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A Room with a View (1985 film)

From Wikipedia, the free encyclopedia
1985 British romance film by James Ivory

A Room with a View
A man and a woman, the cityscape of Florence and Il Duomo in the background
Theatrical release poster
Directed byJames Ivory
Screenplay byRuth Prawer Jhabvala
Based onA Room with a View
1908 novel
byE. M. Forster
Produced byIsmail Merchant
Starring
CinematographyTony Pierce-Roberts
Edited byHumphrey Dixon
Music by
Production
companies
Distributed byCurzon Film Distributors
Release dates
Running time
117 minutes[1]
CountryUnited Kingdom
LanguageEnglish
Budget
  • £2.3 million
  • ($3 million)[2][3]
Box office$21 million[2]

A Room with a View is a 1985 Britishromance film directed byJames Ivory and produced byIsmail Merchant. It was written byRuth Prawer Jhabvala, who adaptedE. M. Forster's 1908 novelA Room with a View. Set in England and Italy, it is about a young woman named Lucy Honeychurch (Helena Bonham Carter) in the final throes of the restrictive and repressed culture ofEdwardian England and her developing love for a free-spirited young man, George Emerson (Julian Sands).Maggie Smith,Denholm Elliott,Daniel Day-Lewis,Judi Dench andSimon Callow feature in supporting roles. The film closely follows the novel by the use of chapter titles to distinguish thematic segments.

A Room with a View received universal critical acclaim and was a box-office success. At the59th Academy Awards it was nominated for eightAcademy Awards (includingBest Picture) and won three:Best Adapted Screenplay,Best Art Direction andBest Costume Design. It also won fiveBritish Academy Film Awards and aGolden Globe. In 1999 theBritish Film Institute placedA Room with a View 73rd on its list of thetop 100 British films.

Plot

[edit]

In 1907 a young Englishwoman, Lucy Honeychurch, and her much older cousin andchaperone, Charlotte Bartlett, stay at thePensione Bertolini while on holiday inFlorence. They are disappointed that their rooms lack a view of the RiverArno as promised. At dinner they meet other English guests: theReverend Mr. Beebe; two elderly spinster sisters, the Misses Alan; romance author Eleanor Lavish; the freethinking Mr. Emerson; and his quiet, handsome son George.

Learning about Charlotte and Lucy's disappointment at not having a view of the river, Mr. Emerson and George offer to exchange rooms, though Charlotte considers the suggestion indelicate. Mr. Beebe mediates and the switch is made. While touring thePiazza della Signoria the next day, Lucy witnesses a local man being brutally stabbed and killed. She faints but George Emerson appears and comes to her aid. When Lucy has recovered, the two have a brief but unchaperoned discussion before returning to the pensione.

Later Charlotte, Lucy and the Emersons join other British tourists for a day trip to theFiesole countryside. The carriage driver canoodles with his girlfriend, sitting beside him, which upsets Reverend Eager, who insists the girlfriend get off the carriage in the middle of the countryside. Wishing to engage in gossip unsuitable for Lucy, Charlotte and Miss Lavish encourage her to go for a walk; Lucy goes looking for Mr. Beebe. The Italian driver, possibly misunderstanding Lucy's awkward Italian or possibly mischievously playingCupid, instead leads her to where George Emerson is admiring the view from a hillside. Seeing Lucy across a poppy field, he suddenly embraces and passionately kisses her. Charlotte appears and intervenes. Worried that Lucy's mother will consider her an inadequate chaperone, Charlotte swears Lucy to secrecy and cuts their trip short.

Upon returning toSurrey inEngland, Lucy says nothing to her mother about the incident and pretends to forget it. She is soon engaged to Cecil Vyse, a wealthy and socially prominent man who is cold, snobbish, and pretentious. Cecil loves Lucy, but he and his mother consider the Honeychurch family their social inferiors, which offends Mrs. Honeychurch. Lucy soon learns that Mr. Emerson is moving into Sir Harry Otway's rental cottage, with George visiting at weekends. Lucy intended the two Misses Alan to live there and is cross with Cecil on learning that through a chance meeting with the Emersons in London, Cecil recommended the cottage to them. He proclaims his motive was to annoy Sir Harry, whom Cecil considers a snob; he assumes Harry will find the Emersons “too common".

George's presence upends Lucy's life, and her suppressed feelings for him surface. Cecil, her fiancé, asks her permission to kiss her, then does so awkwardly. Lucy’s non sequitur comment that the people she met in Italy were “extraordinary” invites a comparison to the impromptu passionate kiss she received from George. Meanwhile, Lucy's brother, Freddy, becomes friends with George. Freddy invites George to play tennis at Windy Corner, the Honeychurch home, during which Cecil reads Miss Lavish's latest novel set in Italy. As Cecil mockingly reads aloud to Lucy and George, they recognize a scene as being identical to their encounter in the poppy field in Fiesole. Cecil, still reading, is oblivious when George passionately kisses Lucy in the garden. She confronts Charlotte, who admits to telling Miss Lavish about the kiss in the poppy field, which was then used in her story. Lucy orders George to leave Windy Corner and never return. He says that Cecil sees her only as a possession and will never love her for herself, as he would. Lucy seems unmoved, but soon after ends her engagement to Cecil, saying they are incompatible.

To escape the ensuing fallout, Lucy arranges to travel toGreece with the Misses Alan. George, unable to be around Lucy, arranges for his father to move to London, unaware that Lucy is no longer engaged. When Lucy calls at Mr. Beebe's home to fetch Charlotte, she is confronted by Mr. Emerson, who happens to be there. She finally realizes and admits her true feelings for George.

At the end, newlyweds George and Lucy honeymoon at the Italian pensione where they met, in the room with a view, overlooking Florence'sDuomo.

Cast

[edit]

Background

[edit]

E. M. Forster began to writeA Room with a View during a trip toItaly in the winter of 1901–02 when he was twenty-two. It was the first novel he worked on; however, he put it away before returning to it a few years later. Forster finished first two other novels:Where Angels Fear to Tread (1905) and thenThe Longest Journey (1907).A Room with a View was finally published in 1908. Set in Italy and England,A Room with a View follows Lucy Honeychurch, a proper young Englishwoman who discovers passion while on a trip to Italy. At her return to the restrained culture of Edwardian-era England, she must choose between two opposite men: the free-thinking George Emerson and the repressed aesthete Cecil Vyse. The story is both a romance and a humorous critique of English society at the beginning of the 20th century. The novel, Forster's third, was very well received, better than his previous two, but it is considered lighter than his two best-regarded later worksHowards End (1910) andA Passage to India (1924). In Forster's own appreciation "A Room with a View, may not be his best, but may very well be his nicest".[4]

In 1946,20th Century Fox offered $25,000 for the film rights toA Room with a View, but Forster did not hold cinema in high regard and refused although the studio was willing to pay him even more.[5] Following Forster's death in 1970, the board of fellows ofKing's College, Cambridge, inherited the rights to his books.[6] However, Donald A Parry, chief executor, turned down all approaches. Ten years later, the film rights for Forster's novels became available when the film enthusiast ProfessorBernard Williams became chief executor.[7] The trustees of Forster's estate invited producerIsmail Merchant and director James Ivory to Cambridge to discuss filming Forster.[7]

Casting

[edit]

The role of Lucy Honeychurch wasHelena Bonham Carter's breakthrough as a film actress.[8] She was eighteen at the time and had just finished the art-house filmLady Jane (1986).[9][10] Ivory gave her the role as he found "she was very quick, very smart, and very beautiful".[8] She fitted Forster's description of Lucy as "a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face".

Rupert Everett auditioned for the role of Cecil Vyse. He would rather have played George Emerson, but Ivory thought that he was not quite right for it. It wasJulian Sands who was cast as the male lead. Sands had gained notice as the British photographer inThe Killing Fields (1984).[8]

Daniel Day-Lewis came to the attention of Ivory through his role in the playAnother Country as the gay student Guy Bennet.[11] Given the choice of either George Emerson or Cecil Vyse, he took on the more challenging role of Cecil.[12] The role of Freddy Honeychurch, Lucy's brother, went toRupert Graves, in his film debut.[12] He had had a minor role as one of the schoolboys in the playAnother Country.[12]

Simon Callow had been Ivory's original choice for the character of Harry Hamilton-Paul, the friend of the Nawab, in the Merchant Ivory filmHeat and Dust, but had committed to a play in London's West End.[8] He had created the role of Mozart in the original London stage production ofPeter Shaffer's playAmadeus (1979) and made his film debut in a small role in thefilm adaptation.[8] InA Room with a View, he was cast as the vicar Mr. Beebe.[13]

The supporting cast included veteran performers: Five years earlier,Maggie Smith had worked in another Merchant Ivory film,Quartet.[14] With a prominent theatre career,Judi Dench had made her film debut in 1964, but she took the supporting role of Eleanor Lavish. Dench and Ivory had disagreements during the filming ofA Room with a View because, among other things, he suggested that she play her character as a Scot.[15]

Filming

[edit]

The film was made on a budget of $3 million that included investment byCinecom in the U.S, and fromGoldcrest Films, theNational Film Finance Corporation, andCurzon Film Distributors in Great Britain.[16]A Room with a View was shot extensively on location inFlorence, where Merchant Ivory had thePiazza della Signoria cleared for filming.[17] Pensione Quisisana served as the Pensione Bertolini, alsoVilla di Maiano in some interiors.[18] From its decoration of the walls they asked a painter to do a series of decorative artworks calledgrotesques that were used for titles between sections of the film, like chapter headings, following chapter titles in Forster's novel.[19]

Other scenes were filmed in London and around the town ofSevenoaks in Kent where they borrowed the Kent family estate of film critic John Pym for their country scenes. Lucy's engagement party was filmed in the grounds ofEmmetts Garden.[20] Foxwold House nearChiddingstone was used for the Honeychurch house and an artificial pond was built in the forest of the property to use as theSacred Lake. Two years later, theGreat Storm of 1987 would tear through the area and destroy the gardens and almost 80 acres of the surrounding forest.[21] In London, theLinley Sambourne House inSouth Kensington was used for Cecil's house and the Estonian Legation onQueensway was used for the boarding house where the Miss Alans live.[22] In all,A Room with a View was shot in ten weeks: four in Italy and six in England.[23] The film includes a notable scene of full frontal male nudity in which George, Freddy, and Mr. Beebe go skinnydipping in a pond.[24][25][26]

Reception

[edit]

Critical reception

[edit]

The film received positive reviews from critics, holding a 100% rating onRotten Tomatoes based on 35 reviews, with aweighted average of 8.40/10. The site's consensus reads: "The hard edges of E.M Forster’s novel may be sanded off, but what we get withA Room with a View is an eminently entertaining comedy with an intellectual approach to love".[27] According toMetacritic, which sampled the opinions of 21 critics and calculated a score of 83 out of 100, the film received "universal acclaim".[28]Roger Ebert gave the film four out of four stars, writing: "It is an intellectual film, but intellectual about emotions: It encourages us to think about how we feel, instead of simply acting on our feelings."[29]A Room With a View appeared on 61 critics' ten-best lists in 1986, making it one of the most acclaimed films of the year.[30] The February 2020 issue ofNew York Magazine listsA Room with a View as among "The Best Movies That Lost Best Picture at the Oscars."[31]

Box office

[edit]

The film made $4.4 million at the US box office in the first 12 weeks of release.[3] After six months on release, it returned a distributor’s gross of £2,026,304 in Britain. It made US $14 million from North America.[32]Goldcrest Films invested £460,000 in the film and earned £1,901,000 meaning they made a profit of £1,441,000.[33]

Accolades

[edit]
AwardCategoryNominee(s)ResultRef.
Academy AwardsBest Picture[a]Ismail MerchantNominated[34]
[35]
[36]
Best DirectorJames IvoryNominated
Best Supporting ActressMaggie SmithNominated
Best Supporting ActorDenholm ElliottNominated
Best Adapted ScreenplayRuth Prawer JhabvalaWon
Best Art DirectionArt Direction:Gianni Quaranta andBrian Ackland-Snow;
Set Decoration:Brian Savegar andElio Altamura
Won
Best CinematographyTony Pierce-RobertsNominated
Best Costume DesignJenny Beavan andJohn BrightWon
American Society of Cinematographers AwardsOutstanding Achievement in Cinematography in Theatrical ReleasesTony Pierce-RobertsNominated[37]
British Academy Film AwardsBest FilmIsmail Merchant and James IvoryWon[38]
Best DirectionJames IvoryNominated
Best Actress in a Leading RoleMaggie SmithWon
Best Actor in a Supporting RoleSimon CallowNominated
Denholm ElliottNominated
Best Actress in a Supporting RoleJudi DenchWon
Rosemary LeachNominated
Best Adapted ScreenplayRuth Prawer JhabvalaNominated
Best CinematographyTony Pierce-RobertsNominated
Best Costume DesignJenny Beavan and John BrightWon
Best EditingHumphrey DixonNominated
Best Original ScoreRichard RobbinsNominated
Best Production DesignGianni Quaranta and Brian Ackland-SnowWon
Best SoundTony Lenny,Ray Beckett, andRichard KingNominated
British Society of Cinematographers AwardsBest Cinematography in a Theatrical Feature FilmTony Pierce-RobertsNominated[39]
David di Donatello AwardsBest Foreign FilmJames IvoryWon[40]
Best Foreign DirectorWon
Directors Guild of America AwardsOutstanding Directorial Achievement in Motion PicturesNominated[41]
Evening Standard British Film AwardsBest FilmWon
Best Technical or Artistic AchievementTony Pierce-RobertsWon
Golden Globe AwardsBest Motion Picture – DramaNominated[42]
Best Supporting Actress – Motion PictureMaggie SmithWon
Best Director – Motion PictureJames IvoryNominated
Independent Spirit AwardsBest Foreign Film (Special Distinction Award)Won[43]
Kansas City Film Critics Circle AwardsBest Supporting ActorDenholm ElliottWon[44]
Best Supporting ActressMaggie SmithWon
London Film Critics' Circle AwardsFilm of the YearWon
National Board of Review AwardsBest FilmWon[45]
Top Ten FilmsWon
Best Supporting ActorDaniel Day-Lewis(also forMy Beautiful Laundrette)Won
National Society of Film Critics AwardsBest Supporting Actor2nd Place[46]
New York Film Critics Circle AwardsBest Supporting ActorWon[47]
Best ScreenplayRuth Prawer Jhabvala3rd Place
Best CinematographerTony Pierce-RobertsWon
Sant Jordi AwardsBest Foreign FilmJames IvoryWon
Venice International Film FestivalGolden LionNominated[48]
Writers Guild of America AwardsBest Screenplay – Based on Material from Another MediumRuth Prawer JhabvalaWon[49]

Soundtrack

[edit]
  1. "O mio babbino caro" (fromGianni Schicchi byPuccini) –Kiri Te Kanawa with theLPO, conducted bySir John Pritchard
  2. "The Pensione Bertollini"
  3. "Lucy, Charlotte, and Miss Lavish See the City"
  4. "In the Piazza Signoria"
  5. "The Embankment"
  6. "Phaeton and Persephone"
  7. "Chi il bel sogno di Doretta" (fromLa Rondine, Act One by Puccini) – Te Kanawa with the LPO, conducted by Pritchard
  8. "The Storm"
  9. "Home, and the Betrothal"
  10. "The Sacred Lake"
  11. "The Allan Sisters"
  12. "In the National Gallery"
  13. "Windy Corner"
  14. "Habanera" (fromCarmen byGeorges Bizet)
  15. "The Broken Engagement"
  16. "Return to Florence"
  17. "End Titles"
  • Original music composed byRichard Robbins
  • Soundtrack album produced by Simon Heyworth
  • Arrangements by Frances Shaw and Barrie Guard
  • Music published by Filmtrax PLC

The film also includes music played by Lucy on the piano:

  • in the pensione, Piano Sonata No. 21 Op.53 'Waldstein' II. Introduzione. Adagio molto, byLudwig van Beethoven
  • for Cecil's family, Piano Sonata No. 4 Op. 164 D 537, byFranz Schubert

And Piano Sonata No. 8 K. 310 I. Allegro maestoso, byWolfgang Amadeus Mozart

See also

[edit]

Notes

[edit]
  1. ^The film was the firstunrated film in the United States to receive a Best Picture nom.

References

[edit]
  1. ^"A Room with a View (PG)".British Board of Film Classification. 1 January 1986. Archived fromthe original on 17 November 2016. Retrieved16 November 2016.
  2. ^abA Room with a View atBox Office Mojo
  3. ^ab"Bad Beginning." Sunday Times [London, England] 15 June 1986: 45. The Sunday Times Digital Archive. Web. 8 April 2014.
  4. ^"A Room With a View".merchantivory.com. Retrieved20 July 2019.
  5. ^Ingersollg, Filming Forster, p. 119
  6. ^Long,James Ivory in Conversation, p. 211
  7. ^abIngersollg, Filming Forster, p. 79
  8. ^abcdeLong,James Ivory in Conversation, p. 204
  9. ^Long,James Ivory in Conversation, p. 203
  10. ^Macnab, Geoffrey (1 July 2023)."There was a darkness behind the film's frivolity – Merchant Ivory and the making of A Room with a View".The Independent. Retrieved8 August 2025.
  11. ^Ingersollg, Filming Forster, p. 81
  12. ^abcIngersollg, Filming Forster, p. 82
  13. ^Ingersollg, Filming Forster, p. 83
  14. ^Long,James Ivory in Conversation, p. 206
  15. ^Long,James Ivory in Conversation, p. 207
  16. ^Long, The Films of Merchant Ivory, p. 138
  17. ^Long, The Films of Merchant Ivory, p. 139
  18. ^Ingersollg, Filming Forster, p. 91
  19. ^Ingersollg, Filming Forster, p. 92
  20. ^Kent Film Office."Kent Film Office A Room with a View Film Focus". Archived fromthe original on 19 July 2013.
  21. ^John Pym (1995).Merchant Ivory's English Landscape. pp. 48–9.
  22. ^John Pym (1995).Merchant Ivory's English Landscape. p. 50.
  23. ^Long,James Ivory in Conversation, p. 199
  24. ^"Why you should revisit the beautifully romantic 'A Room with a View'".The Seattle Times. 7 September 2020.
  25. ^Vivarelli, Nick (6 October 2017)."James Ivory on 'Call Me by Your Name' and Why American Male Actors Won't Do Nude Scenes".Variety.com.
  26. ^"A Room with a View (1985)".Film Comment. 17 February 2016.
  27. ^"A Room With a View (1985)".Rotten Tomatoes. Retrieved4 January 2024.
  28. ^"A Room with a View Reviews".Metacritic. Retrieved3 January 2021.
  29. ^"A Room with a View Movie Review (1986)".Rogerebert.com. Retrieved5 October 2017.
  30. ^McGilligan, Pat; Rowland, Mark (18 January 1987)."The Best and the Bummers".The Washington Post. Archived fromthe original on 18 August 2020. Retrieved22 August 2020.
  31. ^"The Best Movies That Lost Best Picture at the Oscars".New York Magazine. Retrieved17 March 2025.
  32. ^Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 343
  33. ^Eberts, Jake; Illott, Terry (1990).My indecision is final. Faber and Faber. p. 657.
  34. ^"The 34th Academy Awards (1962) Nominees and Winners".Academy of Motion Picture Arts and Sciences. 5 October 2014. Retrieved19 February 2015.
  35. ^McCarthy, Todd (18 February 1987). "'Platoon', 'Room' Top Oscar List; Stone Thrice Blessed, Orion Hot".Variety. p. 4.
  36. ^"The 1987 Oscar Winners – RopeofSilicon.com Award Show Central".Ropeofsilicon.com. Archived fromthe original on 28 September 2011. Retrieved21 August 2010.
  37. ^"The ASC Awards for Outstanding Achievement in Cinematography".American Society of Cinematographers. Archived fromthe original on 2 August 2011.
  38. ^"BAFTA Awards: Film in 1987".British Academy Film Awards. Retrieved16 September 2016.
  39. ^"Best Cinematography in a Theatrical Feature Film"(PDF).British Society of Cinematographers. Retrieved3 June 2021.
  40. ^"A Room with a View".David di Donatello. Retrieved17 October 2023.
  41. ^"39th DGA Awards".Directors Guild of America Awards. Retrieved5 July 2021.
  42. ^"A Room with a View".Golden Globe Awards. Retrieved5 July 2021.
  43. ^"38 Years of Nominees and Winners"(PDF).Independent Spirit Awards. Retrieved17 October 2023.
  44. ^"KCFCC Award Winners – 1980-89". Kansas City Film Critics Circle. 14 December 2013. Retrieved15 May 2021.
  45. ^"1986 Award Winners".National Board of Review. Retrieved13 August 2021.
  46. ^"Past Awards".National Society of Film Critics. 19 December 2009. Retrieved5 July 2021.
  47. ^"Awards – New York Film Critics Circle".New York Film Critics Circle. Retrieved5 July 2021.
  48. ^"VENICE FILM FESTIVAL – 1986". Retrieved6 October 2013.
  49. ^"Awards Winners".Writers Guild of America Awards. Archived fromthe original on 5 December 2012. Retrieved6 June 2010.

Sources

[edit]
  • Ingersoll, Earl G.Filming Forster: The Challenges of Adapting E.M. Forster's Novels for the Screen. Fairleigh Dickinson University Press. 2012,ISBN 978-1-61147-682-8
  • Long, Robert Emmet.The Films of Merchant Ivory. Citadel Press. 1993,ISBN 0-8065-1470-1
  • Long, Robert Emmet.James Ivory in Conversation. University of California Press, 2005,ISBN 0-520-23415-4.

External links

[edit]
Films directed byJames Ivory
Awards forA Room with a View
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