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A Pretty Girl Is Like a Melody

From Wikipedia, the free encyclopedia
1919 song by Irving Berlin

Sheet music cover

"A Pretty Girl Is Like A Melody" is apopular song written byIrving Berlin in 1919 which became the theme song of theZiegfeld Follies. The first verse and refrain are considered part of theGreat American Songbook and are often covered as ajazz standard.

Song

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The portion of the song composed entirely by Berlin and published assheet music contained the first verse and refrain of the original stage number. The refrain begins, "A pretty girl is like a melody / That haunts you night and day", a summary of the song's extendedsimile. The refrain is better known than the introductory verse, which critic Josh Rubins called "mercifully little-known".[1]

Later verses

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The later verses from the original 1919 stage show werepatter lyrics by Berlin to the air of classical tunes; this was a commonTin Pan Alley trick. These verses were comical vignettes of the singer's past trysts, successful or otherwise. Their lyrics were long believed lost, but survived in the show's unpublished script, and were also recalled by cast memberDoris Eaton Travis (1904–2010). The source music was:[2]

ComposerPiece
Antonín DvořákHumoresque op.101 no.7
Felix Mendelssohn"Spring Song"op.62, no.6
Jules Massenet"Elegy" fromLes Érinnyes
Jacques OffenbachBarcarolle fromThe Tales of Hoffmann
Franz Schubert"Serenade" fromSchwanengesang
Robert Schumann"Träumerei" fromKinderszenen

Magee concludes, from Travis' lack of memory of theTräumerei, that it was dropped from the number during rehearsals.[3]

Ziegfeld Follies

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Seymour Felix won theAcademy Award for Best Dance Direction for a spectacular production of the song inThe Great Ziegfeld (MGM, 1936)

Berlin had agreed withFlorenz Ziegfeld to write one act of the 1919 follies, including a "Ziegfeld Girl number" to showcase theshowgirls.[4] He first conceived of the classical portion, to match costumes the girls would be wearing.[4] He needed aframing device for the entire sequence, and so subsequently wrote the initial verse and refrain which would become famous.[4]

In the 1919Follies, the song was sung by the tenorJohn Steel.[5] He sang the first verse and chorus alone on stage; then each of the remaining five verses while a showgirl sashayed by in costume appropriate to the quoted air.[5] The final refrain saw Steel surrounded by all five beauties.[5] This format was the template for similar numbers in many musical revues of subsequent decades.[6]

"A Pretty Girl Is Like A Melody" was the hit song of that year's Follies, and became the theme song for all later Follies.[5][7][8]

In the 1936 filmThe Great Ziegfeld, the song was the centerpiece musical number performed on a huge set containing a spiral staircase, which has been compared to a wedding cake[9][10] or "giant meringue".[11] The scene reworked the original stage number on a far grander scale, with many dancers in various period costumes and a wide array of classical music references.[12] The scene became famous and was included in the 1974 anthology filmThat's Entertainment![9][13]

Later versions and recordings

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"An Experiment in Modern Music", the 1924 concert whereGeorge Gershwin'sRhapsody in Blue premiered, also featured a "Semi-Symphonic Arrangement of Popular Melodies", combining three Berlin tunes: "Alexander's Ragtime Band", "A Pretty Girl Is Like A Melody" and "Orange Blossoms in CA".[14]

The song was used frequently in the annualMiss America pageant prior to 1955, when "There She Is, Miss America" by Bernie Wayne became its new theme song.[15] In 1963, Tom Prideaux wrote inLife magazine that the song "has been played ever since [1919] for God knows how many beauty contests, debutantecotillions and strip-tease acts."[16] It was also often used in catwalk fashion shows.[8][1]

Fred Astaire danced to the song in the filmBlue Skies in 1946. It was the theme song to the 1950s television game showThe Big Payoff and "The Dream Girl of 1967" (19 December 1966 – 28 April 1967) on ABC-TV Daytime USA, and it was performed and remade for instrumental byPercy Faith before being replaced byChuck Barris' New Theme of the show "(The) Hunk O'Love" to the end of the series.

Among the singers who have recorded the song arePat Boone,Bobby Vinton,Bing Crosby,Vic Damone,Ethel Merman,Rudy Vallée,Bobby Gordon,Frank Sinatra andJudy Garland. Jazz versions have been recorded by musicians includingPaul Whiteman,[17]Louis Armstrong,[18]Toots Thielemans,Eddie Heywood,[19]Artie Shaw,George Shearing,[19]Django Reinhardt,Mose Allison,Earl Hines,Coleman Hawkins andDon Byas. A clarinet version performed byWoody Allen with thePreservation Hall Jazz Band is on the soundtrack of his 2000 movieSmall Time Crooks.[20]

Reception and critiques

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In 1947, Berlin called the song one of his five most important songs structurally, saying he used the "same rhythmic pattern" in other songs.[12] Later he called it "the best individual song written for a musical".[21]

Josh Rubins wrote in 1988 that "'A Pretty Girl Is Like A Melody'—one of Berlin-the-composer's best things—has been seriously damaged by overexposure and insensitive handling".[1] He states that by the 1960s "the song's first four chords devolved into a vaudeville gag: musical shorthand for any reference to overt female sexuality (or transvestism)."[1]

Jeffrey Magee in 2012 argues for a reappraisal in the light of the rediscovered classical verses, writing that "a scene usually understood as an earnest hymn to feminine pulchritude had an unmistakably comic element".[22]

Allusions

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Several of Berlin's laterFollies songs, including "The Girls of My Dreams" and "Say It With Music", have been described as having been "cloned" from "A Pretty Girl Is Like A Melody".[23]

In the 1960sMad magazine published a collection of parody lyrics of well-known songs, including "Louella Schwartz Describes Her Malady"; inIrving Berlin et al. v. E.C. Publications, Inc. theUnited States Court of Appeals for the Second Circuit ruled that this did not violate Berlin's copyright.[24]

Stephen Sondheim wrote the song "Beautiful Girls" from the 1972 stage musicalFollies based on this song. In fact, since the musical is supposed to be set on a former theater (based on theZiegfeld Follies), some of the songs of the show are pastiches of tunes from this same time, written by such composers asBerlin himself,Richard Rodgers,Jerome Kern,Cole Porter,Sigmund Romberg and others.

The album69 Love Songs includes a song "A Pretty Girl is...", whose final verse begins "A melody is like a pretty girl". The first verse begins "A pretty girl is like aminstrel show". The 1919Follies' had also featured a song called "I'd Rather See a Minstrel Show".[6]

"A Pretty Boy Is Like a Melody" is an episode ofThe Brady Brides.[25]

References

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Notes

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  1. ^abcdRubins, Josh (16 June 1988)."Genius Without Tears".New York Review of Books.
  2. ^Magee 2012, p.92
  3. ^Magee 2012, p.95
  4. ^abcSears, Benjamin (2012)."Isaac Goldberg: Excerpt from Words and Music from Irving Berlin".The Irving Berlin Reader. Oxford University Press. pp. 193–194.ISBN 9780195383744.
  5. ^abcdTravis, Doris Eaton; Eaton, Charles; Eaton, Joseph; J. R. Morris (1 August 2003).The Days We Danced: The Story of My Theatrical Family from Florenz Ziegfeld to Arthur Murray and Beyond. University of Oklahoma Press. pp. 65, 78.ISBN 9780806199504. Retrieved4 July 2012.
  6. ^abMagee 2012, p.97
  7. ^Charyn, Jerome (2004).Gangsters and Gold Diggers: Old New York, the Jazz Age, and the Birth of Broadway. Da Capo Press. p. 52.ISBN 9781560256434.
  8. ^abShaw, Arnold (1989).The Jazz Age: Popular Music in the 1920s. Oxford University Press. p. 234.ISBN 9780195060829.
  9. ^abHischak, Thomas S. (2008)."The Great Ziegfeld".The Oxford Companion to the American Musical: Theatre, Film, and Television. Oxford University Press. p. 304.ISBN 9780195335330.
  10. ^Mizejewski, Linda (1999).Ziegfeld Girl: Image and Icon in Culture and Cinema. Duke University Press. p. 167.ISBN 9780822323235.
  11. ^Olster, Stacey Michele (2003).The Trash Phenomenon: Contemporary Literature, Popular Culture, and the Making of the American Century. University of Georgia Press. p. 107.ISBN 9780820325217.
  12. ^abBergreen 1996, p.118
  13. ^Magill, Frank Northen; Hanson, Stephen L.; Hanson, Patricia King (1983).Magill's American film guide. Salem Press. p. 1339.
  14. ^Shaw, Arnold (1989).The Jazz Age: Popular Music in the 1920s. Oxford University Press. p. 52.ISBN 9780195060829.
  15. ^Wade, Robert (21 June 1982).""There She Is" dropped from Miss America show".Gettysburg Times. Associated Press).
  16. ^Prideaux, Tom (1963)."Blue Skies to You, Irving Berlin".Life. Time Inc.: 12.
  17. ^"Paul Whiteman and his Orchestra". The Red Hot Jazz Archive. Archived fromthe original on 5 January 2012. Retrieved5 July 2012.
  18. ^"The War Years (1942 - 1946)".The Louis Armstrong Discography. Archived fromthe original on 23 September 2012. Retrieved5 July 2012.
  19. ^ab"The John L. Clark Collection of Jazz Recordings"(PDF). Virginia Commonwealth University Libraries. Archived fromthe original(PDF) on 14 June 2010.
  20. ^Harvey, Adam; Hyman, Dick (2007).The Soundtracks of Woody Allen: A Complete Guide to the Songs and Music in Every Film, 1969-2005. McFarland. p. 129.ISBN 9780786429684.
  21. ^Bergreen 1996, p.170
  22. ^Magee 2012, p.150
  23. ^Bergreen 1996, p.185
  24. ^Irving Berlin et al. v. E.C. Publications, Inc. 329 F. 2d 541 (2d Cir. 1964)
  25. ^"The Brady Brides: Season 1, Episode 6: A Pretty Boy is Like a Melody (17 April 1981)". IMDB.com.

External links

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