 | Thisbiography of a living personneeds additionalcitations forverification. Please help by addingreliable sources.Contentious material about living persons that is unsourced orpoorly sourcedmust be removed immediately from the article and its talk page, especially if potentiallylibelous. Find sources: "Roy Harper" singer – news ·newspapers ·books ·scholar ·JSTOR(June 2025) (Learn how and when to remove this message) |
Roy Harper | |
|---|---|
 Harper in 2011 | |
| Background information | |
| Born | (1941-06-12)12 June 1941 (age 84) Rusholme,Manchester, England |
| Genres | |
| Occupations |
|
| Instruments |
|
| Years active | 1964–present |
| Labels |
|
| Website | royharper |
Roy Harper (born 12 June 1941)[1] is an English folk rock singer, songwriter, poet[2] and guitarist. He has released 22 studio albums (and 10 live ones) across a career that stretches back to 1966. As a musician, Harper is known for his distinctivefingerstyle playing and lengthy, lyrical, complex compositions, reflecting his love of jazz and the poetJohn Keats.[3]
Harper's influence has been acknowledged byLed Zeppelin,Pete Townshend,Kate Bush,Pink Floyd, andIan Anderson, ofJethro Tull, who said Harper was his "primary influence as an acoustic guitarist and songwriter."[4]Neil McCormick ofThe Daily Telegraph described him as "one of Britain's most complex and eloquent lyricists and genuinely original songwriters... much admired by his peers".[5] Across the Atlantic, his influence has been acknowledged bySeattle-based acoustic bandFleet Foxes, American musician and producerJonathan Wilson, and CalifornianharpistJoanna Newsom, with whom he has alsotoured.
In 2005, Harper was awarded theMOJOHero Award, and in 2013 a Lifetime Achievement Award at theBBC Radio 2 Folk Awards. His most recent album,Man and Myth, was released in 2013. In 2016, Harper celebrated his 75th birthday by performing concerts in Clonakilty, Birmingham, Manchester, London, and Edinburgh. He performed additional concerts in 2025.
Harper was born in 1941 inRusholme, a suburb ofManchester. His mother, Muriel, died three weeks after he was born. From the age of six, he lived inSt Annes-on-Sea, a place he described as being "like a cemetery with bus stops".[6] He was brought up by his father and stepmother, with whom he became disillusioned because of her religious beliefs (although they reconciled in 1980, just before her death). Hisanti-religious views would later become a familiar theme within his music.[7]
Harper began writing poems when he was 12. At the age of 13, he began playingskiffle music with his younger brother David ("Davey" on the albumFlat Baroque and Berserk), as well as becoming influenced byblues music. At 14 he formed his first group (De Boys) with his brothers David and Harry.[8] Harper was educated atKing Edward VII School,Lytham St Annes, then a grammar school, and left at the age of 15 (1956) to join theRoyal Air Force to follow an ambition to be a pilot. After two years, Harper rejected the rigid discipline and feigned madness to obtain amilitary discharge, as a result receiving anelectroconvulsive therapy treatment atPrincess Mary's RAF Hospital, Wendover. After being discharged from there, he spent one day inside the former Lancaster Moor Mental Institute before escaping. These experiences would be recalled in "Committed", a song on Harper's debut album,Sophisticated Beggar. From around 1961, hebusked around North Africa, Europe, and London for a few years.
Musically, Harper's earliest influences were Americanblues musicianLead Belly andfolk singerWoody Guthrie[9] and, in his teens, jazz musicianMiles Davis. Of the blues musicians Lead Belly,Big Bill Broonzy, andJosh White, Harper said they made music which "...seemed to be from a different planet ...We'd never heard anything like it. It changed our world overnight, a sledge hammer of a cultural change ...an equivalent would be to suddenly hear music from outer space".[10] Harper was also exposed to classical music in his childhood and has pointed to the influence ofJean Sibelius'sKarelia Suite. Lyrical influences include the 19th centuryRomantics, especiallyShelley, and Keats's poem "Endymion". Harper has also cited theBeat poets as being highly influential, particularlyJack Kerouac.[11][12] Harper played his first paid performance at a poetry reading inNewcastle in 1960.
Returning to the UK in 1963 or 1964, Harper started to write more songs than poetry. He obtained aresidency at London's famousSoho folk music clubLes Cousins in 1965, having been introduced to it byPeter Bellamy ofThe Young Tradition.[13] Harper's first advertised performance was on 5 October 1965. Within his first week Harper sawJohn Renbourn,Alexis Korner,Paul Simon,Alex Campbell, andBert Jansch play,[13] and he would play and associate with other artists later, includingJohn Martyn,Joni Mitchell, andNick Drake.
Harper's first album,Sophisticated Beggar, was recorded in 1966 after he was spotted at Les Cousins and signed to Strike Records. The album consisted of Harper's songs and poetry backed byacoustic guitar, recorded with aRevoxtape machine byPierre Tubbs and with contributions from English guitaristPaul Brett.Columbia Records recognised Harper's potential and hired American producerShel Talmy to produce Harper's second album,Come Out Fighting Ghengis Smith, which was released in 1968. The 11-minute track "Circle", "a soundscape of Harper's difficult youth",[14] was notable for marking a widening of his musical style away from the more traditional side of contemporaryfolk music heard at the time. Harper had an interest intraditional folk but did not consider himself a bona fide member of the folk scene. He later explained:
I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise people's attitudes towards life in general. I was involved in trying to bring (more) meat to the (contemporary) folk music...(of the time).[15]
Harper's record company had different expectations. 'They wanted me to write commercial pop songs and when they heard the album I made for them, they didn't have a clue. They wanted hits. And I gave them "Circle"'.[14]Bert Jansch contributedsleeve notes for the album and Harper paid tribute to Jansch with the song "Pretty Baby"; the B-side non-album track of his first single (released in March 1966). During this period, Harper was managed by American music entrepreneurJo Lustig, manager ofPentangle and former agent toJulie Felix.
In June 1968, Harper performed at the first free concert ever held atHyde Park, acting ascompere and sharing the bill withJethro Tull,Pink Floyd andTyrannosaurus Rex. At the time, he spoke of co-writing a rock opera with Pink Floyd. No opera resulted, but it was the beginning of a musical relationship. Harper began to attract a following of fans from theunderground music scene[16] and tour the UK, performing at numerous venues such as theLyceum Ballroom,Klooks Kleek andMothers; venues that would gradually gain recognition for the variety and quality of their musical acts. Mothers inBirmingham was one such venue, and one to which Harper would frequently return.[17] Harper later toldBrum Beat magazine:
That was the first club outside London that meant anything at all and that's why there's been this long association with Birmingham. I played there about six times between 1968 and 1970. I have always enjoyed playing here.[17]
A track fromCome Out Fighting Ghengis Smith, "Nobody's Got Any Money in the Summer" also appeared on the first bargain-pricedsampler album,The Rock Machine Turns You On. The album was released in the UK, the Netherlands, Germany and a number of other European countries as part of an international marketing campaign by Columbia Records (known in Europe as CBS).
In 1969, Harper undertook a short 6-venue tour withRon Geesin andRalph McTell.[18] The tour programme contained the introductory paragraph:
Roy Harper isn't an example of any category, the epitome of any movement or a rung on anybody's ladder; he built himself alone, piece by piece and his defiant character stands proud as if chiselled from belligerent granite.[19]
That same year, Harper released his third albumFolkjokeopus again produced by Shel Talmy, and released byLiberty Records. Side two included an extended 17-minute track, titled "McGoohan's Blues", which Harper referred to as the "main statement" within the album. Of his non-conformance to radio-friendly, standard, three-minute songs, Harper claimed it to be a revolt, and that he regarded the three-minute pop song as an anathema, ajingle to sell a band.[15] (The title for "McGoohan's Blues" was a reference to actorPatrick McGoohan, who had starred in the UK TV seriesThe Prisoner two years earlier). The track "Sergeant Sunshine" would also appear onSon of Gutbucket, a 1969 sampler album released to promote artists on theLiberty Records label.
During this period Harper also visited theDolphin Club in Oslo, Norway, where he became acquainted with folk singerLillebjørn Nilsen. Nilsen learned one of Harper's songs, "On the First Day of April", which he translated to "Ravneferd" and recorded for his debut solo albumTilbake in 1971. Harper and Nilsen along withFinn Kalvik performed together on 23 January 1970 at a concert held in theUniversity of Oslo. Harper's visit coincided with the emergence of the Norwegian 'folk music wave' (Visebølgen) and the Norwegian Broadcasting Corporation (NRK) recorded Harper on the occasion of the concert. Kalvik would later go on to record Norwegian versions of two Harper songs; "I Hate the White Man" ("Den hvite mann") and "Don't You Grieve" ("Kjære ikke gråt").
With Harper's reputation growing,Pink Floyd's former managerPeter Jenner signed him to a long-term (and at times confrontational) deal withEMI's 'underground' subsidiary,Harvest Records.[20] Over a ten-year period, Harper recorded eight albums at theAbbey Road Studios for the Harvest label[21] and for much of this period wasmanaged and produced by Jenner, initially acting forBlackhill Enterprises. According to Jenner,
Harper is a terrific songwriter, but a bit crazy, like all the best people. The great problem for him was seeing all these people who'd nicked his licks doing so much better than he did. People like Jethro Tull, Led Zeppelin and, to some extent, Roger Waters.[22]
Harper's first tour of the United States followed the release of his fourth studio album,Flat Baroque and Berserk. The album included the track "Another Day", a song destined to be performed live by Harper for many years to come, and covered by several other artists includingThis Mortal Coil (featuringElizabeth Fraser on vocals) andKate Bush. The album also featuredthe Nice on the track "Hell's Angels"; its ethereal sound achieved by awah-wah pedal attached to Harper'sacoustic guitar.
After theBath Festival of 1970,Led Zeppelin paid tribute to Harper with their version of the traditional song "Shake 'Em on Down". Retitled "Hats Off to (Roy) Harper", it appeared on the albumLed Zeppelin III. According toJimmy Page, the band admired the way Harper stood by his principles and did not sell out to commercial pressures. In mutual appreciation of their work, Harper would often attend live performances by Led Zeppelin over the subsequent decade and contributed sleeve photography to the albumPhysical Graffiti.
Harper's critically acclaimed 1971 album was a four-song epic,Stormcock. The album featured Jimmy Page on guitar (credited as "S. Flavius Mercurius" for contractual reasons) andDavid Bedford's orchestral arrangements (Bedford would also collaborate on some of Harper's future releases). Harper felt the album to be not particularly well promoted by his record label at the time and later stated:
They hatedStormcock. No singles. No way of promoting it on the radio. They said there wasn't any money to market it.Stormcock dribbled out.[23]
Nevertheless,Stormcock would remain a favourite album of Harper's fans and influence musicians for decades to come. Thirty-five years later (in 2006) fellowMancunianJohnny Marr of Englishalternative rock bandthe Smiths said:
If ever there was a secret weapon of a record it would beStormcock... It's intense and beautiful and clever:Bowie'sHunky Dory's big, badder brother.[24]
Joanna Newsom citedStormcock as an influence upon her 2006 releaseYs and in 2011,Robin Pecknold ofSeattle, Washington-basedfolk bandFleet Foxes stated that he took inspiration fromStormcock when recording Fleet Foxes second albumHelplessness Blues.
In 1972, Harper made his acting debut playing Mike Preston alongsideCarol White in theJohn Mackenzie filmMade. The film was chosen (along withA Clockwork Orange) to represent Britain at theVenice Film Festival.[25] Harper also recorded the soundtrack for the film, released the following year asLifemask, again with contributions from Jimmy Page. At the time,Lifemask was created as Harper'sfinal bow, as he had been diagnosed with the (then) little-known genetic conditionHHT, which causedpolycythemia, incapacitating him. The cover art shows Harper's life mask, as opposed to the 'death mask' it might have been.
After recovering (treatment involved frequentvenesection), his next album (Valentine) was released onValentine's Day, 14 February 1974, and featured contributions from Jimmy Page. A concert to mark its release was held on the same day at London'sRainbow Theatre, with Led Zeppelin's Jimmy Page,Robert Plant, andJohn Bonham;[26] David Bedford,Max Middleton,Ronnie Lane, andKeith Moon performing alongside Harper. His first live albumFlashes from the Archives of Oblivion, featuring two tracks recorded at that concert, soon followed.
Pink Floyd's 1975 releaseWish You Were Here saw Harper sing lead vocals on the song "Have a Cigar".Roger Waters intended to record the part himself, but had strained his voice while recording "Shine On You Crazy Diamond" andDavid Gilmour declined to sing. Harper was recording his albumHQ in Studio 2 of Abbey Road at the same time as Pink Floyd were working in Studio 3; learning of the band's dilemma, Harper offered to sing the lead. The song is one of only three songs by Pink Floyd not sung by one of their permanent members (the others being "The Great Gig in the Sky" and "Hey, Hey, Rise Up!"). David Gilmour returned the favour by appearing onHQ, along with Harper's occasional backing band, 'Trigger' (Chris Spedding, Dave Cochran,Bill Bruford andJohn Paul Jones). The single "When an Old Cricketer Leaves the Crease", taken fromHQ, is one of Harper's best known songs. Harper also co-wrote the song "Short and Sweet" with Gilmour for Gilmour's first solo record,David Gilmour (released in 1978), and the song subsequently appeared on his own albumThe Unknown Soldier (released in 1980).
Controversy followed the release of 1977'sBullinamingvase. The owners ofWatford Gap service station objected to criticism of their food – "Watford Gap, Watford Gap/A plate of grease and a load of crap..." – in the lyrics of the song "Watford Gap",[27] as did anEMI board member who was also anon-executive director of Blue Boar (the owners of the service station). Harper was forced to drop it from future UK copies of the album, though it remained on the US LP and reappeared on later CD reissues.[28] The album also featured the song "One of Those Days in England", with backing vocals byPaul McCartney andLinda; the single from the album went to number 42 in the UK charts. During this period, Harper's band were renamed 'Chips' and includedAndy Roberts, Dave Lawson, Henry McCullough, John Halsey and Dave Cochran. In April 1978, Harper began writing lyrics for the nextLed Zeppelin album withJimmy Page, but the project was shelved when lead singerRobert Plant returned from a break after the death of his son, Karac Pendragon.[29]
Following the success ofBullinamingvase, Harper was asked "to write another record quickly". Demo recordings with Harper's newly formed backing band 'Black Sheep' (Andy Roberts, Dave Lawson, Henry McCullough, John Halsey and Dave Cochran, a.k.a. Dave C. Drill)[30][31] were made, but Harper felt them to be rushed. The record company, who "were in the first stages of a collapse in sales",[32] were not interested in the recordings, nor were they prepared to provide studio time when requested, telling Harper to come back in six months. As a result, Harper withheld thepublishing rights to that which had been recorded; an album provisionally entitledCommercial Breaks (doesn't it?) and was (in his own words) "outlawed"[32] by the record company.
From 1975 to 1980 Harper worked with English musician and 'Black Sheep' memberAndy Roberts sometimes performing as a duo. During this period, Harper spent considerable time in the United States and signed with the US division ofChrysalis Records, who releasedHQ under a different title –When an Old Cricketer Leaves the Crease – and with alternative artwork. Chrysalis considered the originalHipgnosis-designed album cover of Harperwalking on water to be too offensive for an American release. Harper disagreed, but was given no choice by the label. Chrysalis also changed the title of Harper's next album,Bullinamingvase, toOne of Those Days in England. In 1978, US Chrysalis reissued Harper's first fiveHarvest albums, only one of which (Flat, Baroque and Berserk) had been previously released in America.
On 28 December 1979, BBC TV aired theKate Bush Christmas Special.[33] As well as playing songs from her first two albums, Bush and her guest,Peter Gabriel, performed Harper's "Another Day".[34] Their duet was discussed for release as a single, but never appeared.
Harper returned to the studio a few years after his dispute with EMI to record and prepare his next albumThe Unknown Soldier. At the time, Harper knew it would be his last release on the label and it was these demos that"...were destined to gather dust on a shelf labelled 'Commercial Breaks'...".[32] (It was not until Harper's 1988 releaseLoony on the Bus that some of these songs became officially available, and another six years until the album was finally released asCommercial Breaks (1994)).
In 1980 Harper releasedThe Unknown Soldier, which was indeed his finalHarvest release. The album features David Gilmour both on guitar and as co-writer of half of its tracks. On one of those tracks, "You", Harperduets withKate Bush. Harper later reciprocated by singing backing vocals on "Breathing" on Bush's albumNever For Ever; Bush's first no. 1 album, the first ever album by a British female solo artist to top the UK album chart, and the first album by any female solo artist to enter the chart at no. 1. Bush thanked Harper on the album's cover for "holding onto the poet in his music".[25] During a BBC Radio interview byPaul Gambaccini, Bush praised Harper, stating:
Roy is one of the greatest English songwriters we've had, and people just don't realise it. And I really think that when they do we're going to have another top songwriter up there. He's brilliant.[35]
Of Bush, Harper later said,
Kate is a fantastic musician and very professional as well. Working with Kate is a very smooth operation because she always knows what she wants to do, surprising you too, which is what good musicians always do"[36]
A decade later, Harper and Bush would again collaborate on his 1990 releaseOnce.
Harper's 1982 albumWork of Heart was released on Public Records, a newly formed record label Harper created with Mark Thompson (son of English historian, socialist and peace campaignerE.P. Thompson). During this period Harper toured with a band consisting ofTony Franklin on Bass, Bob Wilson ofthe Steve Gibbons Band, George Jackson on drums and Dave Morris on keyboards. The album was chosen byDerek Jewell ofThe Sunday Times as "Album of the Year" in 1982, but it did not sell well and the short-lived label went under.
During this period Harper lost his home, a farm in the village ofMarden, Herefordshire, to the bank. Of this period Harper stated:
...I can proudly say that I was one of the first casualties of the eightiesrecession!... It was a chaotic period and one that I don't care to remember that often... There is no doubt in my own mind that the early eighties were thenadir of my life in music".[37]
The original demo version ofWork of Heart was later released (in 1984) on alimited edition (830 copies)vinyl release entitledBorn in Captivity.
Throughout 1984, Harper toured the United Kingdom withJimmy Page performing a predominantly acoustic set at folk festivals under various guises such as the MacGregors, and Themselves. In 1985,Whatever Happened to Jugula? was released. The album caused a resurgence of interest in Harper and his music. (Tony Franklin, bass player in Harper's group at this time, later joinedPage inthe Firm). In April 1984, Harper and Gilmour performed "Short and Sweet" (a song they co-wrote) during Gilmour's three-night run at theHammersmith Odeon. This version later appeared on theDavid Gilmour Live 1984 concert film. Harper also provided backing vocals on Gilmour's newly released album,About Face.
On 20 June 1984 Harper performed at the lastStonehenge Free Festival, sharing the bill withHawkwind andthe Enid. The concert was videoed and released asStonehenge 84.
As a result of his continual touring and the popularity ofWhatever Happened to Jugula?, Harper re-signed toEMI and in 1986 released a live album,In Between Every Line (containing recordings from his performances at theCambridge Folk Festival), and in 1988 the studio album,Descendants of Smith. The renewed relationship between Harper and EMI did not last and from 1985 more of his earlier albums were becoming available on the newly formedAwareness Records label.
1988 also saw the release ofLoony on the Bus, a collection of tracks recorded a decade earlier and intended for release in 1977 asCommercial Breaks (with the sub-title, 'doesn't it?'). The original release having been held back because of disputes over funding and content between Harper and EMI. Sales ofLoony on the Bus would fund Harper's 1990 release;Once.[38]
In 1993,[39] Harper established his own record label Science Friction and obtained the rights to all his previously released albums. As a result, from 1994 much of Harper's back catalogue became available on CD once more.
Harper was very productive during the decade, releasing five studio albums:Once (1990),Death or Glory? (1992),Commercial Breaks (1994),The Dream Society (1998), a collection of poetry andspoken word tracksPoems, Speeches, Thoughts and Doodles (1997); two live albums:Unhinged (1993) andLive at Les Cousins (1996; recorded in 1969) and six individual CDs of live concerts andsessions recorded by theBBC (1997). Two officialC90 cassette tapes of concerts at the Red Lion in Birmingham (1984 & 1985) were made available from Harper's agency (Acorn Entertainments).
In addition, Harper released a livevideo,Once (1990), anEPBurn the World (1990), a 4-track CD singleDeath or Glory? (1992), alimited editionlivecassetteBorn in Captivity II (1992) (featuring cricketerGraeme Fowler and a cricket poem written by Harper: "Three Hundred Words"), acompilation albumAn Introduction to ..... (1994), and areissue ofDescendants of Smith (his 1988 release) renamedGarden of Uranium (1994).
Once again, Harper collaborated withDavid Gilmour andKate Bush on his 1990 release,Once. The album also featured contributions fromNigel Mazlyn Jones,Mark Feltham andTony Franklin. One of the album tracks, "The Black Cloud of Islam" a song written about Colonel Gaddafi,the Lockerbie bombing, and a despairing castigation ofradical Islam, provoked criticism from some of Harper's fans at the time. Whilst religion, Harper's "first and only enemy"[40] has always been a recurring theme in his music,[41] he was 'red-carded by a lot of his 1990 following... who left in substantial numbers'.[40]
In 1992, his second marriage ended and Harper releasedDeath or Glory? an album that (upon its original release) contained a number of songs andspoken word pieces referencing his loss and pain. "She ran off with someone else" said Harper, "a violin player (Nigel Kennedy) I’d been working on an adaptation ofBrahms's Violin Concerto with. I was really traumatised by that. Anybody who's been suddenly left like that will know it's very, very traumatic. I managed to come out of it, but it took about five years. It was like a death, a loss, like being told your child's been killed in a war. There's no other way to describe it. When you go through that, it changes your life forever, there's no point in not admitting it. I withdrew, retreated, became an exile".[42]
Throughout the decade, Harper's musical influence began to be recognised by a younger generation of musicians, some of whomcovered his songs or invited him to make guest appearances on their albums. In 1995, Harper contributedspoken words onthe Tea Party's 1995 albumThe Edges of Twilight, and appeared on stage for their New Year concert in Montreal. In 1996, Roy recited "Bad Speech" from his albumWhatever Happened to Jugula? onAnathema's albumEternity (the album also contains acover version of "Hope" from the same album). The track "Time" from The Tea Party's 1996multimedia CD,Alhambra, was sung and co-written by Harper.
Harper contributed his version ofJethro Tull's song, "Up the 'Pool" (fromLiving in the Past) for the 1996tribute album,To Cry You a Song – A Collection of Tull Tales, a version Anderson liked so much he began to perform the"forgotten piece" again in concert[43] and later described it as his favourite Jethro Tull cover song.[44]
In 1998, Jethro Tull singerIan Anderson contributed flute to the song, "These Fifty Years" on Harper'sThe Dream Society, an album based on emotional, philosophical and actual events in Harper's life.[45] Views of procreation, his mother's continued presence in him and something of his psychological impulses are punctuated by a couple of moments of satire,[46] a love song and a lament, followed by the lengthy "These Fifty years", of which he has said,"In some ways its (anti-organised religion) theme is similar to 'The Same Old Rock', but in many others I think it's stronger".[47] Reportedly, Anderson said that the only reason he originally left Blackpool was because Harper did.[48] Other artists whocovered Harper's songs (or songs on his albums) throughout the decade include Dean Carter, Ava Cherry & The Astronettes, Green Crown, The Kitchen Cynics,the Levellers, Roydan Styles, andPete Townshend.[49] Harper also undertook a short tour of the US, where some performances were supported byDaevid Allen, formerSoft Machine andGong band member.
In 2000, Harper released an almost entirely acoustic album,The Green Man, accompanied bythe Tea Party'sJeff Martin on guitar,hurdy-gurdy and numerous other instruments. The following year (2001) Harper celebrated his 60th birthday with a concert performance at London'sRoyal Festival Hall and was joined by numerous guest artists including;David Bedford,Nick Harper,Jeff Martin andJohn Renbourn. The concert was recorded and released shortly after as a double CD,Royal Festival Hall Live – 10 June 2001.
In 2003, Harper publishedThe Passions of Great Fortune, a large format book containing all the lyrics to his albums (and singles) to date, it also contained a wealth of photographs and commentary on his songs.
Harper released his second CD single in April 2005; "The Death of God". The 13-minute song, a critique of thewar in Iraq, featured guest guitarist Matt Churchill (who also performed live with Harper during this period). A video of the track, intermixing animation with a live performance, isavailable in four parts onYouTube. 2003 also saw the release ofCounter Culture, adoublecompilation album featuring songs from Harper's 35-year songwriting period.Counter Culture received a five-star review fromUncut magazine. Harper also contributed a recital of "Jabberwocky" forThe Wildlife Album, an 18-track compilation CD to benefit theWorld Wide Fund for Nature and theUlster Wildlife Trust.
2005 saw Harper release his first DVD,Beyond the Door. Composed of live footage recorded in 2004 at Irishfolk club "De Barra's" inClonakilty,Cork and "The Death of God" video. The package also includes an additional 10-track audio CD and received a 4-star review fromMojo,Uncut, andClassic Rock magazine, who made it their "DVD of the month".
In September 2007, Harper supported Californian harpistJoanna Newsom at herRoyal Albert Hall performance. Newsom, impressed by Harper's 1971 albumStormcock found it served as an inspiration for her similarly expansive second album,Ys.[7] During his Royal Albert Hall appearance with Newsom, Harper playedStormcock in its entirety. At the time, Harper made an announcement on his website that he was"...taking a break from the live scene... retired from gigging..." and just wanted"...the time and space to write..."[50]
During this period, Harper dedicated his time to collecting and compiling his life's work in various formats. One of the intended projects was to be the making of a documentary DVD to round off this process. However, as of 2016 this remains unreleased.[48]
In 2008, plans were announced for a Roy Harpertribute album. The album,What You Need Is What You Have, The Songs of Roy Harper was being compiled byLaurel Canyonfolk singer, musician and producerJonathan Wilson, and was to featureChris Robinson (the Black Crowes),Gary Louris (the Jayhawks),Johnathan Rice,Eric D. Johnson (Fruit Bats,the Shins),Benji Hughes,Will Oldham,Andy Cabic,Dawes,Jenny O.,Josh Tillman and others. At present, the collection remains unfinished, having been delayed beyond its planned 2009 release date. Six of the tracks can be heard on the project's Myspace page.[51]
In 2010, Newsom once again invited Harper to guest for her on several of her European Tour Dates.[52][53]
Plans for Harper to star as Rodriguez El Toro in the filmRebel City Rumble[54] were also announced. As of 2016 the project is still categorised as 'in development'.[55]
On 2 April 2011, Roy Harper played a concert for a small audience atMetropolis Studios as part of theITV Legends series.[56]The concert was recorded on video and released on DVD asClassic Rock Legends: Roy Harper – Live in Concert at Metropolis Studios.[57] The package also contains an audio CD of the concert. Through the summer of 2011, Harper made a number of appearances on broadcast media. On 24 July 2011, Harper appeared as the lunchtime guest on the British cricketing radio programme,Test Match Special. During the show Harper was interviewed and also performed "When an Old Cricketer Leaves the Crease". A televised interview followed onBBC Breakfast on 19 September 2011, and Harper was also interviewed byRobert Elms on hisBBC London 94.9 show on 20 September 2011. During the show, Harper performed "Another Day" (a song from his 1970 albumFlat Baroque and Berserk) live in the studio. A further interview took place onMike Harding'sBBC Radio 2 show on 21 September 2011. On 23 September Harper was interviewed onLater... with Jools Holland. A segment of Harper performing "Commune" (from his 1974 albumValentine) onThe Old Grey Whistle Test in 1974 was shown. Harper performed "Another Day", an abbreviated version of "I Hate The White Man" (from his 1970 albumFlat Baroque and Berserk) and "The Green Man" (as part of a web exclusive performance).
The media appearances were to promote the release of a new compilation album,Songs of Love and Loss, a compilation of Harper's love songs released as an introduction to the digital release of 19 of Harper's albums for the first time. The digital catalogue was to be released in batches of four over the forthcoming months. The album (and most of Harper's back catalogue) remain available to download on Harper's website inFLAC andMP3 formats.[58][59]
On 5 November 2011, Harper returned to London'sRoyal Festival Hall to celebrate his 70th birthday and perform once again with special guests Jonathan Wilson,[60]Nick Harper, Joanna Newsom and Jimmy Page. The performance was described inThe Daily Telegraph as "...an evening of devastating musical brilliance..."[61] and byThe Guardian as an "...historic concert".[62]
In 2012, the Press Photographers Association of Ireland awarded third place in the Portraits section of their annual competition to aphotographic portrait of Harper by photographer Alan Place.[63]
In December 2012, plans to release a new album, Harper's first studio release of newly recorded material for 13 years, were confirmed. The album,Man and Myth, featured contributions fromPete Townshend andJonathan Wilson, and was released 23 September 2013.
Harper performed live through August 2013, playing at Debarras Folk Club inClonakilty,West Cork, Ireland (11 August), at theGreen Man Festival in Glanusk,Wales (17 August) and atBeautiful Days inEscot Park, Devon (18 August).
During this period Harper was interviewed by Laura Rawlings on herBBC Radio Bristol show on 15 August 2013, and also by Rob Hughes of theTelegraph Online who declared "Roy Harper has spent the past five decades crafting some of the most vivid, ravishingly beautiful music of our times...".[64] Harper also performed at an in-store performance atRough Trade East, London. A limited number of tickets were available to those who purchased the album in store that day, and the event was also streamed live to a limited number of fans who had pre-ordered the album.[65]
On 25 September,Sky Arts broadcastRoy Harper: Man & Myth – The Documentary. An exclusive documentary film, shot mainly at Harper's home in Ireland, it traced Harper's career and examined his output. Included were interviews with fellow musicians Jimmy Page, Robert Plant and Johnny Marr.
In support ofMan and Myth's release, Harper undertook a short, three-date, UK tour, performing at theRoyal Festival Hall, London (22 October), theBridgewater Hall, Manchester (25 October) and theColston Hall, Bristol (27 October). At each performance he was accompanied by Jonathan Wilson and supported by astring andbrass ensemble.
In November 2013,Uncut placedMan & Myth at 6 in their top 50 Albums of 2013.[66]Mojo also placedMan and Myth at 39 in their list of the top 50 Albums of 2013.[67]
In April 2016, to celebrate his 75th birthday, Harper announced four concerts in September with string and brass ensemble, in Birmingham, Manchester, London and Edinburgh. He kicked off the tour at De Barra's pub in Clonakilty, Co. Cork, Ireland.
In March 2019, Harper toured the UK again, with concerts in Birmingham, Bexhill-on-Sea, London (The London Palladium), Liverpool, Gateshead, Leeds and Edinburgh. Once again, the tour began at De Barra's pub in Clonakilty, Co. Cork, Ireland.
Harper performed at the2025 Glastonbury Festival,[68] and concerts, in which he was joined by Nick Harper, in September in Clonakilty, Manchester, and London; and October in Birmingham.[69]
HQ was awarded[by whom?] Record of the Year in Portugal in 1975. That year Harper also received a similar award in Finland for the same record.
Work of Heart was namedThe Sunday Times Album of the Year in 1982.
Harper was given theMOJOHero Award[70] by the staff ofMojo magazine on 16 June 2005 at thePorchester Hall, London. The award itself was presented by longtime collaborator and friend,Jimmy Page and now hangs upon the wall at De Barras Folk Club inClonakilty, Ireland.
On 30 January 2013, Harper was awarded a Lifetime Achievement Award at theBBC Radio 2 Folk Awards at theGlasgow Royal Concert Hall.
One of Harper's sons,Nick Harper (by Monica "Mocy" Weston[71]), is a singer-songwriter. He has occasionally toured and recorded with his father and appeared as a guitarist on a number of his albums since 1985. Another son, Ben Harper (by English actress Verna Harvey), lives in the US. Songwriter and record producerFelix Howard says Harper is his children's "biological grandfather".[72]
Following police interviews in February 2013, Harper was charged in November 2013 with ten counts of alleged historical child sexual abuse over a period of several years with an under-age female.[74][75] After a two-week trial in early 2015, he was found not guilty by a jury of two of the charges with no verdicts on the remaining five,[76][77][78][79][80] then in November 2015, following a review by theDirector of Public Prosecutions,Alison Saunders, the remaining charges were dropped.[81][82][83][84]
|
|
|
|
|
|
{{cite news}}: CS1 maint: bot: original URL status unknown (link)
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |