| "Wind Chimes" | |
|---|---|
| Song by the Beach Boys | |
| from the albumSmiley Smile | |
| Released | September 18, 1967 (1967-09-18) |
| Recorded | July 10–11, 1967 |
| Studio | Beach Boys Studio,Los Angeles |
| Length | 2:36 |
| Label | |
| Songwriter | Brian Wilson |
| Producer | The Beach Boys |
| Licensed audio | |
| "Wind Chimes" onYouTube | |
| Audio sample | |
| "Wind Chimes" | |
|---|---|
| Song bythe Beach Boys | |
| from the albumGood Vibrations: Thirty Years of the Beach Boys | |
| Released | July 29, 1993 (1993-07-29) |
| Recorded | August 3 – October 10, 1966 |
| Studio | Gold Star andWestern, Hollywood |
| Length | 2:33 |
| Label | Capitol |
| Songwriters | |
| Producer | Brian Wilson |
| Licensed audio | |
| "Wind Chimes" onYouTube | |
| Audio sample | |
"Wind Chimes" is a song by the American rock bandthe Beach Boys from their 1967 albumSmiley Smile and their unfinishedSmile project. Written byBrian Wilson andVan Dyke Parks, it was inspired bywind chimes hanging outside Wilson's home and was one of the first pieces tracked for theSmile sessions.
The original version of "Wind Chimes" was recorded from August to October 1966 and featured a coda that consisted of multiple overdubbed pianos played incounterpoint from each other. In July 1967, the band rerecorded the song with a significantly different arrangement for inclusion onSmiley Smile. The originalSmile recordings were later released on the compilationsGood Vibrations: Thirty Years of the Beach Boys (1993) andThe Smile Sessions (2011).
"Wind Chimes" was written byBrian Wilson andVan Dyke Parks, although Parks was not officially credited as a co-writer when the song was first published.[1] Brian's wifeMarilyn said: "We went shopping one day and we brought home somewind chimes. We hung them outside the house and then one day, while Brian was sitting around he sort of watched them out the window and then he wrote the song. I think that’s how it happened. Simple. He does a lot of things that way."[2]
For years, fans had been speculating that "Wind Chimes" was to fulfill the "Air" section of "The Elements" suite that Brian had envisioned forSmile, due to its breezy instrumentation and lyrics referencing the eponymous ornamental—an instrument provoked by wind. However, a preliminary track list from December 1966 indicated "The Elements" and "Wind Chimes" as separate tracks; and that the "Air" section could have alluded more to breathing, as implied through practice sessions performed by Brian and his friends.[3]
"Wind Chimes", in its original form, was first tracked on August 3, 1966 atGold Star Studios. The occasion marked the unofficial start of theSmile sessions.[4] Another version of the track was recorded on October 3, which was later followed by further overdubs on October 5 and 10 atWestern Studio.[5] Van Dyke Parks said,
When we got to "Wind Chimes", on the mallet tremolos, I remember at that point Brian asked me to play mallets, but the fellow who really played them was Gary Coleman, the great percussionist, who came down to do a lot of percussion for the album. We discovered that, by recording at half speed, you would come down an octave. So you could play anything at half speed an octave lower, raise the speed to normal speed, and you'd sound like you could play like a son of a bitch, like an expert. It gave you velocity that you didn't really have.[6]
In a March 1967 article forTeen Set, band associateMichael Vosse wrote of a half-hour recording session involving the overdubbing ofcontrapuntal "music box" piano parts,
"OK, let's hear it." Wilson in the control room, standing close to the center speaker, listens to the playback. He rushes to the board and supervises the throwing of switches and turning of knobs – more echo on the third track, a touch of reverb on the second honky-tonk overdub, this track dry and the other with more highs. Something happens to the sounds; they change, they move around and are transformed into a work of sheer beauty. Everyone in the booth has seen and heard the entire process.
"How did he do it?" they ask one another. Wilson stands at the back of the booth chuckling, he grabs a fire exinguisher off the wall and aims the nozzle at his friendDavid Anderle. "All right David, this is IT, you've HAD IT!" WOOOOOOOSSSSSHHHHHHHHHH! A blast of air cools David's face. Both men collapse giggling.[7]
Vosse referred to "Wind Chimes" explicitly in a 1969 article forFusion, again recalling the "music box" tag section, and said, "at that time it [the song] was considered a tentatively finished product." He also wrote,
Brian did something I've never heard anybody do: by recording everybody and doing the song straight through, and going back to the tape and eliminating voices, he had this little section where voices sounded like little percussion instruments — because he took everything out and would only let one little thing come in at a time, so suddenly there was this break and it was funny, but it worked so well that it built up the rhythm and made the change in such a way that all I can say is he found a new way to make musical changes in a song. And I must've heard the thing a hundred times: Anderle and I used to beg him to play that old dub for us.[8]
TheSmiley Smile version of "Wind Chimes" was recorded on July 10 and 11, 1967 at Wilson'smakeshift home studio.[9] This version differed significantly from itsSmile counterpart. In the description ofRecord Collector's Jamie Atkins, "'Wind Chimes', previously breezy and bucolic, became tense and claustrophobic; the usually angelic harmonies of the Beach Boys sound discordant, even malevolent, until the end of the track when a beautiful a cappella flourish gives way to a barely audible Dennis, Brian and Carl harmony tag."[10] The tag contains a melody that was previously used in Wilson's "Holidays".[11]
Writing inThe Wire, Mike Barnes remarked of theSmile version of the song, "'Wind Chimes', with its exquisite tuned percussion, seems certain to have been influenced bySteve Reich'sDrumming, but then you realise it was recorded five years before Reich's minimalist masterpiece was even composed."[12]
In July 1967, the bass line from theSmile version of "Wind Chimes" was reworked into another song, "Can't Wait Too Long".[13]
On December 23, 1967, "Wind Chimes" was issued as the B-side of the band's "Wild Honey" single.[14]
In 1994, "Wind Chimes" was sampled by Germanelectronica duoMouse on Mars in their song"Die Seele von Brian Wilson".
Per band archivist Craig Slowinski, these credits pertain to theSmile version.[5]
The Beach Boys
Guest
Session musicians
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