| Murmur of the Heart | |
|---|---|
 Theatrical release poster | |
| French | Le souffle au cœur |
| Directed by | Louis Malle |
| Screenplay by | Louis Malle |
| Produced by |
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| Starring | |
| Cinematography | Ricardo Aronovich |
| Edited by | Suzanne Baron |
| Music by | |
Production companies |
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| Distributed by | Cinema International Corporation |
Release dates |
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Running time | 118 minutes[1] |
| Countries | |
| Language | French |
| Box office | $1.1 million[2] |
Murmur of the Heart (French:Le souffle au cœur) is a 1971 Frenchcomedy-drama film written, produced and directed byLouis Malle. It starsLea Massari,Benoît Ferreux andDaniel Gélin. Written as Malle's semi-autobiography, the film tells acoming-of-age story about a 14-year-old boy (Ferreux) growing up in bourgeois surroundings in post-World War IIDijon,France, with a complex relationship with his Italian-born mother (Massari).
The film was screened at the1971 Cannes Film Festival and was a box-office success in France. In the United States, it received positive reviews and a nomination for theAcademy Award for Best Original Screenplay.
Laurent Chevalier is a 14-year-old boy living inDijon in 1954 who lovesjazz, always receives the highest grades in his class, and opposes theFirst Indochina War. He has an unloving father, Charles, agynecologist; an affectionate Italian-born mother, Clara; and two older brothers, Thomas and Marc. Thomas and Marc are inveterate pranksters, while Laurent engages in taboos such as shoplifting and masturbation. Laurent also discovers that Clara has a lover, and upset by theadultery, runs to tell Charles, who, busy with his practice, angrily turns him away.
One night, Thomas and Marc take Laurent to a brothel, where Laurent loses his virginity to a prostitute, Freda, before they are disrupted by his drunken brothers. Upset, Laurent leaves for scouting camp, where he catchesscarlet fever and is left with aheart murmur. Bedridden for a month, he is cared for and entertained by Clara and their maid, Augusta. Laurent's teacher at his Catholic school suggests that Laurent's illness has matured him, so that he has made progress in his studies, and urges Clara to treat him more like an adult.
As Laurent requires treatment at asanatorium, he and Clara check into a hotel. Due to an error by Charles's secretary Solange, the hotel books both Clara and Laurent into a single room, and given that the hotel is completely full, no additional room is available. Laurent takes interest in two young girls at the hotel, Hélène and Daphne, and also spies on his mother in the bathtub. Though Laurent pursues Hélène, Hélène says she is not ready for sex; Laurent accuses her of being a lesbian. Clara temporarily leaves with her lover, but comes back distraught after their breakup; Laurent comforts her. After a night of heavy drinking onBastille Day, Laurent and his mother have sex. Clara tells her son afterward that thisincest will not be repeated, but that they should not regret it. Laurent leaves their room, and after unsuccessfully trying to seduce Hélène, spends the night with Daphne. When he returns to his family late in the morning, they immediately deduce what has happened, and all of them, including Laurent, share a hearty laugh.
Malle wroteMurmur of the Heart partly as anautobiography. He said, "My passion for jazz, my curiosity about literature, the tyranny of my two elder brothers, how they introduced me to sex—this is pretty close to home."[3] Malle also suffered from a heart murmur and shared a hotel room with his mother during treatment. Aside from that, the film is fictional, and takes place later than Malle's childhood.[3] The humorous, earthy Italian mother is also a fictional character,[4] based more on a friend's mother than his own.[5] Malle asserted in interviews that the incest, in particular, is fictional.[6] He claimed that in writing the script, he had no intention to include it, but ended up doing so as he explored an intense mother–son relationship.[7]
TheNational Center of Cinematography objected to the screenplay's erotic scenes. Malle was surprised by the response.[7] With the Censorship Board denying funding, the film was financed with the help of Mariane Film, a French subsidiary ofParamount Pictures.[8] Given his love of jazz, and that Laurent steals aCharlie Parker album at the beginning of the film, Malle used Parker's music for thefilm score.[9]
Of the incest scene, Massari said, "We shot that scene last and it was a great concern throughout the entire shoot. On the last day Malle said to me, 'do what you want, if it comes out well we'll keep it, if not we'll do as I say.' I acted on instinct, loading the fact that the woman was drunk, and the scene stayed as is."[10]
In France, the film had 2,652,870 admissions.[11] It was screened at theCannes Film Festival in May 1971 and also played at theNew York Film Festival in October 1971.[12]
On its re-release in the United States in 1989, it grossed $1,160,784.[13] In Region 1,The Criterion Collection released the film onDVD in 2006, along with Malle's filmsLacombe, Lucien andAu revoir les enfants.[14]
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Roger Ebert gave the film a four-star review, comparing it favorably toThe 400 Blows, and wrote of the incest that Malle "takes the most highly charged subject matter you can imagine, and mutes it into simple affection."[15] Judith Crist, writing forNew York, praised the "remarkable" performances ofLea Massari,Benoît Ferreux andDaniel Gélin.[16]Richard Schickel, writing forLife, said he had a "strange enthusiasm" for the film, which he felt demonstrated "taste, charm and the most winning sentiment."[17]Variety staff complimented Ferreux and Massari's performances.[18] InThe New York Times, Roger Greenspun wrote that the film "isn't very good" and "that it could probably have been made with as much distinction by any of those directors, all equally anonymous, who specialize in urban romantic comedy (or tragedy) of a sophistication that is supposed to be peculiarly French."[12]John Simon wrote thatMurmur of the Heart treats incest charmingly but unsatisfactorily.[19]
Pauline Kael, critic forThe New Yorker, wrote that the film was like "a fine old jazz record, but when it's over it has the kick of a mule, a funny kick."[20]
In 1989,Desson Howe wrote inThe Washington Post that the film maintained its "fresh intelligence and delicacy" and that "Malle's world of sarcastic, upper-middle-class brats seems to beMurmur's most enduring creation."[6] In 1990, Richard Stengel gave the film an A− inEntertainment Weekly, writing, "Almost everything about this coming-of-age story rings true, and Malle avoids any heavy-handed explanations of family behavior."[21] CriticPauline Kael called Massari "superb".[22] In his2002 Movie & Video Guide,Leonard Maltin gives the film three and a half stars, calling it a "fresh, intelligent, affectionately comic tale".[23]
DirectorWes Anderson has citedMurmur of the Heart as an influence, saying he loved the characters Laurent and Clara. Of the incest, he said, "The stuff between him and the mother feels more kind of romantic almost—but also taboo and scary in a way, which makes it even more seductive."[24] DirectorNoah Baumbach has also named the film as an influence.[25]Rotten Tomatoes counted 16 favorable reviews out of 17 for a score of 94%.[26]
Murmur of the Heart was nominated forBest Original Screenplay at the1973 Academy Awards. It was also in competition, in the French part of the official selection, at the1971 Cannes Film Festival.[27]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref(s) |
|---|---|---|---|---|---|
| Academy Awards | 27 March 1973 | Best Original Screenplay | Louis Malle | Nominated | [28] |
| National Society of Film Critics | 24 December 1971 | Best Screenplay | Louis Malle | 3rd Place | [29] |
| New York Film Critics Circle | 23 January 1972 | Best Actress | Lea Massari | 5th Place | [30] |