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Fanny zu Reventlow

From Wikipedia, the free encyclopedia
German writer, artist and translator

Franziska Countess zu Reventlow, undated photo

CountessFanny "Franziska" zu Reventlow (Fanny Liane Wilhelmine Sophie Auguste Adrienne) 18 May 1871 – 26 July 1918)[1] was a German writer, artist and translator, who became famous as the "Bohemian Countess" ofSchwabing (an entertainment district in Munich) in the years leading up toWorld War I.[2]

Life

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Fanny (or Franziska, as she was also called later) Reventlow was born in the family seat atHusum into theGerman nobility, the fifth of six children of Ludwig, Count zuReventlow (1825–1894) and his wife Emilie (1834–1905). The family were on friendly terms with the North German writerTheodor Storm. Her eldest brother Theodor died as a fifteen-year-old, her other brotherErnst, was an ultra-nationalist writer and eventually became aNazi.

The family Schloss at Husum

While young she was in constant conflict with her mother. She was thrown out of boarding school for misbehavior and lack of respect for the authorities. After being sent to stay with a family friend in 1893, she fled to Hamburg. Here she met Walter Lübke, who financed her art studies inMunich, and whom she married in 1894.[2] Her artistic studies also included singing, with instruction byCharlotte Lachs.[3]

The marriage broke up when she set off again in 1895 to Munich, to continue her studies. They were divorced in 1897. In September of that year her son Rolf was born; she never divulged the name of the father (although it is very likely to have been the Polish-born painter & engraverAdolf Eduard Herstein).[citation needed]

In Munich she supported herself by translation work for theAlbert Langen Publishing House and by writing short articles for magazines and newspapers such asSimplicissimus and theFrankfurter Zeitung. After taking some acting lessons in 1898, she had a short engagement at theTheater am Gärtnerplatz. Otherwise she took casual jobs as a secretary, assistant cook, insurance agent and so on to keep going. As usual in Bohemian circles, she also received financial help from male friends and casual acquaintances.

Karl Wolfskehl, Alfred Schuler, Ludwig Klages, Stefan George, Albert Verwey. Photograph byKarl Bauer

She was a friend ofLudwig Klages and thus became part of theMunich Cosmic Circle based around the mysticAlfred Schuler, which also includedKarl Wolfskehl. It broke up in acrimonious circumstances in 1904. She wrote about her experiences with the Circle in herRoman à clefHerrn Dames Aufzeichnungen (1913). She also got to knowTheodor Lessing,Erich Mühsam,Oskar Panizza,Rainer Maria Rilke,Marianne von Werefkin,Alexej von Jawlensky,Frank Wedekind and many others of the "Munich Moderns". With her son she travelled toSamos (1900), Italy (1904, 1907) andCorfu (1906/1907).[4]

She left Munich forAscona in Switzerland in 1910 (Monte Verità), where she wrote her "Schwabing" novels. In 1911 married Baron Alexander von Rechenberg-Linten, a marriage of convenience, which enabled him to inherit 20,000 Marks. However, he lost this in a bank collapse in 1914.

In 1916 she moved toMuralto onLago Maggiore. She died in 1918 in a clinic inLocarno following a bicycle accident and was buried in the cemetery of the Santa Maria in Selva church in Locarno.Emil Ludwig spoke at her funeral.

Feminism

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Reventlow is best known as one of the most unorthodox voices of the early women's movement in Europe. While many of her peers were pressing for improved social, political, and economicrights for women, Reventlow argued that ardentfeminists, whom she labelled "viragos," were actually harming women by attempting to erase or deny the natural differences between men and women. Reventlow maintained that sexual freedom, and the abolition of the institution of marriage, were the best means by which women could hope to achieve a more equal social standing with men.[2]

Works

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  • (with Otto Eugen Thossan)Klosterjungen. Humoresken (two stories), Wigand, Leipzig 1897
  • Das Männerphantom der Frau (Essay), in:Zürcher Diskußionen 1898
  • Was Frauen ziemt (Essay); under the titleViragines oder Hetären? in:Zürcher Diskußionen 1899
  • Erziehung und Sittlichkeit (Essay), in: Otto Falckenberg,Das Buch von der Lex Heinze. Leipzig 1900
  • Ellen Olestjerne,J. Marchlewski, Munich 1903
  • Von Paul zu Pedro, Langen, Munich 1912
  • Herrn Dames Aufzeichnungen oder Begenheiten aus einem merkwürdigen Stadtteil, Langen, Munich 1913
  • Der Geldkomplex, Langen, Munich 1916
  • Das Logierhaus zur Schwankenden Weltkugel und andere Novellen, Langen, Munich 1917
  • Tagebücher (ed. Irene Weiser, Jürgen Gutsch), Stutz, Passau 2006

References

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  1. ^Church baptismal record, Husum
  2. ^abcKatharina von Hammerstein (2006)."Franziska Gräfin zu Reventlow". Fembio.org. Retrieved2 February 2009.
  3. ^"Bryan Morning Eagle. (Bryan, Tex.), Vol. TENTH YEAR, No. 210, ed. 1 Wednesday, August 9, 1905". 9 August 1905.
  4. ^Stein, pp. 95–111

Sources

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  • Stein, Gerd (1982).Bohemien-Tramp-Sponti (in German). Fischer.ISBN 3-596-25035-8.
  • Wendt, Gunna (2008).Franziska zu Reventlow. Die anmutige Rebellin. Biographie (in German). Aufbau-Verlag.ISBN 978-3-351-02660-8.
  • Egbringhoff, Ulla (2000).Franziska zu Reventlow (in German). Reinbek (rm 614).ISBN 3-499-50614-9.

External links

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