| Genre | Characteristics | Era |
|---|
| Acid jazz[1][2] | Combined elements ofsoul music,funk,disco, including looping beats and modal harmony | 1980s–1990s |
| Afro-Cuban jazz | It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. | 1940s -> |
| Avant-garde jazz | A style of music and improvisation that combinesavant-garde art music and composition with jazz. It originated in the 1950s and developed through the 1960s. | 1950s -> |
| Bebop | Bebop or bop is a style of jazz characterized by a fast tempo, instrumental virtuosity, and improvisation based on a combination of harmonic structure and occasional references to the melody. | 1940s -> |
| Big band | Big band is a type of musical ensemble, in essence a jazz orchestra, that typically consists of at least ten musicians and four sections. | 1910s -> |
| British dance band | British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s. | 1920s -> |
| Cape jazz | Cape jazz (more often written Cape Jazz) is a genre of jazz that is performed in the southernmost part of Africa, the name being a reference to Cape Town, South Africa. | 1990s -> |
| Chamber jazz | Chamber jazz is a genre of jazz involving small, acoustic-based ensembles where group interplay is important. | 1960s -> |
| Continental jazz | Early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. | |
| Cool jazz | Contrasts with the hard, fast sound of bebop. A more relaxed, subdued style, with more formal arrangements and elements of swing and classical. | 1940s–1960s |
| Crossover jazz | Artists mix different styles of music into jazz. | 1970s -> |
| Dixieland | Dixieland music or New Orleans jazz, sometimes referred to as hot jazz or early jazz, is a style of jazz music which developed inNew Orleans at the start of the 20th century. Stylistically, it is essentially a form ofRagtime typically transposed for brass band, banjo or clarinet. | 1900s -> |
| Electro swing[3] | Modern interpretation ofswing merged withEDM. Performances typically include both a live band and a DJ. | 1990s -> |
| Ethio-jazz | A specific form of jazz that evolved inEthiopia in the likes of the music ofMulatu Astatke, also referred to as the King of Ethio-jazz. | 1950s -> |
| Ethno jazz | Ethno jazz, a form of ethno music, is sometimes equaled toworld music or is regarded as its successor, particularly before the 1990s. An independent meaning of "ethno jazz" emerged around 1990. | 1990s -> |
| European free jazz | European free jazz is a part of the global free jazz scene with its own development and characteristics. | 1960s -> |
| Flamenco jazz | Flamenco jazz is a style mixingflamenco andjazz, typified by artists such asPaco de Lucia andCamarón de la Isla. | 1960s -> |
| Free funk | A combination of avant-garde jazz withfunk music | 1970s -> |
| Free jazz | Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't necessarily jazz. Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases.Ornette Coleman was an early and noted advocate of this style. | 1950s -> |
| Gypsy jazz | A style of jazz music often said to have been started by guitaristJean "Django" Reinhardt in the 1930s. The style was originally called "hot club" or "hot jazz" and served an acoustic European interpretation of swing. The term "gypsy jazz" didn't appear until after the 1970s, when Sinti people adapted their folk music to emulate that of Django's. | 1930s/1970s-> |
| Hard bop | Incorporated influences fromrhythm and blues,gospel music, andblues, especially in saxophone and piano playing. | 1950s -> |
| Indo jazz | Fusion of jazz withIndian music (see alsoSitar in jazz andJazz in India). | 1950s -> |
| Jazz blues | Although not a distinct style, this is typically used to refer to songs that include idiomatic "jazz" embellishments to the standard form, such as the use ofextended harmony andchord substitutions. At a minimum, jazz blues usually include aii–V progression in place of the simple V chord and a I–VI/vi–ii–Vturnaround at the end of the form. |
| Jazz-funk | Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. | 1970s -> |
| Jazz fusion | Combines elements of jazz,funk, androck. Characterized by electronic instruments, riffs, and extended solos. | 1970s -> |
| Jazz poetry | | 1920s -> |
| Jazz pop | | |
| Jazz rap | Jazz rap is a fusion subgenre ofhip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. | 1980s -> |
| Jazz rock | The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". | 1960s -> |
| Jump blues | | 1930s -> |
| Kansas City jazz | Kansas City jazz is a style of jazz that developed in Kansas City, Missouri and the surrounding Kansas City Metropolitan Area during the 1930s | 1930s -> |
| Latin jazz | Draws heavily onsalsa andmerengue influences. Heavy use of percussion, includingcongas,timbales,bongos,guiros, and others. |
| M-Base | | 1980s -> |
| Marabi | | 1920s–1930s |
| Mainstream jazz | A genre of jazz music that was first used in reference to the playing styles around the 1950s | 1950s -> |
| Modal jazz | Modal jazz, as pioneered byMiles Davis, among others, is characterized by the use ofmodes, such asdorian modes, as the primary organizing element. | 1950s -> |
| Neo-bop jazz | Neo-bop jazz, notably associated withWynton Marsalis, is a comparatively accessible, "retro" genre that emerged in the 1980s as a stylistic reaction against free jazz and jazz fusion. | 1980s -> |
| Neo-swing | The name given to the renewed interest in swing music from the 1930s and 40s. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues withrock,punk rock,ska, andska punk music or had roots in punk, ska, ska punk, andalternative rock music. | 1990s -> |
| Jazz noir[4] | A form of slow or erratic contemporary jazz. Also known as "doom jazz" or "dark jazz", it is noted for its often somber, mysterious or even sinister tone. It takes inspiration fromfilm noir soundtracks anddark ambient music.[4] | 1990s -> |
| Nu jazz[5] | Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. | 1990s -> |
| Orchestral jazz | Also known as "Symphonic Jazz" | 1920s -> |
| Post-bop | A genre of small-combo jazz that assimilates hard bop, modal jazz, avant-garde and free jazz without necessarily being immediately identifiable as any of those forms | 1960s -> |
| Punk jazz | The amalgamation of elements of the jazz tradition (usuallyfree jazz andjazz fusion of the 1960s and 1970s) with the instrumentation or conceptual heritage of punk rock | 1970s -> |
| Ragtime | | 1890s -> |
| Samba-jazz | | 1950s -> |
| Ska jazz | Music derived by fusing themelodic content ofjazz with therhythmic andharmonic content of earlyJamaican Music introduced by the "Fathers of Ska" in the late 1950s. It is sometimes considered a subgenre ofThird-Wave Ska. | 1960s -> |
| Skiffle | | 1950s -> |
| Smooth jazz | In general a smooth jazz track is downtempo (the most widely played tracks are in the 90–105 BPM range), layering a lead, melody-playing instrument (saxophones – especially soprano and tenor – are the most popular, with guitars a close second) over a backdrop that typically consists of programmed rhythms and various synth pads or samples. | 1960s -> |
| Soul jazz | Draws heavy influences from hard bop, blues, gospel, and rhythm and blues. It is often characterized by organ trios. | 1950s -> |
| Spiritual jazz | | 1960s -> |
| Straight-ahead jazz | A form of Jazz created in the 1960s with roots from the previous two decades. It omits elements fromrock music andfree jazz that began to appear in this period, instead putting more emphasis on acoustic instruments and a more conventional sound. | 1960s -> |
| Stride jazz | A style of jazz piano which incorporates left hand techniques fromragtime music, except the left hand spans a greater distance on the keyboard. | 1920s -> |
| Swing | Big band arrangements, always swung. Pioneered byDuke Ellington,Count Basie, andBenny Goodman. | 1930s–1950s |
| Third stream | The fusion of the jazz stream and classical stream. | 1950s -> |
| Trad jazz | Short for "traditional jazz", refers to theDixieland andragtime jazz styles of the early 20th century | |
| West Coast jazz | A less frenetic, calmer style than hard bop, heavily arranged, and more often compositionally based subgenre of cool jazz. | 1950s–60s |
