| World tour byBruno Mars | |
 Promotional poster for the tour | |
| Location | North America • Europe • Oceania • Asia • Africa • South America |
|---|---|
| Associated album | 24K Magic |
| Start date | March 28, 2017 (2017-03-28) |
| End date | December 31, 2018 (2018-12-31) |
| Legs | 8 |
| No. of shows | 215 |
| Box office | US$367,7 million |
| Bruno Mars concert chronology | |
| |
The24K Magic World Tour was the fourthconcert tour of American singer-songwriterBruno Mars that was performed in support of his third studio album24K Magic (2016) from March 2017 to December 2018.Anderson .Paak was the opening act for the first European leg whileCamila Cabello,Dua Lipa, andJorja Smith opened the shows during the first North American leg. In Latin America,DNCE,Bebe Rexha, andNick Jonas were the supporting acts, and in Oceania, Lipa and DJ Leggo My Fueggo opened shows. The second European leg included appearances at several music festivals such asPinkpop in the Netherlands andRock in Rio in Portugal. It was Mars's first tour to include a show in Africa, where he appeared at theMawazine festival in Morocco.
In 2018, Mars announced another tour leg in North America; it was initially to featureCardi B but she wanted to raise her newborn child and was replaced withBoyz II Men,Ciara,Ella Mai andCharlie Wilson. Apart from24K Magic, the tour setlist included songs from Mars's previous albumsDoo-Wops & Hooligans (2010) andUnorthodox Jukebox (2012), as well as theMark Ronson-Mars collaboration "Uptown Funk" (2014), which was often used for theencores alongside "Locked Out of Heaven". Mars was backed by an eight-piece band calledThe Hooligans and performed dances choreographed by him and Phil Tayag.
The 24K Magic World Tour received generally positive reviews from music critics, who praised Mars's showmanship and his guitar solos, as well as the stage production. His shows attracted a wide-ranging audience of all age groups and grossed over $367 million, making the 24K Magic World Tour a commercial success and one ofthe highest-grossing concert tours of all time. It won twoPollstar awards, twoBillboard Music Awards and aTEC Award.
The 24K Magic World Tour, with 85 dates across Europe and North America, was officially announced on November 15, 2016.[1] On November 22, 2016, 15 additional shows were added, bringing the number to 100. At that time, the tour's producersLive Nation Entertainment reported that over one million tickets for the tour had been sold in a single day.[2] Promotional trailers and behind-the-scenes footage of the tour were released through Live Nation on several officialYouTube channels as additional promotion in some markets including Germany and Hong Kong.[3][4][5]Bruno Mars, together with Phil Tayag of the hip-hop dance crewJabbawockeez, choreographed the tour while the production and lighting design were handled by LeRoy Bennett, who worked with Mars on hisMoonshine Jungle Tour (2013–2014).[6][7] On May 2, 2017, Mars partnered withHeineken to sell tickets for his U.S. shows in selected cities; fans could obtain tickets by donating $150 to Heineken's Cities Project, which was intended to improve U.S. cities, via theIndiegogo crowdfunding platform.[8] The tour's South American leg was sponsored byBanco do Brasil andBudweiser, and Hospital Sancta Maggiore was the official supplier.[3]Pepsi was the official soft-drink partner during the Asian leg of the tour, which visited China, Thailand, the Philippines, Singapore and Malaysia.[9]
According toFront of House (FOH) engineer Chris Rabold, Mars had a say in every aspect of the tour's shows, which he envisioned as a huge party. Rehearsals for the 24K Magic World Tour commenced at Center Staging inBurbank, California, in mid-2016; they included only The Hooligans as performers, assisted bymonitor engineer Ramon Morales, who mixed the monitors for Mars. Morales then moved to the Rock Lititz rehearsal facility for a few weeks to complete work on the tour's production using equipment made byClair Global, the tour's official sound equipment provider.[10] Rabold and Morales used twoDiGiCo SD7 mixing consoles and monitors for the tour's production.[11][12] The Hooligans usedSennheiser 9000 series microphones while Mars used a Sennheiser 5235. Microphones made byShure,Telefunken and Mojave were used for the drums while the guitars had AT4050s, SM57s and Royer 122s microphones. The horns used DPA 4099s, the bass an Avalon U5 and the synth had both a Sennheiser 906s and a Beyer M88 microphone.[10]
Morales used the DiGiCo's onboard effects such asreverbs,delays, dynamicequalization and compression on the inputs. He also chose an Avalon 737 for Mars's vocals, as well as a Brascati M7 reverb and TC system 6000. Thepublic address system (PA) used on the tour was Clair Global's Cohesion system.[12] Lighting designer Cory FitzGerald and production designer LeRoy Bennett used the Philips VL6000 Beam and VL4000 BeamWash fixtures for the tour. These have a retro-style appearance to match the shows' 1990s theme and blend with the more contemporary-looking classicPar Can lights' bright colors and textures. The VL4000 BeamWash provided backlight, sidelight, and bright-and-bold effects.[13] Around 214 Solaris Flares were used in pixel mode, including the wash features and the strobe lights.[14]
During the first leg of the tour in Europe, shows were opened byAnderson .Paak, who drummed and sang simultaneously.[15][16] The shows in North America—except for the first two shows, which opened withJabbawockeez—had eitherCamila Cabello,Dua Lipa orJorja Smith as the opening act.[17] On November 18, 2017, the Latin American leg of the tour began withDNCE, and ended withBebe Rexha andNick Jonas.[18][19] Initially, all concerts in Oceania were scheduled to be opened by Lipa but she canceled four dates due to dental problems and was replaced by DJ Leggo My Fueggo.[20][21] During the second European and North American legs of the tour, Mars had several opening acts, includingDJ Rashida, at every show.Charlie Wilson,Ciara,Boyz II Men and other high-profile acts appeared on select occasions,[22][23][24] replacingCardi B, who wanted to raise her newborn baby, on the North American leg.[25] At all shows, a large, black curtain was used to introduce Mars's band, The Hooligans, who were followed by text asking if the audience was ready to "get hot and sweaty".[26][27]
"Finesse" opened the set against a backdrop of colorful, pulsing tower panels.[26][28] During the performance of the follow-up song "24K Magic", which led to the audience cheering and dancing, the tower panels changed colors and were complemented by fireworks.[26][29] At this point, Mars would shout, "We have been waiting a long time to come back ... we gonna have some fun tonight!", before continuing dancing to "Treasure" and "Perm".[26][28][30] During "Perm", Mars invited his fans to take pictures of him and The Hooligans, briefly stopping the show.[30] During "Calling All My Lovelies", the next track on the setlist, Mars played his guitar in a tribute toPrince; Mars pretended to call his lover on a "Zack Morris-style phone" but she did not answer the call.[26][28][31] This was followed by the "racier" songs "Chunky" and "That's What I Like", on which critics said Mars and his band sounded like Boyz II Men.[16][27][28] The singer "turned up the sexual energy" with "Straight Up & Down", which has "risqué" subject matter but was delivered in a "family friendly and inoffensive" way.[30][31]
The setlist continued with "Versace on the Floor", during which Mars was lifted on a platform with golden lighting and purple beacons.[28][30][31] The next number, "Marry You", had Mars and The Hooligans performing a "soft-shoe" dance while Mars played guitar.[29][31][30] On the subsequent "Runaway Baby", Mars and his band performed "pelvic" dance moves that critics compared toElvis Presley; there followed a breakdown similar toJames Brown's work. During the song, the lights dimmed and only a bass solo was being played.[26][28][32] Afterwards, a modified routine ofThe Isley Brothers' song "Shout" had Mars dropping to the floor then emerging from it with a roar.[33] Later on, the stage was occupied only by Mars and two keyboard players for the piano ballad "When I Was Your Man".[34][29][31] A piano solo led up to the next ballad "Grenade", to which was Mars give a rock interpretation by playing his guitar.[30][29][35] Shots of fireballs were featured during the song.[26]
The next song on the 2017 setlist was the ballad "Just the Way You Are", which was performed before theencore. For the encore, they returned to perform "Locked Out of Heaven", during which golden confetti was poured on the audience,[30][29] and the closing song "Uptown Funk", during which fireworks and smoke prompted men dressed as firefighters to use fire extinguishers to put them out.[29][30][31][33] Throughout the tour, modified setlists were used.[26][36][37] "Too Good to Say Goodbye" was only performed in Madrid and Antwerp as the closing track.[16][38] "Billionaire" replaced "Calling All My Lovelies" during Mars's second date in Rio de Janeiro.[39] "Talking to the Moon" was performed once, as an encore, in São Paulo.[40] In some shows, "Grenade" was replaced with "Gorilla" or a mash-up of "Nothin' on You" and "It Will Rain".[33][37] In 2018, "Grenade" and "Straight Up & Down" were removed from the setlist of several concerts.[27][36][37]
On July 10, 2018, during a concert atGlasgow Green, in Scotland, Mars and his band had to evacuate the stage due to a fire. It was caused by "a planned fireworks display that caused the lighting rig to catch fire". The incident didn't cause any injuries.[41]
Selected shows of the tour received generally positive reviews from critics, who commended Mars's showmanship, his guitar skills and the stage production.[29][33][35] Caroline Sullivan ofThe Guardian rated a show four stars out of five, saying; "It says something about his performance ethic that even during the formation dances he's clearly not miming – most pop singers do while dancing". Sullivan added most of the concert "comes from a wellspring of perspiration, musical education and at least a little inspiration".[32]The Washington Post's Briana Younger called Mars a "once-in-a-generation artist", and "a master of his craft and consummate performer".[31] Jesse Sendejas Jr., writing for theHouston Press, said Mars and his band "came to entertain and did that astonishingly well" in a show which, according to her, attracted a wide-ranging audience of all age groups and cultures.[33] ThePittsburgh Post-Gazette's Scott Mervis lauded Mars's "silky voice" and hisMichael Jackson-esque dance skills, "to which he adds a comic touch". Mervis concluded, "If [Jackson], Prince and James Brown are the 24K gold standard for what he's trying to do, Mars is well on his way toward that karat".[30]
Tammy Kwan ofThe Georgia Straight called Mars's and The Hoolligans's performance "stellar", noting its "synchronized dancing and dazzling stage effects". Kwan added, "This concert was one for the books".[29]The Music's Madelyn Tait praised the concert, writing; "Mars was able to leave a diverse, all-ages crowd [that was] satisfied with his funk and soul-infused pop and proved how capable he is of putting on a fun, entertaining arena show".[34] Leticia Madrigal ofThe Clovis Roundup lauded Mars "do[ing] more than enough entertaining through his choreographed performance with his band and with his unmissable radio hits".[42] Some critics found the performance of "When I Was Your Man" to be the highlight in the performances they commented on.[31][33][34]
Mikael Wood of theLos Angeles Times said there were some "less polished moments" in the show he attended but that they were not accidental. Wood also said Mars had "gotten so good onstage that he's begun looking for a thrill beyond perfection" and concluded; "the impression Mars gave was of an artist eager to put some wrinkles into the gleaming surfaces for which he's known".[43] Neil McCormick ofThe Telegraph gave a concert four stars out of five. He praised the choreography and the vocal harmonies, which he felt were inspired by Prince's "supernatural gifts", James Brown's "physical command", andMarvin Gaye's "smooth vocal flexibility". He did not, however, enjoy the band's "mustard and white baseball" outfits, saying they made them look like "servers at a fast-food chain".[35]
In a mixed review, Luís Guerra fromBlitz lauded one of the shows for its variety of genres but said Mars performed romantic songs inadequately.[26]Radio New Zealand's Ellen Falconer commended Mars's showmanship, saying he put on a "hell of a show" and calling him one of the best performers of his generation. Nevertheless, she found him "over-polished" and felt "his own personality gets lost amongst [his] nostalgic references".[27] Roisin O'Connor ofThe Independent gave a concert three stars out of five, saying songs like "Marry You" and "The Lazy Song" sounded "dated" when compared to those on24K Magic. She concluded by saying "all the ingredients for a spectacular show are there, yet a stellar performance doesn't seem to reach the far corners of the arena".[44]
| Year | Award | Category | Result | Ref. |
|---|---|---|---|---|
| 2017 | Billboard Touring Conference and Awards | Concert Marketing/Promotion | Nominated | [45] |
| Teen Choice Awards | Choice Summer: Tour | [46] | ||
| Pollstar Award | Major Tour of the Year | [47] | ||
| Pop Tour of the Year | Won | [48] | ||
| Urban/R&B Tour of the Year | ||||
| 2018 | American Music Awards | Tour of the Year | Nominated | [49] |
| Billboard Music Awards | Top R&B Tour | Won | [50] | |
| TEC Awards | Tour/Event Sound Production | [51] | ||
| 2019 | Billboard Music Awards | Top R&B Tour | [52] |
According to an October 2017Billboard article, the tour had sold 659,190 tickets at 42 concerts in 32 cities in North America and earned $76 million in revenue there. This included three sold-out shows atUnited Center in Chicago, which garnered $6.3 million. Concerts atthe O2 Arena in London earned $6.6 million.[53] In early 2018, it was reported 408,443 tickets had been sold for the ten shows Mars performed in Latin America, bringing in $37.4 million.[54] In Asia, fourteen shows in seven cities were sold out while in Japan, the tour grossed $15.5 million from four shows atSaitama Super Arena.[55][56]
In Australia, the 24K Magic World Tour with its five shows at Sydney'sQudos Bank Arena brought in $9.2 million.[56] Mars brokeBeyoncé's New Zealand concert attendance record in May 2017, surpassing her 44,596 ticket sales by selling 48,783 tickets for four sold-out concerts atSpark Arena inAuckland.[57] In 2018, Mars sold out the three shows at theAloha Stadium in Hawaii, breaking the attendance records of bothU2 and Michael Jackson, who performed two nights for 50,000 people.[58]
In 2017,StubHub ranked Mars as the biggest-touring act of the year in the United States, having sold more tickets than any other artist.[59] The 24K Magic World Tour's total gross as of October 2017 was $129 million,[53] which grew to $200 million as of January 2018.[54] It was the fourth-highest-grossing tour of 2018 with a revenue of $237.8 million according toBillboard.[60] Over a span of two years, the 24K Magic World Tour was reported to have grossed over $367,7 million.[61][62] It is among thehighest-grossing concert tours of all time. For Mars's November 8, 2018, concert in Hawaii, widespreadticket reselling activities occurred and bots were used to buy thousands of tickets. A similar phenomenon happened on his second show in the state.[63]
The set lists given below were performed in April 2017 and March 2018, respectively.[26][36] The list evolved over the course of the tour, and sometimes included other numbers. These included "Too Good to Say Goodbye",[16][38] "Gorilla", a mashup of "Nothin' On You" with "It Will Rain",[33][37] "Talking to the Moon",[40] "Billionaire",[39] and "Thinking Out Loud" performed withEd Sheeran.[37]
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|
| Date (2017) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| March 28 | Antwerp | Belgium | Sportpaleis | Anderson .Paak | 42,710 / 43,512 | $3,156,750 |
| March 29 | ||||||
| March 31 | Lille | France | Stade Pierre-Mauroy | 28,262 / 28,262 | $1,690,680 | |
| April 3 | Madrid | Spain | WiZink Center | 15,565 / 15,565 | $1,229,943 | |
| April 4 | Lisbon | Portugal | MEO Arena | 19,524 / 19,524 | $1,113,187 | |
| April 7 | Barcelona | Spain | Palau Sant Jordi | 17,909 / 17,909 | $1,448,830 | |
| April 8 | Montpellier | France | Sud de France Arena | 13,192 / 13,192 | $875,999 | |
| April 10 | Cologne | Germany | Lanxess Arena | 15,916 / 15,916 | $1,016,492 | |
| April 12 | Glasgow | Scotland | SSE Hydro | 24,640 / 24,920 | $1,978,040 | |
| April 13 | ||||||
| April 15 | Liverpool | England | Echo Arena | 10,921 / 10,921 | $915,179 | |
| April 18 | London | The O2 Arena | 71,135 / 71,135 | $6,376,770 | ||
| April 19 | ||||||
| April 21 | ||||||
| April 22 | ||||||
| April 24 | Birmingham | Arena Birmingham | 29,598 / 29,598 | $2,479,958 | ||
| April 25 | ||||||
| April 27 | Nottingham | Motorpoint Arena Nottingham | 9,979 / 9,979 | $868,980 | ||
| April 29 | Dublin | Ireland | 3Arena | 25,464 / 25,464 | $1,824,465 | |
| April 30 | ||||||
| May 2 | Manchester | England | Manchester Arena | 33,110 / 33,604 | $2,561,210 | |
| May 3 | ||||||
| May 5 | Leeds | First Direct Arena | 11,636 / 11,636 | $957,285 | ||
| May 6 | Sheffield | Sheffield Arena | 13,541 / 13,541 | $1,166,841 | ||
| May 9 | Amsterdam | Netherlands | Ziggo Dome | 34,320 / 34,320 | $2,568,374 | |
| May 10 | ||||||
| May 12 | Zürich | Switzerland | Hallenstadion | 13,888 / 13,888 | $1,356,400 | |
| May 14 | Munich | Germany | Olympiahalle | 13,005 / 13,005 | $1,065,795 | |
| May 17 | Hamburg | Barclaycard Arena | 13,570 / 13,930 | $914,401 | ||
| May 18 | Copenhagen | Denmark | Royal Arena | 15,771 / 15,771 | $1,361,962 | |
| May 20 | Stockholm | Sweden | Ericsson Globe | 14,688 / 14,688 | $939,321 | |
| May 22 | Helsinki | Finland | Hartwall Arena | 12,980 / 12,980 | $1,005,869 | |
| May 24 | Oslo | Norway | Telenor Arena | 22,356 / 22,356 | $1,693,662 | |
| May 26 | Berlin | Germany | Mercedes-Benz Arena | 14,066 / 14,066 | $1,041,406 | |
| May 27 | Kraków | Poland | Tauron Arena | 18,528 / 18,528 | $1,137,510 | |
| May 30 | Budapest | Hungary | Budapest Sports Arena | 13,871 / 13,871 | $791,265 | |
| June 1 | Frankfurt | Germany | Festhalle Frankfurt | 11,841 / 11,841 | $1,012,542 | |
| June 3 | Vienna | Austria | Wiener Stadthalle | 13,827 / 13,827 | $1,022,548 | |
| June 5 | Paris | France | AccorHotels Arena | 33,608 / 33,608 | $2,900,545 | |
| June 6 | ||||||
| June 8 | Lyon | Halle Tony Garnier | 16,235 / 16,235 | $1,015,647 | ||
| June 12 | Bologna | Italy | Unipol Arena | 14,246 / 14,246 | $850,732 | |
| June 14 | Geneva | Switzerland | Geneva Arena | 7,343 / 7,343 | $1,291,296 | |
| June 15 | Milan | Italy | Mediolanum Forum | 11,172 / 11,172 | $792,759 |
| Date (2017) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| July 15 | Las Vegas | United States | T-Mobile Arena | Jabbawockeez | 16,556 / 16,556 | $1,947,649 |
| July 18 | Sacramento | Golden 1 Center | 15,170 / 15,170 | $1,586,433 | ||
| July 20 | San Jose | SAP Center | Camila Cabello | 28,444 / 28,444 | $3,673,031 | |
| July 21 | ||||||
| July 23 | Portland | Moda Center | 15,417 / 15,417 | $1,655,665 | ||
| July 24 | Tacoma | Tacoma Dome | 19,454 / 19,454 | $1,746,589 | ||
| July 26 | Vancouver | Canada | Rogers Arena | 31,005 / 31,005 | $3,430,130 | |
| July 27 | ||||||
| July 30 | Edmonton | Rogers Place | 29,301 / 29,301 | $2,957,232 | ||
| July 31 | ||||||
| August 2 | Winnipeg | Bell MTS Place | 12,712 / 12,712 | $1,395,447 | ||
| August 4 | Fargo | United States | Fargodome | 18,489 / 18,489 | $1,850,542 | |
| August 5 | Saint Paul | Xcel Energy Center | 16,350 / 16,350 | $1,905,256 | ||
| August 7 | Lincoln | Pinnacle Bank Arena | 14,105 / 14,105 | $1,517,410 | ||
| August 9 | Kansas City | Sprint Center | 15,154 / 15,154 | $1,660,106 | ||
| August 12 | Auburn Hills | The Palace of Auburn Hills | 16,013 / 16,013 | $1,936,194 | ||
| August 13 | Indianapolis | Bankers Life Fieldhouse | 15,112 / 15,112 | $1,635,885 | ||
| August 15 | Cleveland | Quicken Loans Arena | 17,103 / 17,103 | $1,827,568 | ||
| August 16 | Chicago | United Center | 47,942 / 47,942 | $6,347,950 | ||
| August 18 | ||||||
| August 19 | ||||||
| August 22 | Pittsburgh | PPG Paints Arena | 15,776 / 15,766 | $1,761,947 | ||
| August 24 | Quebec City | Canada | Videotron Centre | N/A | 15,099 / 15,099 | $1,177,600 |
| August 26 | Toronto | Air Canada Centre | 33,488 / 33,488 | $3,896,146 | ||
| August 27 | ||||||
| August 29 | Montreal | Bell Centre | 34,000 / 34,000 | $3,480,770 | ||
| August 30 | ||||||
| September 14 | Charlotte | United States | Spectrum Center | Dua Lipa | 15,931 / 15,931 | $1,766,253 |
| September 16[a] | Atlanta | Piedmont Park | N/A | |||
| September 17 | Memphis | FedExForum | Dua Lipa | 14,815 / 14,815 | $1,597,428 | |
| September 19 | Louisville | KFC Yum! Center | 18,176 / 18,176 | $1,911,793 | ||
| September 20 | Columbus | Schottenstein Center | 15,288 / 15,288 | $1,718,528 | ||
| September 22 | New York City | Madison Square Garden | 31,318 / 31,318 | $4,120,197 | ||
| September 23 | ||||||
| September 26 | Newark | Prudential Center | 14,625 / 14,625 | $1,820,526 | ||
| September 27 | Buffalo | KeyBank Center | 15,984 / 15,984 | $1,684,265 | ||
| September 29 | Washington, D.C. | Capital One Arena | 31,847 / 31,847 | $4,180,239 | ||
| September 30 | ||||||
| October 4 | Brooklyn | Barclays Center | Jorja Smith | 15,370 / 15,370 | $1,898,099 | |
| October 5 | Uniondale | Nassau Coliseum | 13,052 / 13,052 | $1,626,154 | ||
| October 7 | Boston | TD Garden | 28,839 / 28,839 | $3,695,807 | ||
| October 8 | ||||||
| October 10 | Philadelphia | Wells Fargo Center | 16,555 / 16,555 | $2,086,312 | ||
| October 12 | Raleigh | PNC Arena | 15,541 / 15,541 | $1,819,506 | ||
| October 14 | Orlando | Amway Center | 14,067 / 14,067 | $1,532,415 | ||
| October 15 | Sunrise | BB&T Center | 15,012 / 15,012 | $1,941,593 | ||
| October 18 | Miami | American Airlines Arena | 15,190 / 15,190 | $2,036,300 | ||
| October 19 | Tampa | Amalie Arena | 15,494 / 15,494 | $1,737,059 | ||
| October 21 | New Orleans | Smoothie King Center | 15,056 / 15,056 | $1,656,475 | ||
| October 22 | North Little Rock | Verizon Arena | 15,806 / 15,806 | $1,573,424 | ||
| October 24 | Houston | Toyota Center | 13,529 / 13,529 | $1,805,759 | ||
| October 25 | San Antonio | AT&T Center | 15,710 / 15,710 | $1,751,972 | ||
| October 27 | Dallas | American Airlines Center | 14,879 / 14,879 | $1,744,937 | ||
| November 2 | Fresno | Save Mart Center | 12,730 / 12,730 | $1,427,143 | ||
| November 3 | Oakland | Oracle Arena | 15,884 / 15,884 | $1,981,559 | ||
| November 5 | Phoenix | Talking Stick Resort Arena | 14,764 / 14,764 | $1,651,992 | ||
| November 7 | Inglewood | The Forum | 61,893 / 61,893 | $8,420,015 | ||
| November 8 | ||||||
| November 10 | ||||||
| November 11 | ||||||
| Date | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| November 18, 2017 | Rio de Janeiro | Brazil | Praça da Apoteose | DNCE | 56,846 / 56,846 | $4,473,215 |
| November 19, 2017 | ||||||
| November 22, 2017 | São Paulo | Estádio do Morumbi | 83,437 / 83,437 | $6,763,624 | ||
| November 23, 2017 | ||||||
| November 25, 2017 | La Plata | Argentina | Estadio Ciudad de La Plata | 49,204 / 49,204 | $5,060,415 | |
| November 28, 2017 | Santiago | Chile | Estadio Nacional de Chile | 67,648 / 67,648 | $6,026,346 | |
| November 30, 2017 | Lima | Peru | Estadio Nacional del Perú | 41,493 / 41,493 | $4,592,487 | |
| December 2, 2017 | Quito | Ecuador | Estadio Olímpico Atahualpa | 31,295 / 31,295 | $3,563,518 | |
| December 5, 2017 | Bogotá | Colombia | Estadio El Campín | 40,468 / 40,468 | $4,170,179 | |
| December 7, 2017 | San José | Costa Rica | Estadio Nacional de Costa Rica | 38,052 / 38,052 | $2,831,903 | |
| January 31, 2018 | Monterrey | Mexico | Estadio Universitario | Bebe Rexha | 27,553 / 35,612 | $2,974,523 |
| February 2, 2018 | Mexico City | Foro Sol | Bebe Rexha Nick Jonas | 115,147 / 116,260 | $8,784,453 | |
| February 3, 2018 | ||||||
| February 5, 2018 | Zapopan | Estadio Akron | 36,289 / 39,846 | $4,037,371 |
| Date (2018) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| February 27 | Auckland | New Zealand | Spark Arena | Dua Lipa | 48,785 / 48,785 | $5,261,050 |
| February 28 | ||||||
| March 2 | ||||||
| March 3 | ||||||
| March 7 | Melbourne | Australia | Rod Laver Arena | 57,842 / 57,842 | $6,560,280 | |
| March 8 | ||||||
| March 10 | ||||||
| March 11 | ||||||
| March 14 | Brisbane | Brisbane Entertainment Centre | DJ Leggo My Fueggo | 27,094 / 27,094 | $3,058,400 | |
| March 15 | ||||||
| March 17 | Sydney | Qudos Bank Arena | 88,592 / 88,592 | $9,217,950 | ||
| March 18 | ||||||
| March 20 | Dua Lipa | |||||
| March 23 | ||||||
| March 24 | ||||||
| March 26 | Adelaide | Adelaide Entertainment Centre | 9,930 / 9,930 | $1,020,470 | ||
| March 28 | Perth | Perth Arena | 29,434 / 29,434 | $3,436,710 | ||
| March 29 |
| Date (2018) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| April 11 | Saitama | Japan | Saitama Super Arena | N/AJabbawockeez (Manila Only) | 90,672 / 90,672 | $15,531,450 |
| April 12 | ||||||
| April 14 | ||||||
| April 15 | ||||||
| April 17 | Taipei | Taiwan | Nangang Exhibition Center | 20,020 / 20,020 | $3,273,545 | |
| April 20 | Shanghai | China | Mercedes-Benz Arena | 35,564 / 35,564 | $5,932,991 | |
| April 21 | ||||||
| April 23 | ||||||
| April 27 | Macau | Cotai Arena | 23,861 / 23,861 | $4,131,652 | ||
| April 28 | ||||||
| April 30 | Bangkok | Thailand | IMPACT Arena | 21,607 / 21,607 | $4,311,275 | |
| May 1 | ||||||
| May 3 | Pasay | Philippines | Mall of Asia Arena | 23,890 / 23,890 | $4,411,425 | |
| May 4 | ||||||
| May 6 | Singapore | Singapore Indoor Stadium | 22,992 / 22,992 | $4,516,851 | ||
| May 7 | ||||||
| May 9 | Kuala Lumpur | Malaysia | Axiata Arena | 11,065 / 11,065 | $1,819,083 | |
| May 12 | Hong Kong | AsiaWorld–Arena | 27,847 / 27,847 | $4,814,281 | ||
| May 13 | ||||||
| Date (2018) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| May 27[b] | Napa | United States | BottleRock Napa Valley | N/A | ||
| Date (2018) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| June 16[c] | Werchter | Belgium | Festivalpark Werchter | DJ Rashida Lil' Kleine | N/A | N/A |
| June 17[d] | Langraaf | Netherlands | Megaland Landgraaf | DJ Rashida | ||
| June 20 | Barcelona | Spain | Estadi Olímpic Lluís Companys | DJ Rashida DNCE | ||
| June 22 | Madrid | Wanda Metropolitano | ||||
| June 24[e] | Lisbon | Portugal | Parque da Bela Vista | DJ Rashida Demi Lovato Anitta Agir | ||
| June 27[f] | Rabat | Morocco | OLM Souissi | DJ Rashida | ||
| June 30 | Saint-Denis | France | Stade de France | DJ Rashida DNCE | ||
| July 3 | Bergen | Norway | Bergenhus Fortress | DJ Rashida | ||
| July 5[g] | Roskilde | Denmark | Roskilde Festival | |||
| July 7[h] | Gdynia | Poland | Gdynia-Kosakowo Airport | |||
| July 10 | Glasgow | Scotland | Glasgow Green | DJ Rashida Dua Lipa Average White Band DNCE | ||
| July 12 | Dublin | Ireland | Marlay Park | Sister Sledge DJ Rashida DNCE | ||
| July 14[i] | London | England | Hyde Park | Khalid DNCE Charlie Wilson Alex Hepburn DJ Rashida |
| Date (2018) | City | Country | Venue | Opening act | Attendance (Tickets sold / available) | Revenue |
|---|---|---|---|---|---|---|
| August 3[j] | Chicago | United States | Grant Park | N/A | ||
| September 7[k] | Denver | Pepsi Center | Boyz II Men DJ Rashida | 28,390 / 30,548 | $3,783,277 | |
| September 8 | ||||||
| September 11 | Saint Paul | Xcel Energy Center | Charlie Wilson DJ Rashida | 28,608 / 31,669 | $3,758,907 | |
| September 12 | ||||||
| September 15 | Detroit | Little Caesars Arena | 29,275 / 29,275 | $3,969,773 | ||
| September 16 | ||||||
| September 19 | Philadelphia | Wells Fargo Center | Boyz II Men DJ Rashida | 27,880 / 27,880 | $3,785,007 | |
| September 20 | ||||||
| September 22 | Toronto | Canada | Scotiabank Arena | Ciara DJ Rashida | 33,176 / 33,176 | $4,146,958 |
| September 23 | ||||||
| September 27 | Boston | United States | TD Garden | 26,684 / 26,843 | $4,126,750 | |
| September 28 | ||||||
| October 1 | Newark | Prudential Center | 24,902 / 24,902 | $4,072,592 | ||
| October 2 | ||||||
| October 4 | Brooklyn | Barclays Center | Ella Mai DJ Rashida | 29,966 / 29,966 | $5,138,161 | |
| October 5 | ||||||
| October 7 | Nashville | Bridgestone Arena | 29,244 / 29,244 | $4,367,352 | ||
| October 8 | ||||||
| October 11 | Tulsa | BOK Center | 26,164 / 26,164 | $3,544,411 | ||
| October 12 | ||||||
| October 14 | Dallas | American Airlines Center | Charlie Wilson DJ Rashida | 27,933 / 29,161 | $4,180,930 | |
| October 15 | ||||||
| October 20[l] | Austin | Austin360 Amphitheater | N/A | |||
| October 23 | Los Angeles | Staples Center | Boyz II Men DJ Rashida | 61,322 / 61,322 | $9,113,210 | |
| October 24 | Ciara DJ Rashida | |||||
| October 26 | Ella Mai DJ Rashida | |||||
| October 27 | Charlie Wilson DJ Rashida | |||||
| November 8 | Honolulu | Aloha Stadium | Charlie Wilson | 113,751 / 113,751 | $12,394,580 | |
| November 10 | The Green Common Kings | |||||
| November 11 | ||||||
| December 30 | Las Vegas | T-Mobile Arena | Boyz II Men | 30,241 / 30,524 | 5,859,567 | |
| December 31 | ||||||
| Totals | 3,236,625 / 3,242,253 | $361,814,865 | ||||
| Date (2018) | City | Country | Venue | Reason |
|---|---|---|---|---|
| July 2 | Düsseldorf | Germany | Esprit Arena | Logistical problems |
Sound and monitor production[11][87]
| Stage production[86]
|
February 27–28, March 2–3, 2018: Bruno Mars, Dua Lipa, Spark Arena, Auckland (48,785 – $5,261,050); March 7–8–10–11, 2018: Rod Laver Arena, Melbourne (57,842 – $6,560,280); March 14–15, 2018: Bruno Mars, DJ Leggo My Fueggo, Entertainment Centre, Brisbane (27,094 – $3,058,400); March 26, 2018: Entertainment Centre, Adelaide (9,930 – $1,020,470)
| Studio albums | |
|---|---|
| Collaborative albums | |
| Extended plays | |
| Tours and residencies | |
| Television | |
| Related articles | |
