Ard-Mhúsaem na hÉireann | |
The current logo of the museum | |
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| Established | 14 August 1877 |
|---|---|
| Location | Dublin andCastlebar, Ireland |
| Type | National museum |
| Collection size | Almost 4,000,000 items |
| Visitors | All branches: 1,315,776 (2016)[1] |
| Director | Lynn Scarff |
| Website | www |
| National Museum of Ireland network | |
TheNational Museum of Ireland (Irish:Ard-Mhúsaem na hÉireann) isIreland's leading museum institution, with a strong emphasis on national and some international archaeology, Irish history,Irish art, culture, andnatural history. It has three branches in Dublin, thearchaeology andnatural history museums adjacent onKildare Street andMerrion Square, and a newerDecorative Arts and History branch at the formerCollins Barracks, and theCountry Life museum inCounty Mayo.
The National Museum of Ireland descends from the amalgamation of parts of the collections of a number of Dublin cultural institutions from the 18th and 19th centuries, including primarily theRoyal Dublin Society (RDS) and theRoyal Irish Academy (RIA). The earliest parts of the collections are largelygeological andmineralogical specimens, which the RDS collected as a means to improve the knowledge and use of such resources in Ireland. The establishment of the museum collections is generally deemed to have begun with the purchase of the collection ofNathanael Gottfried Leske in 1792.[2]
One of the earliest iterations of the RDS museum was at Hawkins Street House, where theLeskean Cabinet was displayed along with a collection of casts and busts.[3] This exhibition was open to the public between noon and 3pm, on Mondays, Wednesdays and Fridays. Aside from the exhibition, there was a lecture hall, laboratory and library. From here, the museum moved toLeinster House in 1815 when the RDS purchased it fromthe 3rd Duke of Leinster. Here the Leskean Cabinet continued to be displayed, along with newly accessioned collections from professor of mineralogy and geology,Charles Lewis Giescke, curiosities, and the Hibernicum which was a display of minerals and geological specimens from the island of Ireland.[4]
Giescke was the first to refer to the museum as the "National Museum of Ireland", in 1832, in his catalogue of theentomology andornithology specimens. After Giescke's death in 1833,John Scouler was appointedcurator in 1834. During this time the collections were open to the public two days a week from noon to 3pm, and to students at all times.
By this time the need for a new museum was deemed to be critical. This led to the construction of the building which now houses the Natural History Museum on Merrion Street. With the planned expansion and development of the museum, Scouler requested that a curator or Director be employed by the RDS. This led to the appointment ofAlexander Carte in 1851. Carte overhauled and reorganised the collections, overseeing acquisitions from SirFrancis McClintock, SirWilliam Wilde, and SirRichard Griffith.[4]
The museum took part in theInternational Exhibition of Art-Industry of 1853, exhibiting objects in theHall of Antiquities, along with the RIA. Following this the museum opened five days a week to the public.[4]

TheScience and Art Museum was established in 1877, becoming theNational Museum of Science and Art in 1900, and theNational Museum of Ireland after independence. It also included the collection of theMuseum of Irish Industry, which had been founded in 1847.[5] The collections of both the RIA and RDS formed the basis for theArchaeology and History section of the Museum at Kildare Street. This is the site originally opened in 1890 as theDublin Museum of Science and Art, in the building designed bySir Thomas Newenham Deane and his son,Thomas Manly Deane. Until 1922, the museum complex also includedLeinster House, now the home of theOireachtas.
The museum operated in the buildings at Kildare Street and Merrion Square until the late 20th century projects at Collins Barracks and County Mayo. As of 1975, the visitable collections were summarised as "Primary: Irish antiquities and history, fine arts (excluding painting and sculpture) and natural history (excluding botany), and additionally: Egyptian, Greek and Roman antiquities, Far Eastern art and ceramics, and ethnography and zoology," with an additional collection of folk life material not on display. The museum published occasional works focusing on particular parts of the collection, archaeological acquisitions and one volume on the role of the museum.[6]
See alsoCategory:Collection of the National Museum of IrelandThe museum operates at four locations, each with a thematic focus:
The objects in the care of theNational Museum of Ireland – Archaeology onKildare Street include bronze and Iron-age goldwork, early medieval church treasures, and objects from theVikingperiod.[7] The collection holds artefacts fromprehistoric Ireland includingbog bodies,Iron andBronze Age objects such as axe heads, swords and shields in bronze, silver and gold, with the earliest dated to c. 7000 BC. It holds the world's largest collection of post-Roman Irish medieval art (known asInsular art). Many of these pieces were found in the 19th century by labourers, when population expansion led to the cultivation of land which had not been touched since the Middle Ages. Indeed, without the intervention ofGeorge Petrie of theRoyal Irish Academy and like-minded individuals from theRoyal Society of Antiquaries of Ireland, most of the metalwork would have been melted down for the intrinsic value of its materials.
In addition, the museum houses classical objects fromAncient Egypt,Cyprus and theRoman world.

TheNational Museum of Ireland – Decorative Arts and History is the part of the national collection kept at the largeCollins Barracks site, a former military barracks named afterMichael Collins in 1922. The collection at this branch, opened in 1997, includes theGreat Seal of the Irish Free State. The site has a shop and a cafe, and also hosts the overall administrative centre of the National Museum.
This section has displays of furniture, silver, ceramics and glassware, as well as examples of folk life and costume, and money and weapons. A Chinese porcelain vase from about 1300 AD, theFonthill vase, is one of the features. The Soldiers & Chiefs exhibition features military artefacts and memorabilia tracing Ireland's military history from 1550 to the present. Special exhibitions are mounted regularly; in summer 2007, for example, replicas of six IrishHigh Crosses that were subsequently shown internationally.
The Natural History Museum, which is part of the National Museum, although often thought of as distinct, is onMerrion Street in Dublin and houses specimens of animals from around the world. It is also known as the Dead Zoo by locals. Its collection and Victorian appearance have not changed significantly since the early 20th century.

Country Life is the most recent part of the museum to be opened. It is located just outsideTurlough village, on the N5 eight kilometres east ofCastlebar, inCounty Mayo, and was opened in 2001.
The museum is focused on ordinary life from the mid-19th century to the mid-20th century, with much of the material coming from rural Ireland in the 1930s. There are displays on the home, the natural environment, communities and forces for change.
The Museum is overseen by a board of directors, of whom two are nominated by theRoyal Irish Academy and one by theRoyal Dublin Society, while the remainder are appointed by the relevant minister.
It is led operationally by a Director, under whom are aHead of Collections and Learning and aHead of Operations. Reporting to the Head of Collections and Learning are the Keepers of Antiquities, Art & Industry, Natural History, and Folklife, the Registrar, and the Heads of Conservation, Education, Design and Photography. Within Operations are the Heads of Facilities, Human Resources, Finance, Corporate Affairs, Marketing, Commercial Development and ICT.[8]
The museum is one of many holdingBenin Bronzes, taken from their place of origin,Benin City, Nigeria, in 1897. It has confirmed that it will be taking action to repatriate these back to their city of origin.[20]