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Alberto De Martino

From Wikipedia, the free encyclopedia
Italian film director

Alberto De Martino
Born(1929-06-12)12 June 1929
Rome, Italy
Died2 June 2015(2015-06-02) (aged 85)
Rome, Italy
Occupation(s)Film director, screenwriter
Years active1959–1985

Alberto De Martino (12 June 1929 – 2 June 2015) was an Italianfilm director andscreenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in well-crafted knock-offs of Hollywood hit films.[1] These films were specifically created films in Western, horror and mythology genres which were developed for the international market.[1]The Telegraph stated that his best known of these film was probablyThe Antichrist.[1]The Antichrist capitalized on the box-office appeal ofThe Exorcist (1973) and in its first week in the United States earned a greater box office thanJaws.[1]

Life and career

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Alberto De Martino was born on 12 June 1929 in Rome.[1] De Martino was the son of a filmmake-up artist.[2] He started his career as a child actor.[2]

On attending university, De Martino studied law.[1] Martino returned to a career in cinema working as an editor, screenwriter and as an assistant director.[1] Martino stated he was encouraged to be a director byFederico Fellini for whom he supervised the dubbing forLa Dolce Vita.[1] De Martino was also very active in the field of dubbing, and he was dubbing director for more than 1,500 films.[2]

De Martino was one of the active directors in the Italian genre cinema between 1960s and mid-1980s; his films spanned different genres, includingSpaghetti Western,poliziotteschi,Peplum films and horror.[2][3] A real life friend ofSergio Leone, he wassecond unit director inDuck, You Sucker![3] He was often credited as Martin Herbert.[2][3]

In 1980, De Martino nearly lost his home when his filmThe Pumaman failed at the box office.[1]Pumaman was followed by a few more films concluding his career withMiami Golem.[1]

He died in Rome on 2 June 2015 at the age of 85.[1][4][5]

Selected filmography

[edit]
Note: The films listed as N/A are not necessarily chronological.
TitleYearCredited asNotesRef(s)
DirectorScreenwriterScreen story writerOther
Scipio Africanus: The Defeat of Hannibal1937YesActor as "Son of Scipio"[6]
Minotaur, the Wild Beast of Crete1960YesAssistant director[7]
The Invincible Gladiator1961YesYesYesproducer[8][9]
Gladiators 71962YesYes[10][11]
Medusa Against the Son of Hercules1963YesYes[12][13]
The Blancheville MonsterYes[14]
Gli invincibili sette [it]YesYesYes[12][15]
Gladiators Seven1964YesYes[16]
The Triumph of HerculesYes[17]
100.000 dollari per Ringo1965YesYesYes[18][19]
Heroes of Fort WorthYes[20]
The Spy with Ten Faces1966YesYes[21]
Special Mission Lady ChaplinYes[22][23]
Django Shoots FirstYes[24][25]
Dirty Heroes1967YesYes[26]
O.K. ConneryYes[27]
Roma come Chicago1968YesYes[28]
Carnal Circuit1969YesYes[29][30]
The Man with Icy EyesYes[31]
Crime Boss1972Yes[32]
The Killer Is on the PhoneYesYesYes[33][34]
Ci risiamo, vero Provvidenza?Yes[35]
Counselor at Crime1973YesYesYes[36]
The Antichrist1974YesYesYes[37][38]
Strange Shadows in an Empty Room1976Yes[39]
Holocaust 2000YesYesYes[40]
The Pumaman1980YesYes[41][42]
Blood Link1982YesYes[43][44][45]
Formula for a Murder1985YesYesYes[46][47][44]
Miami GolemYes[48]

References

[edit]

Footnotes

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  1. ^abcdefghijk"Alberto De Martino; Italian director whose films were unrepentantly brazen versions of better-known Hollywood hits".The Daily Telegraph. 9 June 2015. p. 27.
  2. ^abcdeStefania Ulivi (3 June 2015)."Addio a De Martino, regista di culto amato da Tarantino".Corriere della Sera. Retrieved8 June 2015.
  3. ^abcMarco Giusti (2007).Dizionario del western all'italiana. Mondadori, 2007.ISBN 978-8804572770.
  4. ^"Addio a Alberto De Martino, regista culto tra peplum e horror".corriere. Retrieved2 June 2015.
  5. ^"Addio a De Martino, regista di culto amato da Tarantino".Corriere della Sera.
  6. ^Kinnard & Crnkovich 2017, p. 46.
  7. ^Kinnard & Crnkovich 2017, p. 120.
  8. ^Kinnard & Crnkovich 2017, p. 100.
  9. ^Kinnard & Crnkovich 2017, p. 101.
  10. ^Kinnard & Crnkovich 2017, p. 65.
  11. ^Kinnard & Crnkovich 2017, p. 67.
  12. ^abKinnard & Crnkovich 2017, p. 115.
  13. ^Kinnard & Crnkovich 2017, p. 116.
  14. ^Curti 2015, p. 86.
  15. ^Kinnard & Crnkovich 2017, p. 151.
  16. ^Kinnard & Crnkovich 2017, p. 140.
  17. ^"Il trionfo di Ercole (1964)" (in Italian). Archviodelcinemaitaliano.it.
  18. ^"Sangre sobre Texas [100.000 dollari per Ringo] (1965)" (in Italian). Archviodelcinemaitaliano.it.
  19. ^Hughes, Howard (2018). "Westerns, Italian Style: Once Upon a Timeline".The Complete Sartana (Booklet). Arrow Video. p. 34. FCD1762 / AV151.
  20. ^"Gli eroi di Fort Worth (1964)" (in Italian). Archviodelcinemaitaliano.it.
  21. ^"Der Mann mit den tausend Masken". Filmportal.de. Retrieved1 May 2016.
  22. ^"Missione speciale Lady Chaplin (1966)". Archviodelcinemaitaliano.com. Retrieved10 July 2018.
  23. ^"Missione Speciale Lady Chaplin (1966)".AllMovie.Archived from the original on 9 October 2012. Retrieved10 July 2018.
  24. ^"Django spara per primo (1966)" (in Italian). Archviodelcinemaitaliano.it.
  25. ^Hughes, Howard (2018). "Westerns, Italian Style: Once Upon a Timeline".The Complete Sartana (Booklet). Arrow Video. p. 37. FCD1762 / AV151.
  26. ^"...und morgen fahrt ihr zur Hölle".Filmportal.de. Retrieved9 July 2018.
  27. ^"Operation Kid Brother".American Film Institute. Archived fromthe original on 3 April 2014. Retrieved25 September 2015.
  28. ^Curti 2013, p. 14.
  29. ^Roberto Chiti; Roberto Poppi; Enrico Lancia; Mario Pecorari (1991). "Femmine insaziabili".Dizionario del cinema italiano. I film. Gremese Editore, 1992.ISBN 8876055932.
  30. ^"Mord im schwarzen Cadillac".Filmportal.de. Retrieved11 October 2016.
  31. ^"L'uomo dagli occhi di ghiaccio (1971)" (in Italian). Archiviodelcinemaitaliano.it. Retrieved10 July 2018.
  32. ^Curti 2013, p. 55.
  33. ^Howarth 2015, p. 196.
  34. ^"L'assassino... è al telefono (1972)" (in Italian). Archvio del cinema italiano. Retrieved1 June 2018.
  35. ^"Ci risiamo, vero Provvidenza?" (in Italian). Archvio del cinema italiano. Retrieved1 June 2018.
  36. ^Curti 2013, p. 79.
  37. ^"L'anticristo (1974)" (in Italian). Archvio del cinema italiano. Retrieved1 June 2018.
  38. ^Firsching, Robert."Antichrist (1974)".AllMovie.Archived from the original on 28 November 2013. Retrieved10 July 2018.
  39. ^Curti 2013, p. 196.
  40. ^"Holocaust 2000".Monthly Film Bulletin. Vol. 45, no. 528. London:British Film Institute. 1978. pp. 47–48.
  41. ^Curti 2016, p. 160.
  42. ^Curti 2016, p. 161.
  43. ^Curti 2022, p. 376.
  44. ^abCurti 2022, p. 9.
  45. ^Luther Smith 1999, p. 12.
  46. ^"7, Hyden Park. La casa maledetta (1985)" (in Italian). Archvio del cinema italiano. Retrieved1 June 2018.
  47. ^Curti 2022, p. 377.
  48. ^"* * Mi ami Golem (1986)" (in Italian). Archvio del cinema italiano. Retrieved1 June 2018.

Sources

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  • Curti, Roberto (2013).Italian Crime Filmography, 1968–1980. McFarland.ISBN 978-0786469765.
  • Curti, Roberto (2015).Italian Gothic Horror Films, 1957–1969. McFarland.ISBN 978-1476619897.
  • Curti, Roberto (2016).Diabolika: Supercriminals, Superheroes and the Comic Book Universe in Italian Cinema. Midnight Marquee Press.ISBN 978-1-936168-60-6.
  • Curti, Roberto (2022).Italian Giallo in Film and Television. McFarland.ISBN 978-1-4766-8248-8.
  • Howarth, Troy (2015).So Deadly, So Perverse. Vol. 1. Midnight Marquee Press.ISBN 978-1936168507.
  • Kinnard, Roy; Crnkovich, Tony (2017).Italian Sword and Sandal Films, 1908–1990. McFarland.ISBN 978-1476662916.
  • Luther Smith, Adrian (1999).Blood & Black Lace. Stray Cat Publishing.ISBN 0-9533261-1-X.

External links

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