| Alien vs. Predator | |
|---|---|
 Theatrical release poster | |
| Directed by | Paul W. S. Anderson |
| Screenplay by | Paul W. S. Anderson |
| Story by |
|
| Based on | |
| Produced by | |
| Starring | |
| Cinematography | David Johnson |
| Edited by | Alexander Berner |
| Music by | Harald Kloser |
Production companies | |
| Distributed by | 20th Century Fox |
Release dates |
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Running time | 101 minutes |
| Countries | |
| Language | English |
| Budget | $60–70 million[7][8] |
| Box office | $177.4 million[7] |
Alien vs. Predator (stylized on-screen asAVP: Alien vs. Predator) is a 2004science fictionaction horror film written and directed byPaul W. S. Anderson, and starringSanaa Lathan,Raoul Bova,Lance Henriksen,Ewen Bremner,Colin Salmon, andTommy Flanagan. It is the first film installment of theAlien vs. Predator franchise, the fifth film in theAlien franchise and third film of thePredator franchise, adapting acrossover bringing together theeponymous creatures of theAlien andPredator series, a concept which originated in a1989 comic book written byRandy Stradley andChris Warner. Anderson wrote the story, with the creators of theAlien franchise,Dan O'Bannon andRonald Shusett receiving additional story credit due to the incorporation of elements from theAlien series, and Anderson andShane Salerno adapted the story into a screenplay. Their writing was influenced byAztec mythology, the comic book series, and the writings ofErich von Däniken. In the film, scientists are caught in the crossfire of an ancient battle between Aliens and Predators as they attempt to escape a bygone pyramid.
Alien vs. Predator was theatrically released on 13 August 2004. The film received generally negative reviews from critics, but grossed $177.4 million worldwide against a production budget of $60–70 million. The film received a cult following from fans over time, with many praising the story, creature effects and action sequences. A direct sequel,Aliens vs. Predator: Requiem, was released in 2007.
APredator ship arrives on Earth and uses a heating device to melt a hole in Antarctic ice. Meanwhile, a satellite detects the heat bloom beneathBouvetøya, an island about 1,000 mi (1,600 km) off the coast of Antarctica. Wealthy industrialist Charles Weyland discovers throughthermal imaging that there is a pyramid buried 2,000 ft (610 m) beneath the ice. He assembles a team of experts to investigate, including archaeologists, linguists, mercenaries, and mountaineering guide Lex Woods. Terminally ill, Weyland desires to claim the discovery in his name.
When the team arrives at the abandoned whaling station, they find a newly made tunnel running directly from the ice’s surface toward the pyramid beneath. The team descends the tunnel and begins to explore the pyramid, soon finding evidence of an ancient civilization and what appears to be a sacrificial chamber filled with human skeletons that all have ruptured rib cages.
Meanwhile, three Predators — Scar, Celtic, and Chopper — arrive and kill the remaining team members on the surface. They make their way down to the pyramid and arrive just as the team unwittingly activates the structure and is trapped within it. An enslavedXenomorph Queen is awakened fromcryogenic stasis and begins to produce eggs. When the eggs hatch, severalfacehuggers attach themselves to humans trapped in the sacrificial chamber. Chestbursters emerge from the humans and quickly grow into adult Xenomorphs. The humans take possession of the Predator's blasters, and conflict erupts between the Predators, Xenomorphs, and humans. Celtic and Chopper are killed by a Xenomorph, and Weyland buys Lex and Italian archaeologist Sebastian De Rosa enough time to escape from Scar, giving his life in the process. The two witness Scar kill a facehugger and a Xenomorph before unmasking and marking himself with the acidic blood of the facehugger. After Lex and Sebastian leave, another facehugger attacks Scar.
Through translation of the pyramid'shieroglyphs, Lex and Sebastian learn that the Predators have been visiting Earth for millennia. They taught the early human civilization how to build pyramids and were worshipped as gods. Once a century, they visit Earth to take part in arite of passage by which several humans sacrifice themselves as hosts for the Xenomorphs, creating the "ultimate prey" for the Predators to hunt. As a fail-safe, if overwhelmed, the Predators would activate aself-destruct device to eliminate the Xenomorphs. They deduce that the Predators lured them into the pyramid to use as a sacrifice.
Lex and Sebastian decide that the Predators must be allowed to succeed so that the Xenomorphs do not escape to the surface. Sebastian is captured by a Xenomorph, and Lex returns the blaster to Scar. They are attacked by a Xenomorph, and Lex manages to kill it. Impressed, Scar uses parts of a dead Xenomorph to fashion weapons for Lex, and the two form an alliance. Lex finds Sebastian, who has become the host of a Xenomorph. Shemercy kills him, but the Xenomorph Queen is freed from her restraints and, along with the other Xenomorphs, begins pursuing Lex and Scar. Scar detaches and uses a bomb in his wrist module to destroy the pyramid and the remaining Xenomorphs and their eggs. Lex and Scar reach the surface, and Scar uses acidic Xenomorph blood to mark Lex with the Xenomorph hunter symbol. However, the Xenomorph Queen reappears and attacks. Scar is fatally wounded, but they defeat the Queen by hooking her chains to a water tank and pushing her over a cliff so that she sinks to the ocean floor under the tank's weight.
A Predator spaceship appears, and its crew retrieves its fallen comrade. An elder Predator sees the hunter scar on Lex's face and presents her with a spear as a gift as the spaceship departs. Lex walks over to asnowcat and leaves the area. On the Predator spaceship, Scar's body lies at rest when aPredalien chestburster erupts from his chest.
Before 20th Century Fox gaveAlien vs. Predator thegreenlight,Aliens writer/directorJames Cameron had been working on a story for a fifthAlien film.Alien directorRidley Scott had talked with Cameron, stating "I think it would be a lot of fun, but the most important thing is to get the story right."[9] In a 2002 interview, Scott's concept for a story was "to go back to where the alien creatures were first found and explain how they were created"; this project eventually became Scott's filmPrometheus (2012). On learning that Fox intended to pursueAlien vs. Predator, Cameron believed the film would "kill the validity of the franchise" and ceased work on his story, "To me, that wasFrankenstein Meets Werewolf. It was Universal just taking their assets and starting to play them off against each other...Milking it."[10] After viewingAlien vs. Predator, Cameron remarked that "it was actually pretty good. I think of the fiveAlien films, I'd rate it third. I actually liked it. I actually liked it a lot."[10] Conversely, Ridley Scott had no interest in theAlien vs. Predator films. When asked in May 2012 if he had watched them, Scott laughed, "No. I couldn't do that. I couldn't quite take that step."[11] DirectorNeill Blomkamp would eventually go on to pitch his sequel toAliens.[12] However, Scott stated in 2017 that the project has been cancelled.[13]
The concept ofAlien vs. Predator originated from theAliens versus Predator comic book in 1989 and subsequentnovelisations andnovels. It was also hinted at when an Alien skull appeared in a trophy case aboard the Predator ship inPredator 2.[14] Shortly after the release ofPredator 2,Predator co-writerJim Thomas discussed the possibilities of aPredator franchise and commented on the prospect of a crossover film, stating, "I think Predator vs. Alien is a good idea that will probably never happen".[15] ScreenwriterPeter Briggs created the originalspec screenplay in 1990–1991, which was based on the first comic series.[14] In 1991, he successfully pitched the concept to 20th Century Fox, who owned the film franchises, although the company did not move forward with the project until 2002;a video game produced byCapcom as a tie-in to the unmade film saw independent release in 1994.[16] The project was delayed chiefly because the studio was working onAlien Resurrection.[17] A draft penned byJames DeMonaco and Kevin Fox described as "pretty much word-for-word like the Dark Horse comic book" was rejected by producerJohn Davis, who hoped to give the film an original approach by setting it on Earth.[18]
As there were six producers between the film franchises, Davis had difficulty securing the rights as the producers were worried about a film featuring the two creatures.Paul W. S. Anderson pitched Davis a story he worked on for eight years, adapting theMachiko Noguchi series, and showed him concept art created by Randy Bowen.[19] Impressed with Anderson's idea, Davis thought the story was likeJaws in that it "just drew you in, it drew you in".[20] Anderson started to work on the film after completing the script forResident Evil: Apocalypse, withShane Salerno co-writing. Salerno spent six months writing the shooting script, finished its development, and stayed on for revisions throughout the film's production.[21]Dan O'Bannon andRonald Shusett received story credit on the film based on elements from their work on the originalAlien.[22][23]
_Predator_gods.jpg)
Early reports claimed the story was about humans who tried to lure Predators with Alien eggs, although the idea was scrapped.[24] Influenced by the work ofErich von Däniken, Anderson researched von Däniken's theories on how he believed early civilizations were able to construct massive pyramids with the help of aliens, an idea long debunked and based on misinterpretations ofAztec mythology.[25] Anderson wove these ideas intoAlien vs. Predator, describing a scenario in which Predators taught ancient humans to build pyramids and used Earth forrite of passage rituals every 100 years in which they would hunt Aliens. To explain how these ancient civilisations "disappeared without a trace", Anderson came up with the idea that the Predators, if overwhelmed by the Aliens, would use their self-destruct weapons to kill everything in the area.[25]H. P. Lovecraft's novellaAt the Mountains of Madness (1931) served as an inspiration for the film, and several elements of theAliens vs. Predator comic series were included.[19][26] Anderson's initial script called for five Predators to appear in the film, although the number was later reduced to three.[25]
AsAlien vs. Predator was intended to be a sequel to thePredator films and prequel to theAlien series, Anderson was cautious of contradicting continuity in the franchises.[27] He chose to set the film on the remote NorwegianAntarctic island ofBouvet, commenting, "It's definitely the most hostile environment on Earth and probably the closest to an Alien surface you can get."[28] Anderson thought that setting the film in an urban environment like New York City would break continuity with theAlien series as the protagonist,Ellen Ripley, had no knowledge the creatures existed. "You can't have an Alien running around the city now, because it would've been written up and everyone will know about it. So there's nothing in this movie that contradicts anything that already exists."[28]
After the film's release, James Muller, a writer who alleged that the screenplay was copied from one he had written eight years earlier sued the studio, the production company and Anderson for copyright infringement. In 2011 federal judgeDenny Chin for theUnited States District Court for the Southern District of New York dismissed the case, holding that no reasonable jury was likely to find anything more than coincidental similarity between the two scripts besides elements so common to the genre as not to be copyrightable.[29] Finding Muller's suit "frivolous and objectively unreasonable", Chin also awarded Fox $40,000 in legal fees.[30]
The first actor to be cast forAlien vs. Predator wasLance Henriksen, who played the character Bishop inAliens andAlien 3. Although theAlien films are set hundreds of years in the future, Anderson wanted to keep continuity with the series by including a familiar actor. Henriksen plays billionaire and self-taught-engineer Charles Bishop Weyland, a character that ties in with the Weyland-Yutani Corporation as the original founder and CEO of Weyland Industries. According to Anderson, Weyland becomes known for the discovery of the pyramid, and as a result the Weyland-Yutani Corporation models the Bishop android in theAlien films after him; "when the Bishop android is created in 150 years time, it's created with the face of the creator. It's kind of likeMicrosoft building an android in 100 years time that has the face ofBill Gates."[31]
Anderson opted for a European cast including Italian actorRaoul Bova,Ewen Bremner from Scotland, and English actorColin Salmon. Producer Davis said, "There's a truly international flavor to the cast, and gives the film a lot of character."[32] Several hundred actresses attended the auditions to be cast as the film's heroine Alexa Woods, loosely based on the comic and novel protagonistMachiko Noguchi.Sanaa Lathan was selected, and one week later she flew to Prague to begin filming. The filmmakers knew there would be comparisons toAlien heroine Ellen Ripley and did not want a clone of the character, but wanted to make her similar while adding something different.[32]
Anderson reported in an interview that California GovernorArnold Schwarzenegger was willing to reprise his role as Major Alan "Dutch" Schaeffer fromPredator in a short cameo appearance if he lost the2003 recall election on condition that the filming should take place at his residence.[33] Schwarzenegger, however, won the election with 48.58% of the votes and was unavailable to participate inAlien vs. Predator. ActressSigourney Weaver, who starred as Ellen Ripley in theAlien series, said she was happy not to be in the film, as a possible crossover was "the reason I wanted my character to die in the first place", and thought the concept "sounded awful".[34][35]
Production began in late 2003 atBarrandov Studios inPrague, Czech Republic, where most of the filming took place. Production designer Richard Bridgland was in charge of sets, props and vehicles, based on early concept art Anderson had created to give a broad direction of how things would look. 25 to 30 life-sized sets were constructed at Barrandov Studios, many of which were interiors of the pyramid. The pyramid's carvings, sculptures, andhieroglyphs were influenced by Egyptian, Cambodian, and Aztec civilisations, while the regular shifting of the pyramid's rooms was meant to evoke a sense of claustrophobia similar to the originalAlien film.[36] According to Anderson, if he was to build the sets in Los Angeles they would have cost $20 million. However, in Prague they cost $2 million, an important factor when the film's budget was less than $50 million.[19]
Third scale miniatures several meters in height were created to give the film the effect of realism, rather than relying on computer generated imagery (CGI). For the whaling station miniatures and life-sized sets, over 700 bags of artificial snow were used (roughly 15–20 tons).[20] A 4.5-meter miniature of anicebreaker with working lights and a mechanical moving radar was created, costing almost $37,000 and taking 10 weeks to create. Visual effects producer Arthur Windus, claimed miniatures were beneficial in the filming process: "With computer graphics, you need to spend a lot of time making it real. With a miniature, you shoot it and its there."[37] A scale 25-meter miniature of the whaling station was created in several months. It was designed so the model could be collapsed and then reconstructed, which proved beneficial for a six-second shot which required a re-shoot.[37]
Special effects companyAmalgamated Dynamics, Inc. (ADI) was hired for the film, having previously worked onAlien 3 andAlien Resurrection. Visual and special effects producers Arthur Windus andJohn Bruno were in charge of the project, which contained 400 effects shots.[37] ADI founders Alec Gillis,Tom Woodruff Jr. and members of their company, began designing costumes, miniatures and effects in June 2003. For five months the creatures were redesigned, the Predators wrist blades being extended roughly four times longer than those in thePredator films, and a larger mechanical plasma caster was created for the Scar Predator.[20]
The basic shape of the Predator mask was kept, although technical details were added and each Predator was given a unique mask to distinguish them from each other. These masks were created using clay, which was used to form moulds to create fiberglass copies. These copies were painted to give a weathered look, which Woodruff claims "is what the Predator is all about".[20] A hydraulic Alien puppet was created so ADI would be able to make movements faster and give the Alien a "slimline and skeletal" appearance, rather than using an actor in a suit. The puppet required six people to run it; one for the head and body, two for the arms, and a sixth to make sure the signals were reaching the computer. Movements were recorded in the computer so that puppeteers would be able to repeat moves that Anderson liked. The puppet was used in six shots, including the fight scene with the Predator which took one month to film.[20]
The crew tried to keep CGI use to a minimum, as Anderson said people in suits and puppets are scarier than CGI monsters as they are "there in the frame".[20] Roughly 70% of scenes were created using suits, puppets, and miniatures. The Alien queen was filmed using three variations: a 4.8-meter practical version, a 1.2-meter puppet, and a computer-generated version. The practical version required 12 puppeteers to operate,[19] and CGI tails were added to the Aliens and the queen as they were difficult to animate using puppetry.[32][38] The queen alien's inner-mouth was automated though, and was powered by a system of hydraulics. Anderson praisedAlien directorRidley Scott's andPredator directorJohn McTiernan's abilities at building suspense by not showing the creatures until late in the film, something Anderson wanted to accomplish withAlien vs. Predator. "Yes, we make you wait 45 minutes, but once it goes off, from there until the end of the movie, it's fucking relentless".[39]
Austrian composerHarald Kloser was hired to create the film's score. After completing the score forThe Day After Tomorrow, Kloser was chosen by Anderson as he is a fan of the franchises.[40] It was recorded in London, and was primarily orchestral as Anderson commented, "this is a terrifying movie and it needs a terrifying, classic movie score to go with it; at the same time it's got huge action so it needs that kind of proper orchestral support."[40]
The score album was released oniTunes on 9 August 2004,[41] and on CD on 31 August 2004 and received mixed reviews. James Christopher Monger ofAllmusic thought Kloser introduced electronic elements well, and called "Alien vs. Predator Main Theme a particularly striking and serves as a continuous creative source for the composer to dip his baton in."[42] Mike Brennan of Soundtrack, however, said it "lacks the ingenuity of the previous trilogy (Alien) and thePredator scores, which all shared a strong sense of rhythm in place of thematic content. Kloser throws in some interesting percussion cues ("Antarctica" and "Down the Tunnel"), but more as a sound effect than a consistent motif."[43] John Fallon ofJoBlo.com compared it to character development in the film, "too generic to completely engage or leave a permanent impression."[44]
Alien vs. Predator was released on VHS, DVD, and PSP UMD Movies in North America on 25 January 2005.[45] The DVD contained two audio commentaries. The first featured Paul W. S. Anderson, Lance Henriksen, and Sanaa Lathan, while the second included special effects supervisor John Bruno and ADI founders Alec Gillis and Tom Woodruff. A 25-minute "Making of" featurette and a Dark HorseAVP comic cover gallery were included in the special features along with three deleted scenes from the film. On release,Alien vs. Predator debuted at number 1 on the Top DVD Sales and Top Video Rental charts in North America.[46][47]
A two-disc "Extreme Edition" was released on 7 March 2005, featuring behind the scenes footage of the film. An "Unrated Edition" was released on 22 November 2005, containing the same special features as the Extreme Edition as well as an extra eight minutes of footage in the film. John J. Puccio of DVD Town remarked that the extra footage contained "a few more shots of blood, gore, guts, and slime to spice things up...and tiny bits of connecting matter to help us follow the story line better, but none of it amounts to much."[48]
Alien vs. Predator grossed $80.3 million in the United States and Canada, and $97.1 million in other territories, for a worldwide total of $177.4 million.[7]Deadline Hollywood reported the film was "extremely profitable" for the studio.[49]
The film was released in North America on August 13, 2004 in 3,395 theaters, and grossed $38.2 million in its opening weekend (an average of $11,278 per venue), finishing first at the box office. The film spent 16 weeks in theaters.[50] It grossed $9 million in the United Kingdom, $16 million in Japan, and $8 million in Germany.[51] It ranks third behindAliens andPrometheus at the domestic box office, and at the time was the highest-grossing film of both thePredator andAlien franchises (and to-date is the third best total, behind Romulus andPrometheus).[52]
On thereview aggregator websiteRotten Tomatoes, 21% of 145 critics' reviews are positive, with an average rating of 4.3/10. The website's consensus reads: "Gore without scares and cardboard cut-out characters make this clash of the monsters a dull sit."[53] OnMetacritic the film has a weighted average score of 29 out of 100, based on 21 critics, indicating "generally unfavorable" reviews.[54] Audiences polled byCinemaScore gave the film an average grade of "B" on an A+ to F scale.[55]
Rick Kisonak ofFilm Threat praised the film stating, "For a big dumb production about a movie monster smackdown,Alien vs. Predator is a surprisingly good time".[56] Ian Grey of theOrlando Weekly felt, "Anderson clearly relished making this wonderful, utterly silly film; his heart shows in every drip of slime."[57] Staci Layne Wilson of Horror.com called it "a pretty movie to look at with its grandiose sets and top notch creature FX, but it's a lot like Anderson's previous works in that it's all facade and no foundation."[58] Gary Dowell ofThe Dallas Morning News called the film, "a transparent attempt to jumpstart two run-down franchises".[59]Ed Halter ofThe Village Voice described the film's lighting for fight sequences as, "black-on-black-in-blackness",[60] whileTy Burr ofThe Boston Globe felt the lighting "left the audience in the dark".[61]
A sequel titledAliens vs. Predator: Requiem was released in December 2007.[62]
A fourthPredator film, titledThe Predator, was released in September 2018, featuring Lex Wood's Xenomorph-bone spear from the conclusion ofAlien vs. Predator on display at Project Stargazer.[63]
| Title | Details |
|---|---|
Alien vs. Predator Original release date(s):[64]
| Release years by system: 2004—Mobile phone[65] |
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Aliens vs. Pinball Original release date(s):[67] April 26, 2016 | Release years by system: 2016—Android,iOS,PC,PlayStation 3,PlayStation 4,PlayStation Vita,Wii U,Xbox 360,Xbox One 2017—Nintendo Switch |
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