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All fifths tuning

From Wikipedia, the free encyclopedia
Guitar tuning
All fifths
The consecutiveopen-notes of all-fifths tuning are each spaced sevensemitones apart on thechromatic circle.
Basic information
AliasesPerfect-fifths tuning
IntervalPerfect fifth
Semitones7
Example(s)C-G-d-a-e'-b' or G'-D-A-e-b-f'
Advanced information
Other instrumentsviolin,cello,mandolin,tenor banjo
RepetitionNo
AdvantagesWide range; natural for concert stringed-instrument music
DisadvantagesDifficult to play standard-guitar music
Left-handed tuningAll-fourths tuning
Associated musician
GuitaristCarl Kress
Carl Kress played jazz with all-fifths tuning.
Regular tunings (semitones)
Trivial (0)
Minor thirds (3)
Major thirds (4)
All fourths (5)
Augmented fourths (6)
New standard (7,3)
All fifths (7)
Minor sixths (8)
Guitar tunings
A fretboard with line-segments connecting the successive open-string notes of the standard tuning
In thestandard guitar-tuning, one major-third interval is interjected amid four perfect-fourth intervals. In eachregular tuning, all string successions have the same interval; all-fifths tuning has perfect fifths between all string successions.
All-fifths tuning.

Amongguitar tunings,all-fifths tuning refers to the set of tunings in which eachinterval between consecutiveopen strings is aperfect fifth. All-fifths tuning is also calledfifths,perfect fifths, ormandoguitar.[1] The conventional "standard tuning" consists ofperfect fourths and a single major third between theg andb strings:

E-A-d-g-b-e'

All-fifths tuning has the set of open strings

C-G-d-a-e'-b' or G'-D-A-e-b-f',

which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string.

All-fifths tuning is a tuning in intervals ofperfect fifths like that of amandolin or aviolin. It has a wide range. It was used by jazz guitaristCarl Kress in the form

B'-F-c-g-d'-a'.[2]

An approximation: new standard tuning

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All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in theNew Standard Tuning ofKing Crimson'sRobert Fripp, which has been taught inGuitar Craft courses.[3][4] Guitar Craft, which has been succeeded by Guitar Circle, has taught Fripp's tuning to 3,000 students.[5]

An approximation: through the looking glass guitar

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All-fifths tuning has been approximated with tunings in the Through The Looking Glass Guitar[6] of Kei Nakano, which has been played by him since 2015.This new tuning is like a mirror to all kinds of string instruments including guitar.Also it can adapt to any other tunings of guitar.If tuned to normal guitar for the right handed person, it is able to use for lefty guitar in general, and vice versa.

An approximation: fifths with a unison pair for standard string sets

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This tuning combines the wide 5th intervals with the possibility of close intervals that allows the pair of unison 3rd and 2nd strings (A). When playing in unison, this tuning also allow a chorus-like effect similar to the sound that the unison produces in 12 string guitars, but in a much smaller scale.

It was developed to be used with a standard set of strings, for example a hybrid set of 0.9 strings, and without lowering too much the range of the electric guitar. It has a range that starts from two tones lower than the standard E tuning (C2 instead of E2) for the 6th string, but the 1st string is tuned to the same note (E4). It also shares the 4th string tuning (D3) with the E standard tuning.[7]

C-G-D-A-A-E

Relation with all-fourths tuning

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The consecutiveopen notes of all-fourths tuning are spaced apart by five semitones, reversing the ordering of all-fifths tuning (with seven semitones).
Main article:Regular tunings § Left-handed involution

All-fifths tuning is closely related toall-fourths tuning. All-fifths tuning is based on theperfect fifth (theinterval with sevensemitones), and all-fourths tuning is based on theperfect fourth (five semitones). The perfect-fifth and perfect-fourth intervals areinversions of one another, and the chords of all-fourth and all-fifths are paired asinverted chords. Consequently, chord charts for all-fourths tunings may be used for left-handed all-fifths tuning.[8]

See also

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Notes

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  1. ^Sethares (2001, "The mandoguitar tuning" 62–63):Sethares, Bill (2001). "Regular tunings".Alternate tuning guide(PDF). Madison, Wisconsin: University of Wisconsin; Department of Electrical Engineering. pp. 52–67.2010Alternate tuning guide, including a revised chapter on regular tunings. Retrieved19 May 2012.
  2. ^Page 92. Richard Lieberson, "Swing guitar: The acoustic chordal style", pages 89-112.The Guitar in Jazz: An Anthology, Edited by James Sallis. 1996. 978-0-8032-4250-0
  3. ^Tamm, Eric (2003) [1990],Robert Fripp: From crimson king to crafty master (Progressive Ears ed.), Faber and Faber (1990),ISBN 0-571-16289-4,Zipped Microsoft Word Document, archived fromthe original on 26 October 2011, retrieved25 March 2012
  4. ^Zwerdling, Daniel (5 September 1998)."California Guitar Trio".All Things Considered (NPR Weekend ed.). Washington DC:National Public Radio. Retrieved25 March 2012..
  5. ^Fripp (2011, p. 3):Fripp, Robert (2011). Pozzo, Horacio (ed.).Seven Guitar Craft themes: Definitive scores for guitar ensemble. "Original transcriptions by Curt Golden", "Layout scores and tablatures: Ariel Rzezak and Theo Morresi" (First limited ed.). Partitas Music.ISMN 979-0-9016791-7-7.DGM Sku partitas001.
  6. ^"日本特許第6709929号 【発明の名称】弦楽器 【特許権者】中野 圭".patents.google.com. Retrieved2023-06-30.
  7. ^CGDAAE Guitar Tuning (Fifths/Unison) - Strat in Series - Finger-picking and melodic playing demo. Retrieved2024-05-13 – via www.youtube.com.
  8. ^Sethares (2001, p. 53)

References

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Further reading

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  • Denyer, Ralph (1992). "Playing the guitar: Alternative tunings".The guitar handbook. Special contributors Isaac Guillory and Alastair M. Crawford (Fully revised and updated ed.). London and Sydney: Pan Books. pp. 158–159.ISBN 0-330-32750-X.

External links

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