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| A Bill of Divorcement | |
|---|---|
 Window card poster | |
| Directed by | George Cukor |
| Written by | Howard Estabrook Harry Wagstaff Gribble |
| Based on | A Bill of Divorcement byClemence Dane |
| Produced by | David O. Selznick |
| Starring | John Barrymore Katharine Hepburn Billie Burke David Manners |
| Cinematography | Sidney Hickox |
| Edited by | Arthur Roberts |
| Music by | Max Steiner |
| Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 70 minutes |
| Country | United States |
| Language | English |
| Budget | $250,000[1] |
| Box office | $531,000[1] |
A Bill of Divorcement is a 1932 Americanpre-Codedrama film directed byGeorge Cukor and starringJohn Barrymore andKatharine Hepburn in her film debut. It is based on the1921 British play of the same name, written byClemence Dane as a reaction to a law passed in Britain in the early 1920s that allowed insanity as grounds for a woman to divorce her husband.[2] It was the second screen adaptation of the play; the first was a 1922 British silent film also titledA Bill of Divorcement. The film wasmade again in 1940 byRKO Pictures.
Middle-aged Englishwoman Margaret "Meg" Fairfield's family includes her 15-year-old daughter Sydney, Sydney's fiancé Kit Humphreys, fiancé Gray Meredith and ex-husband Hilary, who has been a patient in a mental institution for 15 years. Sydney seems to have inherited Hilary's psychiatric problems.
On Christmas Eve, Meg hosts a party in her English manor. Sydney happily discusses her future with Kit, as do Meg and Gray. When the group dedicate their performance of the song "God Bless the Master of This House" to Gray, Hilary's sister Hester objects because she considers Hilary to be the master of the house even though he is psychotic and institutionalized.
On Christmas morning, while Meg and Gray are at church, the asylum telephones to inform the family that Hilary has gone missing, and Hester unintentionally reveals to Sydney that insanity runs in the family. The family has blamed Hilary's troubles onshell shock fromWorld War I, but another family member had similar problems in the past.
Hester and Sydney discuss Hilary's talent as a composer, and Sydney plays an unfinished sonata on the piano that Hilary had written before going to war. Hilary returns home after having escaped from the asylum. He chats with Sydney but they engage in a heated argument that shows their similarities as sensitive, free-spirited people.
When Meg returns from church, she is shocked to find Hilary. She has not loved him for years, is frightened by him and has been counting on her upcoming marriage to Gray, who helped her obtain a divorce based on Hilary's insanity. However, Hilary assumes that Meg will welcome him back. He cannot accept that the marriage has long since ended until his family doctor arrives and admonishes Hilary, telling him in Sydney's presence that his children should not have been born.
Sydney then begins contemplating her own plans with Kit. After the doctor tells her that her children would be at risk of inheriting Hilary's mental problems, she breaks her engagement to Kit and sends him away. Hilary vacillates between accepting Meg's love for Gray and pleading with her to change her mind. Meg succumbs to his pressure, but when he sees her talking with Gray, Hilary realizes how much she loves Gray and how miserable she feels.
Hilary finally regains his will to do what is best, and he has Sydney send Meg and Gray away. When Sydney returns to Hilary, she tearfully embraces him and they agree that they will live together. They sit together at the piano, cheerfully experimenting with new endings to his sonata.
The film was produced byDavid O. Selznick andGeorge Cukor, who had disagreed about casting the 24-year-oldKatharine Hepburn. Cukor was impressed with Hepburn'sscreen test, but Selznick did not like her appearance and was afraid that she would not be received well by audiences. However, Cukor cast Hepburn, beginning a lifelong professional and personal relationship with her. Hepburn was declared "a new star on the cinema horizon"[citation needed] byThe Hollywood Reporter.
In a contemporary review forThe New York Times, criticMordaunt Hall calledA Bill of Divorcement "an intelligent, restrained and often stirring picture," praising Hepburn's performance as " exceptionally fine ... one of the finest seen on the screen."[3]
According to RKO records, the film earned a profit of $110,000 during its first year of release after cinema circuits deducted their exhibition percentage of box-office ticket sales.[citation needed]
Kino Lorber released the film onDVD andBlu-ray disc in July 2018.[4]
