 1951 Nobel Prize in Literature | ||||
|---|---|---|---|---|
| Pär Lagerkvist | ||||
 "for the artistic vigour and true independence of mind with which he endeavours in his poetry to find answers to the eternal questions confronting mankind." | ||||
| Date |
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| Location | Stockholm, Sweden | |||
| Presented by | Swedish Academy | |||
| First award | 1901 | |||
| Website | Official website | |||
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The1951Nobel Prize in Literature was awarded the Swedish authorPär Lagerkvist "for the artistic vigour and true independence of mind with which he endeavours in his poetry to find answers to the eternal questions confronting mankind."[1] Lagerkvist is the fourth Swedish recipient of the Nobel Prize in Literature afterLagerlöf in1909,Von Heidenstam in1916, andKarlfeldt in1931.
Pär Lagerkvist wrote novels, poetry, plays, short stories and essays and were one of major Swedish literary figures of the first half of the 20th century. In his early years Lagerkvist supportedmodernist and aesthetically radical views, as shown by his manifestoOrdkonst och bildkonst ("Word Art and Picture Art", 1913) and the playDen Svåra Stunden ("The Difficult Hour", 1918). In 1916, he publishedÅngest ("Anguish"), a violent and disillusioned collection of poems. The novelBödeln ("The Hangman", 1933) and the playMannen utan själ ("The Man Without a Soul", 1936) expresses Lagerkvist's indignation over risingfascism. A recurring theme in his writings is the fundamental question of good and evil, and the problem of man's relation to God. This theme is particularly notable in the 1944 novelDvärgen ("The Dwarf"), which became his first major success, followed byBarabbas (1950), a novel that won Lagerkvist world recognition.[2] His works also include the notable autobiographical novelGäst hos verkligheten ("Guest of Reality", 1925),[2] and two of his most important works, the collection of poemsAftonland ("Evening Land", 1953) and the novelSibyllan ("The Sibyl", 1956), which were published after he was awarded the Nobel prize.[3][4]
Pär Lagerkvist had first been proposed for the prize in1947.[5] Following the publication of his novelBarabbas, Lagerkvist had been one of the favorites to be awarded the Nobel Prize in Literature in1950.[6] In 1951, the Nobel committee for literature received nine nominations for Lagerkvist, including nominations from the French authors and previous laureatesAndré Gide andRoger Martin du Gard, and theSwedish Academy decided to award him the prize.[5]
In total the Nobel committee received 44 nominations for 25 writers includingTaha Hussein,Paul Claudel,Winston Churchill (awarded in1953),Ramón Menéndez Pidal,Tarjei Vesaas andHalldór Kiljan Laxness (awarded in1955). The Greek authorsNikos Kazantzakis andAngelos Sikelianos were nominated both individually and for a shared prize by academy memberSigfrid Siwertz. The Spanish writerJosé Ortega y Gasset were nominated by 18 members of theRoyal Spanish Academy. Six of the nominees were newly nominated among themEzequiel Martínez Estrada, Katharine Susannah Prichard,Rómulo Gallegos,José Maria Ferreira de Castro, and María Enriqueta Camarillo. Two women were nominated namely the Australian authorKatherine Susannah Prichard and the Mexican writerMaria Enriqueta Camarillo.[7]
The authorsAntoine Bibesco,Algernon Blackwood,Tadeusz Borowski,James Bridie,Abraham Cahan,Émile Chartier,Lloyd C. Douglas,René Guénon,Fumiko Hayashi,Sadegh Hedayat,Louis Lavelle,Henri-René Lenormand,Richard Malden,Margaret Mayo,Oscar Micheaux,Takashi Nagai,Andrei Platonov,Pedro Salinas,Božena Slančíková (known as Timrava),Henry De Vere Stacpoole,Vsevolod Vishnevsky,Henrik Visnapuu,Ludwig Wittgenstein, andMiyamoto Yuriko died in 1951 without having been nominated for the prize.
| No. | Nominee | Country | Genre(s) | Nominator(s) |
|---|---|---|---|---|
| 1 | Shmuel Yosef Agnon (1887–1970) |  Israel | novel, short story | Simon Halkin (1899–1987) |
| 2 | Mark Aldanov (1886–1957) |  Soviet Union(  Ukraine) France | biography, novel, essays, literary criticism |  Ivan Bunin (1870–1953) |
| 3 | María Enriqueta Camarillo (1872–1968) |  Mexico | novel, short story, drama, poetry, translation | Leavitt Olds Wright (1891–1980) |
| 4 | Winston Churchill (1874–1965) |  United Kingdom | history, essays, memoir |
|
| 5 | Paul Claudel (1868–1955) | France | poetry, drama, essays, memoir | Kåre Foss (1895–1967) |
| 6 | Júlio Dantas (1876–1962) |  Portugal | poetry, drama, novel, essays |
|
| 7 | Georges Duhamel (1884–1966) | France | novel, short story, poetry, drama, literary criticism | Hjalmar Hammarskjöld (1862–1953) |
| 8 | José Maria Ferreira de Castro (1898–1978) | Portugal | novel | Holger Sten (1907–1971) |
| 9 | Rómulo Gallegos (1884–1969) |  Venezuela | novel, short story |
|
| 10 | Manuel Gálvez (1882–1962) |  Argentina | novel, poetry, drama, essays, history, biography | Manuel Alcobre (1900–1977) |
| 11 | Taha Hussein (1889–1973) |  Egypt | novel, short story, poetry, translation | Academy of the Arabic Language |
| 12 | Nikos Kazantzakis (1883–1957) |  Greece | novel, philosophy, essays, drama, memoir, translation | Sigfrid Siwertz (1882–1970) |
| 13 | Pär Lagerkvist (1891–1974) |  Sweden | poetry, novel, short story, drama |
|
| 14 | Halldór Laxness (1902–1998) |  Iceland | novel, short story, drama, poetry |
|
| 15 | Ezequiel Martínez Estrada (1895–1964) | Argentina | poetry, essays, literary criticism, biography | Sociedad Argentina de Escritores |
| 16 | Ramón Menéndez Pidal (1869–1968) |  Spain | philology, history |
|
| 17 | Alfred Noyes (1880–1958) | United Kingdom | poetry, drama, essays, biography, novel, short story, literary criticism | Laurence McGinley, S.J. (1905–1992) |
| 18 | José Ortega y Gasset (1883–1955) | Spain | philosophy, essays |
|
| 19 | Katharine Susannah Prichard (1883–1969) |  Australia | novel, short story, drama, poetry, autobiography |
|
| 20 | Zalman Shneour (1887–1959) | Soviet Union (  Belarus) United States | poetry, essays |
|
| 21 | Angelos Sikelianos (1884–1951) | Greece | poetry, drama | Sigfrid Siwertz (1882–1970) |
| 22 | fr:Sotíris_Skípis (ca. 1881–1952) | Greece | poetry, drama, translation | unnamed[8] |
| 23 | Tarjei Vesaas (1897–1970) |  Norway | poetry, novel |
|
| 24 | Mika Waltari (1908–1979) |  Finland | short story, novel, poetry, drama, essays, screenplay | Aarne Anttila (1892–1952) |
Pär Lagerkvist was first nominated for the prize in 1947. In 1947 and 1949 Lagerkvist, himself a member of theSwedish Academy, declined to be considered for the prize and the Nobel committee did thus not discuss his candidacy. While respecting his will, the committee the latter year still urged the Academy to "take notice of the proposition". Lagerkvist was nominated again in 1950 and nominators argued that his prominent role as a pioneer and innovator in Swedish-language literature and his humanity qualified him for the prize. The international success of Lagerkvist's 1950 novelBarabbas and the nominations from the French Nobel laureatesAndré Gide andRoger Martin du Gard became decisive for the Academy to award Lagerkvist the prize in 1951.[9]
Although several Nordic and Swedish authors had been awarded the Nobel Prize in Literature before and Lagerkvist himself was a member of the awarding institution theSwedish Academy, the decision to award him was defended as a legitimate choice in the Swedish press by critics Erik Hjalmar Linder andSten Selander, saying the internationally recognised Lagerkvist undoubtedly deserved the prize. Selander argued that Lagerkvist was a classic modernist in the same class as the two recent laureatesWilliam Faulkner andT. S. Eliot.[10]
At the award ceremony in Stockholm on 10 December 1951,Anders Österling, permanent secretary of theSwedish Academy, spoke about Lagerkvist's writing and also spent a part of the speech justifying the Academy's decision to award a Swedish author:
Nobel’s will explicitly prescribes that the Prizes should be awarded«without any consideration of nationality, so that they should be awarded to the worthiest, be he Scandinavian or not.» That should also signify that if a writer seems worthy of the Nobel Prize, the fact that he is Swedish, for example, should not in the end hinder him from obtaining it. As for Pär Lagerkvist, we must consider another factor, which pleases us very much: his last work has attracted much sympathy and esteem outside our frontiers. This was further proved by the insistent recommendations with which Lagerkvist’s candidacy has been sustained by a majority of foreign advisers. He does not owe his Prize to the Academy circle itself.[11]
Österling then further explained the decision to award Pär Lagerkvist the Nobel Prize in Literature:
On each page of Pär Lagerkvist’s work are words and ideas which, in their profound and fearful tenderness, carry at the very heart of their purity a message of terror. Their origin is in a simple, rustic life, laborious and frugal of words. But these words, these thoughts, handled by a master, have been placed at the service of other designs and have been given a greater purpose, that of raising to the level of art an interpretation of the time, the world, and man’s eternal condition. That is why in the statement of the reasons for awarding the Nobel Prize to Pär Lagerkvist, it seems legitimate to us to affirm that this national literary production has risen to the European level.[11]
At the banquet atStockholm City Hall on 10 December 1951, Pär Lagerkvist thanked his colleagues in the Swedish Academy for the honour of awarding him the Nobel Prize and then read a piece from an unpublished novel written in 1922 calledMyten om människorna ("The Myth of Mankind"). "I found that the beginning of it roughly includes just what I was going to say here today, but in the form of fiction, which undeniebly suits me better", Lagerkvist said, "It is about the mysterious of our essence and our existence, about this what makes the destiny of the human being so grand - and so difficult."[12]
