Adolf Rott (14 December 1905 – 24 July 1982) was a Germantheatre director, theatreartistic director, and theatre manager. From 1954 to 1959, he was director of the ViennaBurgtheater.
Rott was born inBarmen. After hisAbitur, Rott studied law and began his theatre career as a directing student ofLouise Dumont at the Städtische Bühnen in Düsseldorf. There, he worked as a student director and later as an assistant to Peter Scharoff. This was followed by two itinerant years as director, dramaturge and actor, and then a series of engagements as head stage manager, dramaturge, actor and assistant director at larger theatres. In 1933, Rott was engaged as director at theKonzerthaus Berlin, and in 1934 at theDeutsches Schauspielhaus. The next station was theStadttheater Danzig [de], where he was deputy general director, head play director anddramaturge; at the same time, he was director of the state drama school. In 1936, Rott was engaged at theBurgtheater Vienna. From 1 September 1954 to 31 August 1959, he was the first director of the reopened Burgtheater, fiercely hated by critics such asFriedrich Torberg andHans Weigel.[2]
Until 1945 he was also a teacher at theMax Reinhardt Seminar in Vienna. After 1945, he was appointed head director of the Burgtheater, theVienna State Opera and theVienna Volksoper, where he created essential productions that were on the repertoire of these stages for years.
Rott was a co-founder of the Graz Festival. As permanent director of theBregenz Festival, he drew the attention of foreign countries to this event by staging classical operettas on theLake Constance stage. In addition to his work in Vienna, Rott wasHeinz Tietjen's first collaborator at theDeutsche Oper Berlin after 1945. After his resignation as director of the Burgtheater, Rott worked as chief director at theDeutsche Oper am Rhein in Düsseldorf, but returned again and again to Vienna for work as chief director of the Austrian Federal Theatres.
His work atopera houses in the United States falls into this period (San Francisco, Chicago, Philadelphia, New York City,Dallas,Fort Worth), in (la Scala,Teatro la Fenice, Große Oper in Rome,Teatro San Carlo,Teatro Massimo) and at many other great opera stages such asCovent Garden Opera in London,Edinburgh Festival Theatre,Paris Opera,Teatro Real,Opernhaus Zürich andGrand Théâtre de Genève, numerous opera stages in Germany, theFinnish National Theatre, theRoyal Swedish Opera, theOslo Opera House and theCopenhagen Opera House.
Rott is considered the innovator of the Viennese classicaloperetta. He exported thisgenre to many European countries.[citation needed]
Rott died at the age of 76 on 24 July 1982 in Vienna.[3]
On the occasion of the reopening of the Burgtheater on the Ring, to the reconstruction of which he contributed significantly, Adolf Rott received a decree on 11 October 1955 in which he was thanked and acknowledged by the federal government. At the opening ceremony in October 1955, the members of the Burgtheater awarded him the Ring of Honour of the colleagues for his commitment. In the course of the years after 1945, he was appointed professor, privy councillor and honorary member of the Burgtheater. In 1975 he became an honorary member of the Volksoper.[4]
He also received the following honours and awards:
Vor den Bombennächten stand
an dieser Stelle ein kleines
bergisches Schieferhaus, in dem
am 14. Dezember 1905 der spätere
Direktor und Wiedererbauer
des Wiener Burgtheaters
Hofrat Prof. Dr.
Adolf Rott
geboren wurde
seine Wiener Freunde— Commemorative plaque on the site of his birthplace
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