Acrescent shape (/ˈkrɛsənt/,UK also/ˈkrɛzənt/)[1] is asymbol oremblem used to represent thelunar phase (as it appears in the northern hemisphere) in the first quarter (the "sickle moon"), or by extension a symbol representing theMoon itself.
InHindu iconography,Shiva is often shown wearing a crescent moon on his head, symbolising his control over time, as well as his attributes of both creation and destruction.[2]
The crescent symbol is primarily used to represent theMoon, not necessarily in a particular lunar phase.When used to represent awaxing or waning lunar phase, "crescent" or "increscent" refers to the waxing first quarter, while the symbol representing the waning final quarter is called "decrescent".
In the 2nd-centuryBianchini'splanisphere, the personification of the Moon is shown with a crescent attached to her headdress.[6] Its ancient association withIshtar/Astarte andDiana is preserved in the Moon (as symbolised by a crescent) representing thefemale principle (as juxtaposed with theSun representing themale principle), and (Artemis-Diana being a virgin goddess) especiallyvirginity and femalechastity.
On the domes of certainEastern Orthodox churches, particularlyRussian Orthodox ones, there appears across over a crescent. This symbolisesJesus Christ as two of thethreefold office, theKing andHigh Priest. It is sometimes mistakenly taken as a symbol of the victory of Christianity over Islam, but it has nothing to do with it nor Islam at all, as domes featuring the cross-over-crescent design were constructed inmedieval Russia in the 12th century, prior to the arrival ofIslam in Kievan Rus'.[7]
Examples oflunes inplanar geometry (shaded areas). Examples in the top row can be considered crescent shapes, because the lune does not contain the center of the original (right-most) circular disk.
An astronomically correct crescent shape (shaded area), complemented by agibbous shape (unshaded area).
The crescent shape is a type oflune, the latter consisting of acircular disk with a portion of another disk removed from it, so that what remains is a shape enclosed by two circulararcs which intersect at two points. In a crescent, the enclosed shape does not include the center of the original disk.
The tapered regions towards the points of intersection of the two arcs are known as the "horns" of the crescent. The classical crescent shape has its horns pointing upward (and is often worn as horns when worn as a crown or diadem, e.g. in depictions of the lunar goddess, or in the headdress of Persian kings, etc.[8]
The wordcrescent is derivedetymologically from the present participle of the Latin verbcrescere "to grow", technically denoting the waxing moon (luna crescens). As seen from the northern hemisphere, the waxing Moon tends to appear with its horns pointing towards the left, and conversely the waning Moon with its horns pointing towards the right; the English wordcrescent may however refer to the shape regardless of its orientation, except for the technical language ofblazoning used inheraldry, where the word "increscent" refers to a crescent shape with its horns to the left, and "decrescent" refers to one with its horns to the right, while the word "crescent" on its own denotes a crescent shape with horns pointing upward.[9]
The shape of the lit side of a spherical body (most notably the Moon) that appears to be less than half illuminated by the Sun as seen by the viewer appears in a different shape from what is generally termed a crescent in planar geometry: Assuming theterminator lies on agreat circle, the crescent Moon will actually appear as the figure bounded by a half-ellipse and a half-circle, with the major axis of the ellipse coinciding with a diameter of the semicircle.
Unicode encodes a crescent (increscent) at U+263D (☽) and a decrescent at U+263E (☾).TheMiscellaneous Symbols and Pictographs block provides variants with faces as emoji:U+1F31B🌛FIRST QUARTER MOON WITH FACE andU+1F31C🌜LAST QUARTER MOON WITH FACE.
The crescent shape is used to represent the Moon, and the Moon deityNanna/Sin from an early time, visible inAkkadiancylinder seals as early as 2300 BC.
TheEgyptian logograph representing the Moon also had a crescent shape 𓇹 (GardinerN11,ı͗ꜥḥ "moon" (with increscent and decrescent variants); variant N12 𓇺). In addition, there is a19th-dynasty hieroglyph representing the "moon with its lower half obscured (N9 𓇷psḏ, with a variant with a crescent shape N10 𓇸).[10]
The crescent was well used in the iconography of theancient Near East and was used by thePhoenicians in the 8th century BC as far asCarthage andNumidia in modernTunisia andAlgeria. The crescent and star also appears on pre-Islamic coins of South Arabia.[11]
Selene, themoon goddess, was depicted with a crescent upon her head, often referred to as herhorns, and a major identifying feature of hers in ancient works of art.[13][14]
In the iconography of theHellenistic period, the crescent became the symbol ofArtemis-Diana, the virgin hunter goddess associated with the Moon. Numerous depictions show Artemis-Diana wearing the crescent Moon as part of her headdress.The related symbol of thestar and crescent was the emblem of theMithradates dynasty in theKingdom of Pontus and was also used as the emblem ofByzantium.
The crescent remained in use as an emblem in the Sasanian Empire, used as aZoroastrian regal or astrological symbol. In theCrusades it came to be associated with theOrient (theByzantine Empire, theLevant andOutremer in general) and was widely used (often alongside astar) inCrusader seals andcoins. It was used as aheraldic charge by the later 13th century.Isaac Komnenos of Cyprus, the claimant to theByzantine Empire who ruled Cyprus until overthrown by the crusading KingRichard I of England, used arms with "a crescent of gold on a shade of azure, with a blazing star of eight points". Later, King Richard granted the same as the coat of arms of the city ofPortsmouth, in recognition of the significant involvement of soldiers, sailors, and vessels from Portsmouth in the conquest of Cyprus.[15] This remainsPortsmouth's coat of arms up to the present.
Anna Notaras, daughter of the lastmegas doux of the Byzantine EmpireLoukas Notaras, after the fall of Constantinople and her emigration to Italy, made a seal with her coat of arms which included "two lions holding above the crescent a cross or a sword".[16]
From its use in the Sasanian Empire, the crescent also found its way into Islamic iconography after theMuslim conquest of Persia.Umar is said to have hung two crescent-shaped ornaments captured from the Sasanian capital ofCtesiphon in theKaaba.[17]The crescent also became the symbol of theUmayyad Caliphate.[citation needed] The crescent appears to have been adopted as an emblem onmilitary flags by the Islamic armies from at least the 13th century, although the scholarly consensus holds that the widespread use of the crescent in Islam develops later, during the 14th to 15th century.[18]The use of such flags is reflected in the 14th-centuryLibro del Conoscimiento and theCatalan Atlas.Examples include the flags attributed toGabes,Tlemcen,Tunis andBuda,[19]Nubia/Dongola (documented byAngelino Dulcert in 1339) and theMamluks of Egypt.[20]
The Roman Catholic fashion of depictingMadonna standing or sitting on a crescent develops in the 15th century.
The goddessDiana was associated with the Moon in classical mythology. In reference to this, feminine jewelry representing crescents, especiallydiadems, became popular in the early modern period. Thetarot card of the "Popess" also wears a crescent on her head.
Conrad Grünenberg in hisPilgrimage to theHoly Land (1486) consistently depicts cities in the Holy Land with crescent finials.[21] Flags with crescents appear to have been used on Ottoman vessels since at least the 16th century.
Prints depicting theBattle of Lepanto (1571), including the print byAgostino Barberigo of Rome made just a few weeks after the battle,[22] and the Martino Rota of Venice in the following year, show the Ottoman vessels displaying flags with one or several crescents in various orientations (as do the monumental paintings commissioned later based on these prints). Rota also shows numerous crescent finials, both on ships and on fortresses depicted in the background, as well as some finials with stars or suns radiant, and in some cases a sun radiant combined with a crescent in the star-and-crescent configuration.
Muhammad Ali, who became Pasha ofEgypt in 1805, introduced the firstnational flag of Egypt, red with three white crescents, each accompanied by a white star.
While some Islamic organisations since the 1970s have embraced the crescent as their logo or emblem (e.g.Crescent International magazine, established 1980), some Muslim publications tend to emphasize that the interpretation of the crescent, historically used on the banners of Muslim armies, as a "religious symbol" of Islam was an error made by the "Christians of Europe".[24] The identification of the crescent as an "Islamic symbol" is mentioned byJames Hastings as a "common error" to which "even approved writers on Oriental subjects" are prone as early as 1928.[25]
The crescent has been used as aheraldic charge since the 13th century. In heraldic terminology, the term "crescent" when used alone refers to a crescent with the horns pointing upward. A crescent with the horns pointing left (dexter) is called "a crescent increscent" (or simply "an increscent"), and when the horns are pointing right (sinister), it is called "a crescent decrescent" (or "a decrescent"). A crescent with horns pointing down is called "a crescent reversed". Two crescents with horns pointing away from each other are called "addorsed".[27]Siebmachers Wappenbuch (1605) has 48 coats of arms with one or more crescents, for example:[28]
Azure, a crescent moon argent pierced by an arrow fesswise Or all between in chief three mullets of six points and in base two mullets of six points argent (von Hagen, p. 176);
Azure, an increscent and a decrescent addorsed Or (von Stoternheim, p. 146);
Per pale Or and sable, a crescent moon and in chief three mullets of six points counterchanged (von Bodenstein, p. 182).
In English heraldry, the crescent is used as adifference denoting a second son.[27]
Three examples of coats of arms with crescents from theDering Roll (c. 1270): No. 118: Willem FitzLel (sablecrusily and three crescents argent); no. 120: John Peche (gules, a crescent or, on a chief argent two mullets gules); no. 128: Rauf de Stopeham (argent, two (of three) crescents and a canton gules).
The crescent printed onmilitary ration boxes is theUS Department of Defense symbol for subsistence items. The symbol is used on packaged foodstuffs but not on fresh produce or on items intended for resale.[32]
^from Middle English cressaunt'crescent-shaped ornaments'; from Old French creissant'crescent shape'; from Latin crēscēns'growing, waxing'. See e.g. the following:
^abOn December 14, 1992, the Army Chief of Chaplains requested that an insignia be created for future Muslim chaplains, and the design (a crescent) was completed January 8, 1993. Emerson, William K.,Encyclopedia of United States Army Insignia and Uniforms (1996),p. 269f.Prior to its association with Islam, a crescent badge had already been used in the US military for the rank of commissary sergeant (Emerson 1996:261f).
^Alchemy and Symbols, By M. E. Glidewell, Epsilon.
^Neugebauer, Otto; Van Hoesen, H. B. (1987). Greek Horoscopes. pp. 1, 159, 163.
^"Bianchini's planisphere". Florence, Italy: Istituto e Museo di Storia della Scienza (Institute and Museum of the History of Science). Archived fromthe original on 2009-10-30. Retrieved2010-03-19.Maunder, A. S. D. (1934). "The origin of the symbols of the planets".The Observatory.57:238–247.Bibcode:1934Obs....57..238M.
^The new Moon at sunset and the old Moon at sunrise, when observed with horns pointing upward, is also known as "wet moon" in English, in an expression loaned from Hawaiian culture.
^Tombs and Moon Temple of Hureidah, Gertrude Caton Thompson, p.76
^"the three celestial emblems, the sun disk ofShamash (Utu to the Sumerians), the crescent of Sin (Nanna), and the star ofIshtar (Inanna to the Sumerians)". Irving L. Finkel, Markham J. Geller,Sumerian Gods and Their Representations, Styx, 1997, p71.
^Oleg Grabar, "Umayyad Dome,"Ars orientalis (1959), p. 50, cited after Berger (2012:164).
^Pamela Berger,The Crescent on the Temple: The Dome of the Rock as Image of the Ancient Jewish Sanctuary (2012),p. 164f
^ZnamierowskiFlags through the ages: A guide to the world of flags, banners, standards and ensigns, (2000) section 'the Muslim crescent', cited by Ivan Sache,FOTWArchived 2016-03-22 at theWayback Machine, 11 March 2001
^"After king Nasr ad din had fled to Cairo in 1397 to beg assistance against his cousin, the King of Nubia is depicted with a yellow flag with a white crescent but also with a yellow shield with a white crescent. At the same time the yellow crescented flag waves over all the Mameluk Empire. The flag of the Sultan of Egypt is yellow with three white crescents. From this we may conclude that any autonomy of the Nubian king was over at the time." Hubert de Vries,Muslim Nubia (hubert-herald.nl).
^so for Jaffa (29r), Raman (31v-32r), Jerusalem (35v-36r). Grünenberg's pilgrimage took place still during the lateMamluk era (Burji dynasty) of control over the Holy Land.
^Agostino Barberigo,L' ultimo Et vero Ritrato Di la vitoria de L'armata Cristiana de la santissima liga Contre a L'armata Turcheschà [...], 1571. Antonio Lafreri , L’ordine tenuto dall’armata della santa Lega Christiana contro il Turcho [...], n'e seguita la felicissima Vittoria li sette d'Ottobre MDLXXI [...], Rome, 1571
^İslâm Ansiklopedisi (in Turkish). Vol. 4. Istanbul: Türkiye Diyanet Vakfı. 1991. p. 298.
^"Like the Crusaders, the Christians of Europe were misled into a belief that the crescent was the religious symbol of Islam"Islamic Review 30 (1942), p. 70., "many Muslim scholars reject using the crescent moon as a symbol of Islam. The faith of Islam historically had no symbol, and many refuse to accept it.", Fiaz Fazli,Crescent magazine,Srinagar, September 2009,p. 42.
^"There is no more common error than the supposition that the crescent (or rather crescent and star) is an Islamic symbol, and even approved writers on Oriental subjects are apt to fall into it." James Hastings,Encyclopædia of Religion and Ethics, Volumes 11–12 (1928), p. 145.
^geteilt von Blau mit gestürztem goldenem Halbmond und von Gold mit zwei roten Rosen ("per fess azure a crescent reversed or and of the second two roses gules")Historisch-Biographisches Lexikon der Schweiz, vol. V, p. 243.