| The Lost Bus | |
|---|---|
 Promotional poster | |
| Directed by | Paul Greengrass |
| Screenplay by |
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| Based on | Paradise by Lizzie Johnson |
| Produced by |
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| Starring | |
| Cinematography | Pål Ulvik Rokseth |
| Edited by |
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| Music by | James Newton Howard |
Production companies |
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| Distributed by | Apple Original Films |
Release dates |
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Running time | 130 minutes[1] |
| Country | United States |
| Language | English |
The Lost Bus is a 2025 Americansurvivaldrama film directed byPaul Greengrass, who co-wrote the screenplay withBrad Ingelsby based on the 2021 bookParadise by Lizzie Johnson. It starsMatthew McConaughey,America Ferrera,Yul Vazquez andAshlie Atkinson.
The Lost Bus premiered at theToronto International Film Festival on September 5, 2025, and received alimited theatrical release in the United States on September 19. The film made its streaming debut onApple TV+ on October 3. It received generally positive reviews, with critical acclaim for its visual effects. At the98th Academy Awards, it was nominated forBest Visual Effects.
On November 8, 2018, high winds and dry conditions lead aPacific Gas & Electric transmission line failure to spark the2018 Camp Fire. Firefighters are unable to contain the blaze from spreading into a massivewildfire, and computer issues interfere with fire chief Ray Martinez's order to evacuate the area.
Kevin McKay, aschool bus driver inParadise, California, struggles to care for his disabled mother Sherry and estranged teenage son Shaun. On the morning of the fire, he is chastised by his boss, transportation director Ruby Bishop, for several delays in returning his bus to the depot for maintenance. Instead, after a tense call with Shaun’s mother Linda, Kevin turns back to bring Shaun medication, leaving him the only driver near enough to pick up 22 children stranded at Ponderosa Elementary School in the Paradise evacuation zone.
As the students board the bus, Kevin convinces teacher Mary Ludwig to accompany them, hoping to get home to Sherry and Shaun, neither of whom can drive to evacuate. Traffic and radio issues leave Kevin unable to reach Ruby at the depot, and Chief Martinez tells PG&E to cut the town's power, discovering that evacuees are still in danger from active power lines the company has failed to turn off. Arguing with Mary over the best route, Kevin takes a detour and is left without radio contact after Ruby is forced to evacuate. Trapped ingridlock, Kevin has Mary take the wheel while he assists with directing traffic, allowing the bus and a fire truck through, but they arrive to find their collection point deserted.
Making a plan to reach nearbyChico, Kevin comforts a scared student who, like Shaun, has a difficult relationship with his father. The bus navigates traffic, falling power lines, and armedlooters, escaping through the growing blaze onto a side road. With the children suffering from heat and thirst, and theair conditioning shut off to keep out smoke, Mary leaves the bus and retrieves a case of bottled water, narrowly avoiding an explodingpropane tank. In Chico, Ruby speaks to the children's parents, expressing her trust in Kevin, while Chief Martinez ceases firefighting operations to focus on saving lives, and makes a public statement about the increasing volume of wildfires.
The bus continues in minimal visibility on treacherous roads, and evacuees fleeing in the opposite direction warn that the terrain ahead is also burning. Finding nowhere to drive or escape on foot, Kevin advises Mary to keep the children on the bus and wait for a change in conditions, as they are forced to breathe through makeshift filters and tape the vents shut. Mary and Kevin discuss their regrets in life, with Mary wishing she spent more time outside of Paradise, and Kevin regretting his fraught relationship with his son. As the raging fire closes in, the bus fails to start, forcing Kevin to make repairs and drive directly through the flames to safety.
Arriving at the evacuation point in Chico, the children are reunited with their families, who applaud Kevin and Mary for their bravery. Ruby and Kevin make amends, and Kevin finds Sherry, who tells him that Shaun is with his mother. As Kevin picks through the wreckage of his destroyed home, Linda arrives with Shaun, who embraces his father. An epilogue reveals that the Camp Fire became the deadliest wildfire in California history; PG&E pled guilty to involuntary manslaughter and paid $13.5 billion in compensation to wildfire victims. Kevin became a teacher in Chico, while Mary continues to teach in Paradise and takes regular trips overseas.
In June 2022,Jamie Lee Curtis for Comet Films andJason Blum forBlumhouse Productions were developing the film as producers, an adaptation of Lizzie Johnson's bookParadise: One Town's Struggle to Survive an American Wildfire.[2] In January 2024,Paul Greengrass was attached to direct,Matthew McConaughey was set to star, andApple Inc. entered talks to distribute.[3][4] In February 2024,America Ferrera joined the cast, and Apple was confirmed to be distributing.[5] In May 2024,Yul Vazquez,Ashlie Atkinson, and Spencer Watson joined the cast.[6][7]
McConaughey's son, Levi, stars in the film but auditioned without using his last name.[8] The character of Sherry McKay is also played by McConaughey's real-life mother.[9]
Principal photography began on April 1, 2024 inRuidoso, New Mexico.[10]
The Lost Bus had its world premiere at the2025 Toronto International Film Festival on September 5, 2025.[11][12] It was released in select theaters on September 19 and streamed onApple TV+ on October 3, 2025.[13]
On thereview aggregator websiteRotten Tomatoes, 87% of 130 critics' reviews are positive, with an average rating of 8.1/10. The website's consensus reads: "Recreating a real-life disaster with terrifying authenticity,The Lost Bus ratchets up the tension while maintaining a humanist core thanks to Matthew McConaughey and America Ferrera's effective performances."[14]Metacritic, which uses aweighted average, assigned the film a score of 64 out of 100, based on 28 critics, indicating "generally favorable" reviews.[15]
In a review forThe Washington Post,Ty Burr described the film as an "effective human drama" while praising the visual effects. Burr, who awarded the movie 2.5 out of 4 stars, also wrote that the visual effects sometimes overpowered the characters.[9]Manohla Dargis ofThe New York Times gave the movie an unfavorable review, criticizing the dialogue as "formulaic".[16] Donald Clarke ofThe Irish Times wrote: "Worth catching on its brief theatrical run. Turn it up loud if stuck with the small screen."[17] In a 3 out of 4 review, Lindsey Bahr ofAssociated Press wrote: "Perhaps these things really did unfold as they're presented, but at times it feels like you're suddenly on theUniversal Studio Tour. Still, it's impossible to take your eyes off the screen."[18] Damon Wise forDeadline Hollywood wrote that the film is much like Greengrass's other films in that it is about "ordinary people in extraordinary circumstances" and calls it a "trip in more than one sense of the word."[19]Peter Bradshaw ofThe Guardian called it as "a dynamically shot and earnestly performed real-life disaster movie".[20] David Rooney ofThe Hollywood Reporter wrote: "Bringing his characteristic flair for ramping up tension with handheld cameras and rapid cutting, Greengrass illustrates how easily the combination of lax safety standards and fire-friendly weather can build in what seems like a heartbeat into a mass-casualty event."[21]
Brian Truitt ofUSA Today wrote: "The Lost Bus is a cathartic quest and character study that works thanks to McConaughey’s steeliness and Greengrass’ ability to put you on the edge of your seat."[22] Helen O'Hara ofEmpire wrote: "The fire scenes are terrifying and may well sear themselves into your brain, but however well-intentioned, the human element is less involving than the disaster they must endure."[23] Peter Debruge ofVariety wrote: "The whole movie, Greengrass has been giving audiences the wildfire’s POV, propelled by high winds and blowing embers in all directions [...] This is presumably the segment audiences will pay to see, and if they’re watching on Apple TV+, they can skip straight to this part."[24] Kate Erbland ofIndieWire wrote: "For once, zooming in proves to be prohibitive, only in seeing the scope of this mind-bending tragedy does Greengrass truly find his most important story."[25] Caryn James ofBBC wrote: "The Lost Bus doesn't have to bludgeon viewers with a message or with its timely resonance. Greengrass lets us feel it."[26] Katie Doll ofComic Book Resources wrote: "The Lost Bus is an eagle's-eye overview of people coming together as a community, and that in of itself is enough for a sublime movie."[27]
| Award | Date of ceremony | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| AARP Movies for Grownups Awards | January 10, 2026 | Best Intergenerational Film | The Lost Bus | Nominated | [28] |
| Academy Awards | March 15, 2026 | Best Visual Effects | Charlie Noble, David Zaretti, Russell Bowen, and Brandon K. McLaughlin | Pending | [29] |
| Celebration of Cinema and Television | October 24, 2025 | Trailblazer Award | America Ferrera | Honored | [30] |
| Visual Effects Society Awards | February 25, 2026 | Outstanding Visual Effects in a Photoreal Feature | Charlie Noble, Gavin Round, David Zaretti, Russell Bowen, Brandon K. McLaughlin | Pending | [31] |
| Outstanding Environment in a Photoreal Feature | Jamie Haydock, Francesco Ferraresi, Sergei Konorev, Frederick Vallee (for "The Wildfires of Roe Road") | Pending | |||
| David Schulz, Mareike Loges, Björn Markgraf, Philipp Hafellner (For "Feather River Canyon by the Pulga Bridge") | Pending | ||||
| Outstanding Effects Simulations in a Photoreal Feature | Billy Copley, Mathieu Chardonnet, Chetan Patkar, David Schott (For "Escape from Hell") | Pending |
