Agustí Villaronga | |
|---|---|
Villaronga in 2020 | |
| Born | Agustí Villaronga Riutort (1953-03-04)4 March 1953 Palma de Mallorca, Spain |
| Died | 23 January 2023(2023-01-23) (aged 69) Barcelona, Spain |
| Occupation(s) | Film director, screenwriter, actor |
| Years active | 1976–2023 |
Agustí Villaronga Riutort (Catalan pronunciation:[əɣusˈtiβiʎəˈɾoŋɡə]; 4 March 1953 – 23 January 2023)[1][2] was a Spanish film director, screenwriter and actor.[3] He directed several feature films, a documentary, three projects for television and three shorts. His filmMoon Child was entered into the1989 Cannes Film Festival.[4]
His auteur approach to filmmaking was described byScreenDaily as demostrative of "a keen insight into human pain and cruelty".[5] In 2011 he won theGoya Award for Best Director forBlack Bread. The Catalan-language film was selected as the Spanish entry for theBest Foreign Language Film at the84th Academy Awards,[6] but it did not make the final shortlist.[7]
Agustí Villaronga was born on 4 March 1953 inPalma. His grandparents were itinerant puppeteers and his father was a child of theSpanish Civil War, a background that would resurface repeatedly in the director's filmography.[8] Since childhood, his father encouraged his love for films and from early in his life he wanted to become a film director. He worked as an actor and made some shorts.[citation needed]
Villaronga made his directorial debut in 1986 with the filmIn a Glass Cage, which was selected by theBerlin film festival receiving critical praise and many awards. The plot follows a former Nazi doctor, now paralyzed and depending on an iron lung to live, who begins to be taken care of by a young man, one of the children he abused during the war.In a Glass Cage already shows some of the key elements in Villaronga's filmography: a disturbed childhood marked by violence, an early discovery of sexuality.[citation needed]
His second film,Moon Child (1989), is about a child who goes to Africa to join a tribe awaiting the arrival of white child God.[9] In 1992 he made a documentary,Al-Andalus, produced by Sogetel and theMoMa ofNew York City.[10][11] For some years Villaronga tried unsuccessfully to find financing to adapt a novel byMercè Rodoreda,La mort i la primavera.[12] Instead he had to take some commission works. One of these wasEl pasajero clandestino, an adaptation of aGeorges Simenon novel, that lacked the personal characteristics of his filmography.[13][14]
Called by actressMaría Barranco, Villaronga directed the 1997 horror film99.9, which won the award for Best Cinematography at the 1997Sitges Film Festival.[15] In 2000, Villaronga came back with a project of his own:El mar, a story set inMallorca about three former childhood friends, traumatized by the violence they experienced during the Spanish Civil War, that are reunited ten years later as young adults. The key elements in Villaronga's filmography are present in this story: childhood, sexual awakening, homosexuality and violence.[16][17]
In 2002, Villaronga co-directed withLydia Zimmermann andIsaac Pierre Racine the filmAro Tolbukhin: In the Mind of a Killer. In 2005 he directed a music video for French superstarMylène Farmer's songFuck Them All.[18] In 2007 he madeDespués de la lluvia, a made for television project adapting a stage play. It was only until 2010 withBlack Bread, when Villaronga finally achieved wider appeal. This film, winner of nineGoya Awards including best film and best director, tells the story of an eleven year old boy who growing up in the harsh period of the aftermath of the Spanish Civil War inCatalonia's countryside discovers the world of lies around him.[citation needed]
Villaronga followedBlack Bread's success withA Letter to Evita, a TV miniseries co-produced by TV3, which recounts a real episode in the life ofEva Perón while visiting Spain in the late 1940s.[citation needed]
Villaronga was openly gay.[17] He died on 22 January 2023 inBarcelona, at the age of 69.[19] At the time of his death, he had one project,Stormy Lola, outstanding. It was shot in 2022, and was his first comedy film.[20][21][1]
Villaronga received theGold Medal of Merit in the Fine Arts on 1 December 2022.[22]
| Year | Title | Director | Writer | Notes | Ref |
|---|---|---|---|---|---|
| 1986 | In a Glass Cage | Yes | Yes | Manfred Salzberg Award at theBerlin film festival | [23] |
| 1989 | Moon Child | Yes | Yes | [23] | |
| 1992 | Al-Andalus: The Art of Islamic Spain | Yes | Yes | Documentary medium-length film | [24] |
| 1997 | 99.9 | Yes | Yes | [23] | |
| 2000 | The Sea | Yes | Yes | Based on a novel byBlai Bonet. | [23] |
| 2002 | Aro Tolbukhin: In the Mind of a Killer | Yes | Yes | Co-directed withIsaac Pierre Racine andLydia Zimmermann. | [23] |
| 2010 | Black Bread | Yes | Yes | Winner of nineGoya Awards, including best film, best director and best adapted screenplay. | [23] |
| 2015 | The King of Havana | Yes | Yes | [25] | |
| 2017 | Uncertain Glory | Yes | Yes | Based on the novelUncertain Glory byJoan Sales. | [26] |
| 2019 | Born a King | Yes | No | United Kingdom and United Arab Emmirates production | [27] |
| 2021 | The Belly of the Sea | Yes | Yes | [28] | |
| 2023 | Stormy Lola | Yes | Yes | Posthumously released work | [29] |
| Year | Title | Director | Writer | Notes |
|---|---|---|---|---|
| 1976 | Anta mujer | Yes | Yes | |
| 1980 | Al Mayurka | Yes | Yes | |
| Laberint | Yes | Yes | ||
| 2000 | Gracia Exquisita | Yes | No | Short films anthology |
| 2005 | Fuck Them All | Yes | No | Music video forMylène Farmer |
| 2015 | El Testament de Rosa | Yes | Yes |
| Year | Title | Director | Writer | Notes | |
|---|---|---|---|---|---|
| 1995 | Cycle Simenon | Yes | Yes | TV Anthology serie Episode "Le passages clandestin" | |
| 1997 | Croniques de la vertat oculta | Yes | Yes | Episode "Pedagogia Aplicada" | |
| 2007 | Miguel Bauça, Poeta Invisible | Yes | Yes | TV Movie | |
| Despues de La Lluvia | Yes | Yes | |||
| 2009 | 50 años de.. | Yes | No | Documentary TV Series Episode "Fe" | |
| 2012 | Carta a Eva | Yes | Yes | TV Mini-series 2 episodes |
| Year | Award | Category | Work | Result | Ref |
|---|---|---|---|---|---|
| 1990 | 4th Goya Awards | Best Director | Moon Child | Nominated | [30] |
| Best Original Screenplay | Won | ||||
| 2011 | 3rdGaudí Awards | Best Director | Black Bread | Won | [31] |
| Best Screenplay | Won | ||||
| 25th Goya Awards | Best Director | Won | [32] | ||
| Best Adapted Screenplay | Won | ||||
| 2016 | 8thGaudí Awards | Best Director | The King of Havana | Nominated | [33][34] |
| Best Screenplay | Nominated | ||||
| 30th Goya Awards | Best Adapted Screenplay | Nominated | [35] | ||
| 2018 | 10th Gaudí Awards | Best Director | Uncertain Glory | Nominated | [36][37] |
| Best Screenplay | Nominated | ||||
| 2022 | 36th Goya Awards | Best Adapted Screenplay | The Belly of the Sea | Nominated | [38] |
| 14th Gaudí Awards | Best Director | Nominated | [39] | ||
| Best Screenplay | Nominated |
Nor was [Black Bread] Villaronga's first film about children in the post Spanish Civil War era. [The Sea],In a Glass Cage and [Aro Tolbukhin. En la mente del asesino] all spoke of the consequences of the war, the perversions of war which changes the nature of human beings, now, after, in the future and before. The perversions of war most interests Villaronga.