Alfred Corn | |
|---|---|
| Born | Alfred DeWitt Corn III (1943-08-14)August 14, 1943 (age 81) Bainbridge, Georgia |
| Occupation | Poet, Writer, Critic |
| Genre | Poetry,Essays |
| Notable awards | Guggenheim Fellowship Fellowship of the Academy of American Poets[1][2] |
| Spouse | Ann Jones (divorced) |
| Partner | Walter Brown, J.D. McClatchy |
Alfred Corn (born August 14, 1943) is an American poet and essayist.
Alfred Corn was born inBainbridge, Georgia in 1943 and raised inValdosta, Georgia.
Corn graduated fromEmory University in 1965 with a B.A. in French literature and then earned an M.A. in French literature atColumbia University in 1967.
During the years 1967-1968 he traveled to Paris on aFulbright Scholarship with his wife Ann Jones, whom he met three years earlier in France during a summer study program.[3]After he and Ann Jones divorced, he was partnered with the architect Walter Brown in the years 1971–1976 and then withJ.D. McClatchy from 1977 until 1989.
His first book of poems,All Roads at Once, appeared in 1976, followed byA Call in the Midst of the Crowd (1978),The Various Light (1980),Notes from a Child of Paradise (1984),The West Door (1988),Autobiographies (1992). His seventh book of poems, titledPresent, appeared in 1997, along with a novel titledPart of His Story.,[4] and a study of prosody,The Poem’s Heartbeat[5] (Story Line Press, 1997;Copper Canyon Press, 2008).Stake: Selected Poems, 1972–1992, appeared in 1999, followed byContradictions in 2002. He has also published a collection of critical essays titledThe Metamorphoses of Metaphor (1988) and a work of art criticism,Aaron Rose Photographs (Abrams Books, 2001). In January 2013,Tables, a volume of poems, was published by Press53. In April 2014,Unions, a volume of poems, was published by Barrow Street Press. In December 2014,Miranda's Book, a novel, was published by Eyewear Publishing in London, United Kingdom.
Corn was awarded the 1982 Levinson Prize byPoetry Magazine.[6]
Corn received an Award in Literature from the Academy of Arts and Letters in 1983 and aGuggenheim Fellowship in 1986.[1] In 1987, he was awarded aFellowship of the Academy of American Poets.[2]
Additional fellowships and prizes awarded for his poetry include theNational Endowment for the Arts and a residency at The Bellagio Center for theRockefeller Foundation.
For many years (1983–2001) he taught in the Graduate Writing Program of theColumbia University School of the Arts and has held visiting posts atUCLA, theCity University of New York, theUniversity of Cincinnati,Ohio State University,Oklahoma State University,Sarah Lawrence,Yale University, and theUniversity of Tulsa. As critic, he has written forThe New York Times Book Review,The Nation,The Washington Post Book World, andThe New Republic. Beginning in 1989 and continuing to the present, he has published reviews and articles forArt in America andARTnews magazines. For 2004–2005, he held the Amy Clampitt residency in Lenox, Massachusetts. In 2005–2006, he lived in London, teaching a course for the Poetry School, and one for theArvon Foundation at Totleigh Barton, Devon. In 2007 he directed a poetry-writing course at Wroxton College in Oxfordshire, and in 2008 he taught at the Almássera Vella Arts Center in Spain. His first play, Lowell's Bedlam opened atPentameters Theatre in London in 2011. He was a visiting fellow atClare Hall, Cambridge in 2012 and after his residency was made a Life Fellow. In the same year, he published an e-book,Transatlantic Bridge: A Concise Guide to American and British English, detailing differences in vocabulary, pronunciation, grammar and punctuation.
The criticHarold Bloom singled out Corn'sAll Roads at Once as the best first book of that year (The New Republic, 1976) and said in a jacket comment forA Call in the Midst of the Crowd:
“Alfred Corn’s second book of poems goes well beyond fulfilling the authentic promise of his first. The title poem is an extraordinary and quite inevitable extension of the New York tradition of major visionary poems, which goes from Poe’s ‘City in the Sea’ and Whitman's ‘Crossing Brooklyn Ferry’ to Hart Crane'sThe Bridge and Ashbery's ‘Self Portrait in a Convex Mirror.’ Corn achieves an authority and resonance wholly worthy of his precursors. I know of nothing else of such ambition and realized power in Corn's own generation of American poets. He has had the skill and courage to confront, absorb, and renew our poetic tradition at its most vital. His aesthetic prospects are remarkable, even in this crowded time.”
Bloom’s characterization of these books as belonging to the tradition of American Romanticism was a stimulus for much of the critical attention, positive or negative, focused on Corn during the following decades. Critics and poet-critics as diverse as Richard Howard, Charles Molesworth, Robert B. Shaw, Joel Conarroe, Jay Parini, John Hollander, Wayne Koestenbaum, David Lehmann, Henry Louis Gates, Jr., Amy Clampitt, and Carolyn Forché, have made penetrating observations about his work.
TheNew Princeton Encyclopedia of Poetry and Poetics (Princeton University Press, 1993) grouped Corn with poets who came to be known as the “New Formalists” (seeNew Formalism) but Corn has never appeared in the anthologies associated with this group. A noticeable percentage of his poetry uses meter, rhyme, and verseform, and he has written a widely circulated introduction to English-language prosody,The Poem’s Heartbeat. The critic Robert K. Martin, in hisThe Homosexual Tradition in American Poetry (1979, revised 1998) placed Corn's poetry in a line that begins with Whitman and continues through Crane, Merrill, and Thom Gunn to the present; and Corn has appeared in several anthologies of gay poetry such asThe World In Us (2000). But he has also appeared in more general anthologies such asThe Norton Anthology of Poetry (Fourth and Fifth Edition, 1996 and 2005) andThe Making Of a Poem (Mark Strand andEavan Boland, 2000). Unusual for a poet, he has published two novels, the first,Part of His Story (favorably reviewed by critic A.O. Scott inThe Nation) in 1997. His second, titleMiranda's Book was published in the U.K. by Eyewear in 2014, and several short stories have appeared in magazines and anthologies.
