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Theballata (plural:ballate) is an Italianpoetic andmusical form in use from the late 13th to the 15th century. It has the musical form AbbaA, with the first and laststanzas having the same texts. It is thus most similar to theFrench musical 'forme fixe'virelai (and not theballade as the name might otherwise suggest). The first and last "A" is called aripresa, the "b" lines arepiedi (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verbballare, todance, and the form certainly began as dance music.
The ballata was one of the most prominent secular musical forms during thetrecento, the period often known as the Italianars nova. Ballate are sung at the end of each day ofBoccaccio'sDecameron (only one musical setting of these poems, byLorenzo da Firenze, survives). Early ballate, such as those found in theRossi Codex are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate isFrancesco Landini, who composed in the second half of the 14th century. Other composers of ballata includeAndrea da Firenze, a contemporary ofFrancesco Landini, as well asBartolino da Padova,Johannes Ciconia,Prepositus Brixiensis[1] andZacara da Teramo. In the 15th century bothArnold de Lantins andGuillaume Dufay wrote ballate; they were among the last to do so.
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