin granted Crowe the right to use one of their songs on the soundtrack—the first time they had ever consented to this since allowing Crowe to use "Kashmir" inFast Times at Ridgemont High (1982)—and also gave him rights to four of their other songs in the movie itself, although they did not grant him the rights to "Stairway to Heaven" for an intended scene (on the special "Bootleg" edition DVD, the scene is included as an extra, sans the song, where the viewer is instructed by a watermark to begin playing it).[22][23]
In his 2012 memoirMy Cross to Bear,Gregg Allman writes that several aspects of the movie are based on Crowe's time spent with theAllman Brothers Band. The scene in which Russell jumps from the top of theTopeka party house into a pool was based on somethingDuane Allman did: "the jumping off the roof into the pool, that was Duane—from the third floor of a place called theTravelodge inSan Francisco. My brother wanted to do it again, but the cat who owned the place came out shaking his fist, yelling at him. We told that story all the time, and I have no doubt that Cameron was around for it." He also confirms that he andDickey Betts played a joke on Crowe by claiming clauses in their contract did not allow his story to be published—just before he was to deliver it toRolling Stone.[24]
Filming of the movie lasted 92 days.[25] Some of the filming locations includeOcean Beach, San Diego andSunset Cliffs.[26]
TheAlmost Famous soundtrack album was released byDreamWorks Records on September 12, 2000. It was awarded the 2001Grammy Award forBest Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.
Almost Famous had its premiere at the 2000Toronto International Film Festival.[27] It was subsequently given a limited release on September 15, 2000, in 131 theaters where it grossed $2.3 million on its first weekend. It was given a wider release on September 22, 2000, in 1,193 theaters where it grossed $6.9 million on its opening weekend. The film went on to make $31.7 million in North America and $14.8 million in the rest of the world for a worldwide total of $47.4 million against a $60 million budget.[1][25]
Almost Famous was acclaimed by a number of critics. OnRotten Tomatoes, the film holds a 91% approval rating, based on 229 reviews, with an average rating of 8.40/10. The site's critical consensus reads, "Almost Famous, with its great ensemble performances and story, is a well-crafted, warm-hearted movie that successfully draws you into its era."[28] OnMetacritic it has a score of 90 out of 100, based on 38 reviews, indicating "universal acclaim".[29] Audiences polled byCinemaScore gave the film an average grade of "A−" on an A+ to F scale.[30]
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Film criticRoger Ebert gave the film four out of four stars, naming it the best film of 2000, and described it as "funny and touching in so many different ways."[31] In his review forThe New York Times,A.O. Scott wrote, "The movie's real pleasures are to be found not in its story but in its profusion of funny, offbeat scenes. It's the kind of picture that invites you to go back and savor your favorite moments like choice album cuts."[32]Richard Corliss ofTime praised the film's screenplay for "giving each character his reasons, making everyone in the emotional debate charming and compelling, creating fictional people who breathe in a story with an organic life."[33]
In her review for theL.A. Weekly,Manohla Dargis wrote that "the film shimmers with the irresistible pleasures that define Hollywood at its best—it's polished like glass, funny, knowing and bright, and filled with characters whose lives are invariably sexier and more purposeful than our own."[34] Peter Travers ofRolling Stone wrote, "Not sinceA Hard Day's Night has a movie caught the thrumming exuberance of going where the music takes you."[35]
In his review forNewsweek,David Ansen wrote, "Character-driven, it relies on chemistry, camaraderie, a sharp eye for detail and good casting."[36]Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Every Cameron Crowe film is, in one way or another, about romance, rock & roll, and his romance with rock & roll. This power ballad of a movie, from 2000, also happens to be Crowe's greatest (and most personal) film thanks to the golden gods of Stillwater and their biggest fan, Kate Hudson's incomparable Penny Lane."[37]
Entertainment Weekly gave the film an "A−" rating andOwen Gleiberman praised Crowe for depicting the 1970s as "an era that found its purpose in having no purpose. Crowe, staying close to his memories, has gotten it, for perhaps the first time, onto the screen."[38] In his review for theLos Angeles Times,Kenneth Turan praised Philip Seymour Hoffman's portrayal of Lester Bangs: "Superbly played by Philip Seymour Hoffman, more and more the most gifted and inspired character actor working in film, what could have been the clichéd portrait of an older mentor who speaks the straight truth blossoms into a marvelous personality."[39] However, in his review forThe New York Observer,Andrew Sarris felt that "none of the non-musical components on the screen matched the excitement of the music. For whatever reason, too much of the dark side has been left out."[40]Desson Howe, in his review forThe Washington Post, found it "very hard to see these long-haired kids as products of the 1970s instead of dressed up actors from the Seattle-Starbucks era. I couldn't help wondering how many of these performers had to buy a CD copy of the song and study it for the first time."[41]
In 2021,Rolling Stone published the article “Stillwater Runs Deep!” by "William Miller," backdated to August 30, 1973.[42][43]
Almost Famous was released on DVD and VHS byDreamWorks Home Entertainment on March 13, 2001.[44] In December 2001, an extended cut of the film, also known as the "Bootleg" or "Untitled" version, was released on DVD.[45][46] The extended version has about 40 minutes of additional footage.[47]
In February 2006,Viacom (now known asParamount Skydance) acquired the domestic rights toAlmost Famous, along with the rights to all 58 other live-action films DreamWorks had released since 1997, following its $1.6 billion acquisition of the company's live-action film assets and television assets.[48][49] A remastered Blu-ray andUltra HD Blu-ray of both versions was released byParamount Home Entertainment on July 13, 2021.[50]
In 2018, Crowe said he was working on a stage musical adaptation of the film, in which he would pen the stage libretto and write the musical numbers withTom Kitt.[22] It premiered inSan Diego atThe Old Globe in 2019 and creative work continued during theCOVID-19 pandemic. In June 2022, the musical announced that it will transfer to Broadway, with previews beginning September 13 and opening night scheduled for October 11, 2022. The cast of the production, directed byJeremy Herrin, included newcomerCasey Likes (in his Broadway acting debut) as William Miller,Chris Wood as Russell Hammond,Anika Larsen as Elaine Miller,Solea Pfeiffer as Penny Lane,Drew Gehling as Jeff Bebe, Emily Schultheis as Anita Miller, Jana Djenne Jackson as Polexia Aphrodisia, Katie Ladner as Sapphire,Gerard Canonico as Dick Roswell and Rob Colletti as Lester Bangs.[8]
Comparison: Theatrical Version, Extended Version
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