Milne was the father of booksellerChristopher Robin Milne, upon whom the characterChristopher Robin is based. It was during a visit toLondon Zoo, where Christopher became enamoured with the tame and amiable bearWinnipeg, that Milne was inspired to write the story of Winnie-the-Pooh for his son.[2] Milne bequeathed the original manuscripts of the Winnie-the-Pooh stories to theWren Library atTrinity College, Cambridge, his alma mater.[3]
Alan Alexander Milne was born inKilburn, London,[4] to John Vine Milne, who was born inJamaica,[5] and Sarah Marie Milne (née Heginbotham), on 18 January 1882. He grew up at Henley House School, 6/7 Mortimer Road (now Crescent), Kilburn, a smallindependent school run by his father.[6] He taught himself to read at the age of two. One of his teachers wasH. G. Wells, who taught there in 1889–90.[7] Milne attendedWestminster School andTrinity College, Cambridge,[8] where he studied on a mathematics scholarship, graduating with aB.A. in Mathematics in 1903, though he was always interested in writing. He edited and wrote forGranta, a student magazine.[6] He collaborated with his brother Kenneth and their articles appeared over the initials AKM. Milne's work came to the attention of the leading British humour magazinePunch, where Milne was to become a contributor and later an assistant editor. Considered a talentedcricket fielder, Milne played for two amateur teams that were largely composed of British writers: theAllahakbarries and theAuthors XI. His teammates included fellow writersJ. M. Barrie,Arthur Conan Doyle andP. G. Wodehouse.[9][10]
Milne joined theBritish Army duringWorld War I and served as an officer in theRoyal Warwickshire Regiment. He was commissioned into the 4th Battalion, Royal Warwickshire Regiment, on 1 February 1915 as asecond lieutenant (on probation).[11] His commission was confirmed on 20 December 1915.[12] He served onthe Somme as a signals officer from July–November 1916, but caughttrench fever and was invalided back to England. Having recuperated, he worked as a signals instructor, before being recruited into military intelligence to write propaganda articles forMI7 (b) between 1917 and 1918.[13] He was discharged on 14 February 1919,[14] and settled inMallord Street,Chelsea.[15] He relinquished his commission on 19 February 1920, retaining the rank of lieutenant.[16]
In 1921, Milne bought the 18-inch Alpha Farnell teddy bear for his son (who would name it Edward, then Winnie) fromHarrods department store(pictured) in London.[17]
After the war, he wrote a denunciation of war titledPeace with Honour (1934), which he retracted somewhat with 1940'sWar with Honour.[6][18] During World War II, Milne was one of the most prominent critics of fellow English writer (and Authors XI cricket teammate) P. G. Wodehouse, who was captured at his country home in France by theNazis and imprisoned for a year. Wodehouse made radio broadcasts about his internment, which were broadcast from Berlin. Although the light-hearted broadcasts made fun of the Germans, Milne accused Wodehouse of committing an act of near treason by cooperating with his country's enemy. Wodehouse got some revenge on his former friend (e.g. inThe Mating Season) by creating fatuous parodies of the Christopher Robin poems in some of his later stories, and claiming that Milne "was probably jealous of all other writers.... But I loved his stuff."[19]
During World War II, Milne was a captain in theBritish Home Guard in Hartfield & Forest Row, insisting on being plain "Mr. Milne" to the members of his platoon. He retired to the farm after a stroke and brain surgery in 1952 left him an invalid; and by August 1953, "he seemed very old and disenchanted."[21] Milne died in January 1956, aged 74.[22]
After graduating from Cambridge University in 1903, A. A. Milne contributed humorous verse and whimsical essays toPunch,[23][24] joining the staff in 1906 and becoming an assistant editor.[25]
During this period he published 18 plays and three novels, including the murder mysteryThe Red House Mystery (1922). His son was born in August 1920 and in 1924 Milne produced a collection of children's poems,When We Were Very Young, which were illustrated byPunch staff cartoonistE. H. Shepard. A collection of short stories for childrenA Gallery of Children, and other stories that became part of the Winnie-the-Pooh books, were first published in 1925.
Milne was an early screenwriter for the nascent British film industry, writing four stories filmed in 1920 for the company Minerva Films (founded in 1920 by the actorLeslie Howard and his friend and story editorAdrian Brunel). These wereThe Bump, starringAubrey Smith;Twice Two;Five Pound Reward; andBookworms.[26] Some of these films survive in the archives of theBritish Film Institute. Milne had met Howard when the actor starred in Milne's playMr Pim Passes By in London.[27]
Looking back on this period (in 1926), Milne observed that when he told his agent that he was going to write a detective story, he was told that what the country wanted from a "Punch humorist" was a humorous story; when two years later he said he was writing nursery rhymes, his agent and publisher were convinced he should write another detective story; and after another two years, he was being told that writing a detective story would be in the worst of taste given the demand for children's books. He concluded that "the only excuse which I have yet discovered for writing anything is that I want to write it; and I should be as proud to be delivered of a Telephone Directorycon amore as I should be ashamed to create a Blank Verse Tragedy at the bidding of others."[28]
Milne with his son Christopher Robin and Pooh Bear, at Cotchford Farm, their home in Sussex. Photo byHoward Coster, 1926.
Milne is most famous for his twoPooh books about a boy namedChristopher Robin after his son,Christopher Robin Milne (1920–1996), and various characters inspired by his son's stuffed animals, most notably the bear namedWinnie-the-Pooh.[29] Christopher Robin Milne's stuffed bear, originally named Edward,[30] was renamed Winnie after a Canadianblack bear namedWinnie (afterWinnipeg), which was used as a military mascot in World War I, and left toLondon Zoo during the war. "The Pooh" comes from aswan the young Milne named "Pooh".E. H. Shepard illustrated the original Pooh books, using his own son's teddy Growler ("a magnificent bear") as the model. The rest of Christopher Robin Milne's toys,Piglet,Eeyore, Kanga, Roo andTigger, were incorporated into A. A. Milne's stories,[31][32] and two more characters – Rabbit and Owl – were created by Milne's imagination. Christopher Robin Milne's own toys are now on display in New York where 750,000 people visit them every year.The fictionalHundred Acre Wood of the Pooh stories derives from Five Hundred Acre Wood inAshdown Forest in East Sussex, South East England, where the Pooh stories were set. Milne lived on the northern edge of the forest at Cotchford Farm,51°05′24″N0°06′25″E / 51.090°N 0.107°E /51.090; 0.107, and took his son on walking trips there. E. H. Shepard drew on the landscapes of Ashdown Forest as inspiration for many of the illustrations he provided for the Pooh books. The adult Christopher Robin commented: "Pooh's Forest and Ashdown Forest are identical."[31] Popular tourist locations at Ashdown Forest include:Galleon's Lap,The Enchanted Place, theHeffalump Trap andLone Pine,Eeyore's Sad and Gloomy Place, and the woodenPooh Bridge where Pooh and Piglet inventedPoohsticks.[33]
Not yet known as Pooh, he made his first appearance in a poem, "Teddy Bear", published inPunch magazine in February 1924 and republished that year inWhen We Were Very Young.[34] Pooh first appeared in theLondon Evening News on Christmas Eve, 1925, in a story called "The Wrong Sort of Bees".[32]Winnie-the-Pooh was published in 1926, followed byThe House at Pooh Corner in 1928. A second collection of nursery rhymes,Now We Are Six, was published in 1927. All four books were illustrated by E. H. Shepard. Milne also published four plays in this period. He also "gallantly stepped forward" to contribute a quarter of the costs of dramatising P. G. Wodehouse'sA Damsel in Distress.[35]The World of Pooh won theLewis Carroll Shelf Award in 1958.[36]
The success of his children's books was to become a source of considerable annoyance to Milne, whose self-avowed aim was to write whatever he pleased and who had, until then, found a ready audience for each change of direction: he had freed pre-warPunch from its ponderous facetiousness; he had made a considerable reputation as a playwright (like his idolJ. M. Barrie) on both sides of the Atlantic; he had produced a witty piece of detective writing inThe Red House Mystery (although this was severely criticised byRaymond Chandler for the implausibility of its plot in his essayThe Simple Art of Murder in the eponymous collection that appeared in 1950). But once Milne had, in his own words, "said goodbye to all that in 70,000 words" (the approximate length of his four principal children's books), he had no intention of producing any reworkings lacking in originality, given that one of the sources of inspiration, his son, was growing older.[37]
Another reason Milne stopped writing children's books, and especially about Winnie-the-Pooh, was that he felt "amazement and disgust" over the immense fame his son was exposed to, and said that "I feel that the legal Christopher Robin has already had more publicity than I want for him. I do not want CR Milne to ever wish that his name were Charles Robert."[37]
In his literary home,Punch, where theWhen We Were Very Young verses had first appeared, Methuen continued to publish whatever Milne wrote, including the long poem "The Norman Church" and an assembly of articles entitledYear In, Year Out (which Milne likened to a benefit night for the author).[38]
In 1929, Milne adaptedKenneth Grahame's novelThe Wind in the Willows for the stage asToad of Toad Hall.[39] The title was an implicit admission that such chapters as Chapter 7, "The Piper at the Gates of Dawn," could not survive translation to the theatre. A special introduction written by Milne is included in some editions of Grahame's novel.[40] It was first performed at thePlayhouse Theatre, Liverpool, on 21 December 1929 before it made itsWest End debut the following year at theLyric Theatre on 17 December 1930.[41] The play was revived in the West End from 1931 to 1935, and since the 1960s there have been West End revivals during the Christmas season; actors who have performed in the play includeJudi Dench andIan McKellen.[42]
Milne and his wife became estranged from their son, who came to resent what he saw as his father's exploitation of his childhood and came to hate the books that had thrust him into the public eye.[43] Christopher's marriage to his first cousin, Lesley de Sélincourt, distanced him still further from his parents – Lesley's father and Christopher's mother had not spoken to each other for 30 years.[44][45]
I suppose that every one of us hopes secretly for immortality; to leave, I mean, a name behind him which will live forever in this world, whatever he may be doing, himself, in the next.
The rights to A. A. Milne's Pooh books were left to four beneficiaries: his family, theRoyal Literary Fund,Westminster School and theGarrick Club.[48] After Milne's death in 1956, his widow sold her rights to the Pooh characters toStephen Slesinger, whose widow sold the rights after Slesinger's death toWalt Disney Productions, which has made many Pooh cartoon movies, aDisney Channel television show, as well as Pooh-related merchandise. In 2001, the other beneficiaries sold their interest in the estate to the Disney Corporation for $350m. Previously Disney had been paying twice-yearly royalties to these beneficiaries. The estate ofE. H. Shepard also received a sum in the deal. The UK copyright on the text of the original Winnie the Pooh books expires on 1 January 2027;[49] at the beginning of the year after the 70th anniversary of the author's death (PMA-70), and has already expired in those countries with a PMA-50 rule. This applies to all of Milne's works except those first published posthumously. The illustrations in the Pooh books will remain under copyright until the same amount of time after the illustrator's death has passed; in the UK, this will be 1 January 2047.
In the US, copyright on the four children's books (including the illustrations) expired 95 years after publication of each of the books. Specifically: copyright on the bookWhen We Were Very Young expired in 2020;[50] copyright on the bookWinnie-the-Pooh expired in 2022;[51] copyright on the bookNow We Are Six expired in 2023;[52] and copyright on the bookThe House at Pooh Corner expired in 2024.[53]
In 2008, a collection of original illustrations featuring Winnie-the-Pooh and his animal friends sold for more than £1.2 million at auction atSotheby's, London.[54]Forbes magazine ranked Winnie the Pooh the most valuable fictional character in 2002; Winnie the Pooh merchandising products alone had annual sales of more than $5.9 billion.[55] In 2005, Winnie the Pooh generated $6 billion, a figure surpassed only byMickey Mouse.[56]
A. A. Milne and E. H. Shepard memorial plaque atAshdown Forest, East Sussex, south east England. It overlooks Five Hundred Acre Wood, the setting for Winnie-the-Pooh.This sculpture atLondon Zoo marks where Milne took his son Christopher Robin to see the amiable bear that inspired Milne to write the story.
A memorial plaque inAshdown Forest, unveiled by Christopher Robin in 1979, commemorates the work of A. A. Milne and Shepard in creating the world of Pooh.[31] The inscription states they "captured the magic of Ashdown Forest, and gave it to the world". Milne once wrote of Ashdown Forest: "In that enchanted place on the top of the forest a little boy and his bear will always be playing."[31]
In 2003,Winnie-the-Pooh was ranked number 7 on theBBC'sThe Big Read poll which determined the UK's "best-loved novels".[57] In 2006, Winnie-the-Pooh received a star on theHollywood Walk of Fame, marking the 80th birthday of Milne's creation.[56]
The bulk of A. A. Milne's papers are housed at theHarry Ransom Center at theUniversity of Texas at Austin. The collection, established at the centre in 1964, consists of manuscript drafts and fragments for over 150 of Milne's works, as well as correspondence, legal documents, genealogical records, and some personal effects.[70] The library division holds several books formerly belonging to Milne and his wife Dorothy.[71] The center also has small collections of correspondence fromChristopher Robin Milne and Milne's frequent illustratorE. H. Shepard.
Milne did not speak out much on the subject of religion, although he used religious terms to explain his decision, while remaining a pacifist, to join theBritish Home Guard. He wrote: "In fighting Hitler we are truly fighting the Devil, the Anti-Christ ... Hitler was a crusader against God."[72]
His best known comment on the subject was recalled on his death:
The Old Testament is responsible for more atheism, agnosticism, disbelief – call it what you will – than any book ever written; it has emptied more churches than all the counter-attractions of cinema, motor bicycle and golf course.[73]
He wrote in the poem "Explained":
Elizabeth Ann Said to her Nan: "Please will you tell me how God began? Somebody must have made Him. So Who could it be, 'cos I want to know?"[74]
"Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember it. God bless Me."[74]
Give Me Yesterday (1923) (a.k.a.Success in the UK)
Ariadne (1924)
The Man in the Bowler Hat: A Terribly Exciting Affair (1924)
To Have the Honour (1924)
Portrait of a Gentleman in Slippers (1926)
Success (1926)
Miss Marlow at Play (1927)
Winnie the Pooh. Written specially by Milne for a 'Winnie the Pooh Party' in aid of the National Mother-Saving Campaign, and performed once at Seaford House on 17 March 1928[76]
Last, Kevin J.Remembering Christopher Robin: Escaping Winnie-the-Pooh. Lewes (UK), Unicorn. 2023.ISBN9781911397649
Thwaite, Ann.A.A. Milne: His Life. London: Faber and Faber, 1990.ISBN0571138888
Toby, Marlene.A.A. Milne, Author of Winnie-the-Pooh. Chicago: Children's Press, 1995.ISBN051604270X
Wullschläger, Jackie (2001) [1995].Inventing Wonderland: The Lives of Lewis Carroll, Edward Lear, J. M. Barrie, Kenneth Grahame, and A. A. Milne. London: Methuen.ISBN978-0-413-70330-9.
