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Panchayatana puja

From Wikipedia, the free encyclopedia
Worship practice related to Smarta tradition

A Ganesha-centricPanchayatana: Ganesha (centre) with Durga or Adi Shakti (top right), Shiva (top left), Vishnu (bottom left), and Surya (bottom right).

Panchayatana puja (IASTPañcāyatana pūjā) also known asPancha Devi Deva Puja is a system ofpuja (worship) in theSmartasampradaya, which is one of four majorsampradayas ofHinduism.[1] It consists of the worship of five deities set in aquincunx pattern,[2] the five deities beingGanesha,Mahadevi,Shiva,Vishnu andSurya.[3][4] Sometimes anIshta Devata (any personal god of devotee's preference) orKartikeya is the sixth deity in the mandala (seeShanmata).[1]

Panchayatana puja has been attributed toAdi Shankara, the 8th century CEHindu philosopher.[5] It is a practice that became popular in medieval India.[1] However, archaeological evidence suggests that this practice long predates the birth of Adi Shankara. Many Panchayatana mandalas and temples have been uncovered that are from theGupta Empire period, and one Panchayatana set from the village of Nand (about 24 kilometers fromAjmer) has been dated to belong to theKushan Empire era (pre-300 CE).[6] The Kushan period set includes Shiva, Vishnu, Surya, Shakti and one deity whose identity is unclear.[6] According to James Harle, major Hindu temples from 1st millennium CE embed thepancayatana architecture very commonly, fromOdisha toKarnataka toKashmir; and the temples containing fusion deities such asHarihara (half Shiva, half Vishnu) are set in Panchayatana worship style.[2]

The typical arrangement of five icons or anicons in Pancayatana puja.

Philosophically, the Smarta tradition emphasises that allmurti (idols) are icons ofSaguna Brahman, a means to realising the abstract Ultimate Reality calledNirguna Brahman. The five or six icons are seen bySmartas as multiple representations of the oneSaguna Brahman (i.e., a personal God, with form), rather than as distinct beings. The ultimate goal in this practice is to transition past the use of icons, then follow a philosophical and meditative path to understanding the oneness ofAtman (soul, self) andBrahman – as "That art Thou."[citation needed]

Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four corners of a square surrounding it. Either an iconic idol(s) or aniconic representation(s) or a combination for each deity is used.[1] The five may be represented as simply as five kinds of stones called aPancayatana puja set, or just five marks drawn on the floor.[5] This arrangement is also represented inSmarta Pancayatana temples found in India, with one central shrine, and four smaller shrines at the corners of a square.[1][7]

Panchayatana puja has predominantly been a tradition within Hinduism. However, theUdasis – a tradition that reveres theGuru Granth Sahib ofSikhism – also worship the five panchayatana deities.[8][9]

In Puranas

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Contrary to the objections raised by some rival schools of the Smarta sampradaya, the practice of Panchayatana Puja is found to be enshrined in severalPuranas as well, further substantiating its ancient origins. The presence of this practice in all categories of Puranas, be itVaishnava,Shaiva orShakta is a thorough testament to the fact of it being a widely popular form of worship in the ancient times.

TheNarada Purana III.65.44-50 states:-

"44–50."When he worships Visnu in the middle, he shall worship Vinayaka, Ravi (Sun) Siva and Sivaa outside them. When he worships Sankara in the middle, he shall worship the Sun, Ganesa, Amba and Hari outside them. When he worships Siva in the middle, he shall worship Isa, Vighnesvara, the Sun and Govinda outside. If he worships Gananayaka (Ganesa) in the middle he shall worship Siva, Sivaa, the Sun and Visnu outside. When the Sun is worshipped in the middle he shall worship GaneSa, Visnu, Amba, and Siva respectively. Thus he shall worship respectfully the five deities every day".[10]

In the Kārttikamāsa-māhātmya of theSkanda Purana LordSurya states:-

"16–18."Viṣṇu, Śarva, I, Goddess and Vighneśvara i.e. Gaṇeśa (are to be worshipped). Though I am only one, I have become five as in the case of a Stage Manager in the course of a play. Know, O lord of birds, that these are all our own different forms. Hence holy bath in the month of Kārttika should be taken for the purpose of dispelling all sins by Sauras (followers of the Sun), Gāṇeśas (followers of Vighneśvara), Śāktas (followers of Śakti or Goddess), Śaivas (followers of Śiva) and Vaiṣṇavas (followers of Viṣṇu).".[11]

InPadma Purana 6.88.43-44 LordKrishna TellsSatyabhama:-

"As the rainwater goes to the ocean, the followers of Śiva, the Sun, Gaṇeśa, Viṣṇu, so also the worshippers of Śakti come to me only. I am one, born in five ways, and play with names—as one Devadatta calls his sons etc. with (various) names."[12]

TheDevi-Bhagavata Purana 11.17.34-36 reads as follows:-

"Thus the rules of the morning Sandhya are prescribed. Doing works so far, bid farewell to the above-mentioned Gayatri. Next finishing the Agnihotra Homa sacrifice, worship the five Devatas, S’iva, S’iva, Ganes’a, Surya and Visnu. Worship by the Purusa Sukta mantra, or by Hrim mantra, or by Vyahriti mantra or by S’rischate Laksmis’cha, etc., place Bhavani in the centre; Visnu in the north east corner, S’iva in the south-east corner; Ganes’a in the south-west corner, and the Sun in the north-west corner; and then worship them. While offering worship with the sixteen offerings, worship by repeating sixteen mantras."[13]

See also

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References

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  1. ^abcdeBühnemann, Gudrun (2003).Mandalas and Yantras in the Hindu Traditions. BRILL Academic. p. 60.ISBN 978-9004129023 – via Google Books.
  2. ^abHarle, James C. (1994).The Art and Architecture of the Indian Subcontinent. Yale University Press. pp. 140–142, 191,201–203.ISBN 978-0-300-06217-5 – via archive.org.
  3. ^Flood, Gavin D. (1996).An Introduction to Hinduism. Cambridge University Press. p. 17.ISBN 978-0-521-43878-0 – via archive.org.
  4. ^Eck, Diana L. (1998).Darśan: Seeing the divine image in India. Columbia University Press. p. 49.ISBN 978-0-231-11265-9 – via Google Books.
  5. ^ab"The Four Denominations of Hinduism".Himalayan Academy. Basics of Hinduism. Kauai Hindu Monastery. Archived fromthe original on 26 July 2017. Retrieved28 September 2016.
  6. ^abAsher, Frederick (1981). Joanna Gottfried Williams (ed.).Kalādarśana: American studies in the art of India. Brill Academic. pp. 1–4.ISBN 90-04-06498-2 – via Google Books.
  7. ^Reitz, Falk (1997).Pancayatana-Komplexe in Nordindien: Entstehung, Entwicklung und regionale Besonderheiten einer indischen Architekturform [Pancayatana complexes in North India: Origin, development and regional characteristics of an Indian form of architecture](PDF) (Ph.D. thesis) (in German). Berlin, DE:Freie Universität Berlin.
  8. ^Lochtefeld, James G. (2002).The Illustrated Encyclopedia of Hinduism. Vol. A–M. The Rosen Publishing Group. p. 61.ISBN 978-0-8239-3179-8.
  9. ^Singh, Pashaura & Fenech, Louis E. (2014).The Oxford Handbook of Sikh Studies. Oxford University Press. p. 376.ISBN 978-0-19-969930-8 – via Google Books.
  10. ^"Narada Purana ENG 03 1951 OCR Motilal Banasirdass".
  11. ^"The Glory of Kārttika [Chapter 3]". 27 February 2020.
  12. ^"The Padma-Purana Part. 8". Motilal Banarsidass Publishers PVT. LTD, Delhi. 1952.
  13. ^"Srimad Devi Bhagavatam - English Translation".
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