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Prima donna

From Wikipedia, the free encyclopedia
Leading female singer in an opera company
This article is about the female opera singer. For other uses, seePrima Donna (disambiguation).
"Prima donnas" redirects here. For the Philippine television drama series, seePrima Donnas.
Prima donnaclipper ship card

Inopera orcommedia dell'arte, aprima donna (Italian:[ˈpriːmaˈdɔnna];Italian for 'first lady';pl.:prime donne) is the leadingfemale singer in the company, the person to whom theprime roles would be given.

Prime donne often had grand off-stage personalities and were seen as demanding of their colleagues. Because of this, the term has spread in contemporary usage, from its original usage in opera to referring to anyone behaving in a demanding or temperamental fashion or having an inflated view of oneself.

The prima donna in opera was normally, but not necessarily, asoprano. The corresponding term for the male lead (usually acastrato in the 17th and 18th centuries, later atenor) isprimo uomo.[1]

Opera

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Nita Carritte, prima donna,Carl Rosa Opera Company, 1895

In 19th century Italy, the leading woman in anopera orcommedia dell'arte company was known as the prima donna, literally the "first lady". This woman, usually the principal soprano of the company, would typically perform leading roles and generally sing more music than other women in the company.[1] Famous operaprime donne have often caused opera enthusiasts to divide into opposing "clubs", supporting one singer over another. The rivalry between the fans ofMaria Callas andRenata Tebaldi, for example, was one of the most famous, despite the friendship of the two singers.[2]

The designationprima donna assoluta (lit.'absolute first lady') is occasionally applied to a prima donna of outstanding excellence.[3] It has also been used to describe the creators of heroiccoloratura roles in the first half of the 19th century.[4]

The woman who sang the second major part in an opera was, correspondingly, referred to as theseconda donna; by the late 18th century, this role was sometimes called thealtra prima donna.[5]

Personality

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At times, theseprime donne had grand off-stage personalities and strict demands of fellow troupe members, musicians, set and wardrobe designers, producers, and other staff. However, they were deferentially tolerated because of their consummate talent and their draw at the box office. From this experience, the termprima donna has come into common usage in any field, denoting someone who behaves in a demanding, often temperamental fashion, revealing an inflated view of themselves, their talent, and their importance.[6] Due to this association, the contemporary meaning of the word has taken on the negative connotation of avain, undisciplined,egotistical, obnoxious, or temperamental person who finds it difficult to work under direction or as part of a team but whose contributions are essential to the success of the team.[7][8]

See also

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The dictionary definition ofprima donna at Wiktionary

References

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  1. ^abH. Rosenthal, H. and J. Warrack,The Concise Oxford Dictionary of Opera, 2nd Edition, Oxford University Press, 1979. p. 398.ISBN 0-19-311321-X
  2. ^See for example, George Jellinek,Callas: Portrait of a Prima Donna, Dover, 1986, p. 96 andpassim.ISBN 0486250474.
  3. ^Oxford English Dictionary (Draft revision 2009).
  4. ^Riggs, Geoffrey (2003).The Assoluta Voice in Opera, 1797–1847, p. 1. McFarland.ISBN 0786414014.
  5. ^Seconda donna.Oxford Music Online, 2002.
  6. ^Susan Rutherford,The Prima Donna and Opera, 1815–1930, Cambridge University Press, 2006.ISBN 0-521-85167-X.
  7. ^The Oxford Pocket Dictionary of Current English (2009)."prima donna". Encyclopedia.com. 12 Sep. 2010.
  8. ^Merriam-Webster."prima donna". Merriam-Webster.com.

Further reading

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