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Gott ist unsre Zuversicht, BWV 197

From Wikipedia, the free encyclopedia
1737 Bach cantata

Gott ist unsre Zuversicht (God is our confidence),BWV 197.2 (formerlyBWV 197),[1] is achurch cantata byJohann Sebastian Bach.

History and text

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In 1728 inLeipzig, Bach composed aChristmas cantata,Ehre sei Gott in der Höhe, BWV 197.1 (Glory be to God in the Highest), which he revised in 1736–37 into this wedding cantata. Movement 5 is a chorale stanza byMartin Luther, the final movement is byGeorg Neumark; the rest of the poetry is anonymous.[2]

Scoring and structure

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The cantata is scored for three vocal soloists (soprano,alto, andbass), afour-part choir, threetrumpets,timpani, twooboes, twooboes d'amore,bassoon, twoviolins,viola, andbasso continuo.[3]

The work's ten movements are divided into two parts of five movements each, to be performed before and after the wedding sermon.[3]

Part 1
  1. Chorus:Gott ist unsre Zuversicht
  2. Recitative (bass):Gott ist und bleibt der beste Sorger
  3. Aria (alto):Schläfert allen Sorgenkummer
  4. Recitative (bass):Drum folget Gott und seinem Triebe
  5. Chorale:Du süße Lieb, schenk uns deine Gunst
Part 2
  1. Aria (bass):O du angenehmes Paar
  2. Recitative (soprano):So wie es Gott mit dir
  3. Aria (soprano):Vergnügen und Lust
  4. Recitative (bass):Und dieser frohe Lebenslauf
  5. Chorale:So wandelt froh auf Gottes Wegen

Music

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The opening movement is a chorus inda capo form with a prominent trumpet part and an active violin line. The vocal parts usefugal techniques. The bassrecitative issecco and "set to a melody of almost childlike naivety and simplicity". The altoaria's structure combines elements of da capo andritornello form; the instrumental introduction does not completely recur and the reprise differs significantly from the opening section. The fourth movement is a bass recitative with chordal strings. The section closes with a four-part setting of the chorale tune with varied phrase lengths.[4]

The second section opens with a bass aria that "has a lavishness of sound which is almost unparalleled". A two-part secco soprano recitative leads to an aria that was for bass in BWV 197.1 but in BWV 197.2 is scored for soprano.[4] The aria is in the style of asiciliano.[5] The penultimate movement is a bass recitative with chordal oboes and interjecting strings. The final chorale setting is relatively simple and in minor mode.[4]

Recordings (selection)

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References

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  1. ^Work00244 atBach Digital website.
  2. ^"Cantata BWV 197 Gott ist unsre Zuversicht". Bach Cantatas. Retrieved14 December 2012.
  3. ^ab"BWV 197". University of Alberta. Retrieved5 June 2013.
  4. ^abcMincham, Julian."Chapter 75 BWV 197 S". jsbachcantatas. Retrieved9 September 2022.
  5. ^Smith, Craig."BWV 197". Emmanuel Music. Retrieved9 September 2022.

External links

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