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| Agneepath | |
|---|---|
Theatrical release poster | |
| Directed by | Mukul S. Anand |
| Screenplay by | Santosh Saroj Kader Khan |
| Story by | Santosh Saroj |
| Produced by | Yash Johar |
| Starring | Amitabh Bachchan Mithun Chakraborty Madhavi Neelam Kothari Danny Denzongpa Rohini Hattangadi Archana Puran Singh |
| Cinematography | Pravin Bhatt |
| Edited by | Waman Bhonsle Gurudutt Shirali |
| Music by | Laxmikant Pyarelal |
Production company | |
| Distributed by | Dharma Productions |
Release date |
|
Running time | 181 minutes |
| Country | India |
| Language | Hindi |
| Box office | ₹102.5 million[1] |
Agneepath (Hindi pronunciation:[əɡnɪpətʰ],transl. The Path of Fire) is a 1990 IndianHindi-languageepicgangsteraction film and directed byMukul S. Anand, written bySantosh Saroj andKader Khan, and produced byYash Johar under theDharma Productions banner. The film starsAmitabh Bachchan as Vijay Deenanath Chauhan, a man who enters theMumbai underworld to avenge the wrongful death of his father and the injustices suffered by his family, alongside anensemble cast ofMithun Chakraborty,Danny Denzongpa,Rohini Hattangadi,Neelam Kothari andAlok Nath.
The film's title is derived from a Hindi poem of the same name written byHarivansh Rai Bachchan, Amitabh Bachchan's father. The poem is recited during the film and serves as a recurring thematicmotif. The narrative was reportedly inspired in part by the real-life gangsterManya Surve.[2] Often described as a loose adaptation ofScarface (1983), it nonetheless brought stylistic and thematic innovations in terms of adapting it to typical Indian sensibilities.[3]
Released theatrically in 1990,Agneepath received mixed initial reception andunderperformed at the box office despite being thefourth highest-grossing Hindi film of the year.[4] Bachchan initially dubbed the movie in a raspy voice inspired byMarlon Brando inThe Godfather (1972), which was perceived as the main reason for the box-office failure, as the audience was unwelcoming of Bachchan losing one of his typical traits, with some even thinking that there was a technical problem with the soundtrack, a situation which eventually led Bachchan to re‑dub the entire film in his normal baritone within a night.[3] However, the film gainedcult status over time and has since been re-evaluated for its stylized direction, intense performances, and socio-political themes. Bachchan wonBest Actor in a Leading Role at the38th National Film Awards—his first in that category. At the36th Filmfare Awards, Chakraborty and Hattangadi wonBest Supporting Actor andBest Supporting Actress, respectively.
In 2012, the film was remade inunder the same title and directed and writer byKaran Malhotra and produced by Hiroo Yash Johar and Hiroo Yash Johar's sonKaran Johar as a tribute to be as aMukul S. Anand.
In 1965, villageschoolmaster Dinanath Chauhan is an outspoken critic of local underworld don Kancha Cheena's plan to use the village as a base forheroin smuggling. Framed in a fabricated scandal by Kancha and the village landlord Dinkar Rao, Dinanath islynched by the villagers, leaving his family destitute. His young son, Vijay Deenanath Chauhan, vows to avenge his father's death, restore his family's honor, and punish those responsible.
Years later inMumbai, Vijay is mentored by gangsters Hasmukh, Usman Bhai, and Anna Shetty and gradually rises through the ranks of the underworld. Although his criminal lifestyle distances him from his mother, Suhasini, and sister, Siksha, Vijay believes his actions are justified as a means of achieving justice.
Now a feared underworld figure, Vijay is warned by Police Commissioner Gaitonde—who disapproves of him but sees traces of moral intent—of anassassination plot by his former allies. Vijay allows the attack to take place, believing his survival will elevate his status. He is rescued by a coconut vendor, Krishnan Iyer,M.A., who later becomes Siksha's bodyguard and Vijay's loyal friend. At the hospital, Vijay is cared for by nurse Mary Matthew, who becomes his confidante and later his partner.
Vijay eliminates Hasmukh and Usman, who had surrendered to police to escape him. His mother, disillusioned by his criminal life, refuses to acknowledge him and asks him to leave. Hurt, Vijay finds comfort in Mary and begins a relationship with her. Meanwhile, Anna Shetty kidnaps Siksha to lure Vijay into a trap. Krishnan's attempt to rescue her fails, but Vijay arrives and kills Anna in a violent confrontation.
Romantic feelings develop between Krishnan and Siksha, which Vijay opposes. Suhasini, however, supports the relationship and disowns Vijay, calling Krishnan the son she wishes she had. Stung by her words, Vijay marries Mary and vows to reform his life to win back his mother's respect.
Vijay re-engages with Kancha Cheena, securing access to his old village under the pretense of a deal. He systematically dismantles Cheena's operations, acquires legal control of the village, and has Dinkar Rao lynched by the villagers in a symbolic reversal of his father's fate. Vijay also arranges for Kancha's mistress, Laila—revealed to be Shanti, the daughter of a woman involved in Dinanath's framing—to testify against him in court. Kancha is convicted, and Vijay returns the village to his mother.
However, Kancha escapes custody by orchestrating the murder of witnesses and retaliates by kidnapping Vijay's family. Forced to return to violence, Vijay storms the village in a final confrontation. During the ensuing destruction, he kills Kancha by throwing him into a raging fire. Vijay, mortally wounded, dies in his mother's arms at the site of their former home. In his final moments, he reflects on his life and insists he was never a criminal but a son who walked the "path of fire"—Agneepath—to seek justice. Suhasini forgives him, acknowledging his sacrifice.
The character of Vijay Deenanath Chauhan was inspired by the lives of Mumbai underworld figuresVaradarajan Mudaliar andManya Surve.[2][5] Amitabh Bachchan reportedly modeled his character's voice and mannerisms on Surve, adopting a distinct baritone and stylized delivery to differentiate Vijay from his earlier roles.[6]
All music is composed byLaxmikant Pyarelal.
| No. | Title | Playback | Length |
|---|---|---|---|
| 1. | "Kisko Tha Pata" | SP Balasubramanyam,Alka Yagnik | |
| 2. | "I Am Krishnan Iyer M. A." | SP Balasubramanyam | |
| 3. | "Ali Baba Mil Gaye Chalis Choron Se" | Runa Laila,Aadesh Shrivastava[7] | |
| 4. | "Ganpati Apne Gaon Chale" | Sudesh Bhosle,Kavita Krishnamurthy,Anupama Deshpande |
Upon its theatrical release,Agneepath received mixed-to-negative reviews from critics.[4] Film trade analystKomal Nahta criticized Amitabh Bachchan's stylized voice modulation—modeled afterMarlon Brando inThe Godfather (1972)—calling it a significant drawback. He remarked, "He has spoken the dialogue in a different voice... which will not be accepted by the audience. Further, the mixing not being clear, his dialogues are incomprehensible at places." Nahta also felt the film lacked a gripping narrative and effective action sequences, writing that even the murder scenes "lacked excitement."[8]
Rediff.com suggested that the film's bleak tone, heavy violence, and grim depiction of Mumbai's underworld may have contributed to its initial lack of acceptance.[9] However, in retrospect, the same review noted that "Agneepath, despite its amplified sentimentality, strong language, and violence, works on account of this very dynamism."[10]
Over time,Agneepath gained cult status, especially among younger urban audiences.[4] FilmmakerKaran Johar later remarked that city-based viewers came to view the film as a stylish and impactful portrayal of the underworld, with Bachchan's performance being reassessed as one of his most compelling.[11]
| Award | Date of the ceremony | Category | Recipients | Result | Ref. |
|---|---|---|---|---|---|
| Filmfare Awards | 1991 | Best Film | Agneepath | Nominated | |
| Best Director | Mukul S. Anand | Nominated | |||
| Best Actor | Amitabh Bachchan | Nominated | |||
| Best Supporting Actor | Mithun Chakraborty | Won | |||
| Best Supporting Actress | Rohini Hattangadi | Won | |||
| National Film Awards | 7 April 1991 | Best Actor in a Leading Role | Amitabh Bachchan | Won |
In a 2012 interview withThe Times of India, producerKaran Johar revealed that he had long intended to remakeAgneepath, as the original film's underwhelming box office performance had deeply affected his father,Yash Johar, who produced the 1990 version.[12] The idea for the remake was revived during the production ofMy Name Is Khan (2010), whereKaran Malhotra, then anassociate director, was approached by Johar to direct the new version. Malhotra revisited the original and agreed to helm the project.
The remake was released in 2012, featuringHrithik Roshan as Vijay Deenanath Chauhan andSanjay Dutt as the reimagined Kancha Cheena.[13]Priyanka Chopra played the female lead, whileRishi Kapoor portrayed a newly introduced antagonist, Rauf Lala. The character of Krishnan Iyer, played byMithun Chakraborty in the original, was omitted from the remake.[14] The supporting cast includedOm Puri,Zarina Wahab, andChetan Pandit.[15]
Agneepath was also unofficially adapted into theTamil-language filmSivasakthi (1996), directed bySuresh Krissna.
The film has left a significant cultural legacy. The Hindi translation ofIn the Line of Fire: A Memoir (2006), the autobiography of former Pakistani PresidentPervez Musharraf, was titledAgnipath Meri Atmakatha, reportedly in admiration ofAmitabh Bachchan.[16] In 2022, the Indian government introduced a new military recruitment programme titled theAgnipath Scheme, widely believed to have been named afterHarivansh Rai Bachchan’s poem of the same name, which forms the thematic backbone of the film.[17]