A Moon Shaped Pool is the ninth studio album by the English rock bandRadiohead. It was released digitally on 8 May 2016, with a retail release on 17 June 2016 throughXL Recordings. It was produced by Radiohead's longtime collaboratorNigel Godrich.
Radiohead promotedA Moon Shaped Pool with singles and videos for "Burn the Witch" and "Daydreaming", aviral campaign of postcards and social media posts, and a series of video vignettes. Radiohead toured in 2016, 2017 and 2018, with headline performances at festivals includingGlastonbury andCoachella. Their performance in Tel Aviv drew criticism from supporters of theBoycott, Divestment and Sanctions campaign for an international culturalboycott of Israel.
A Moon Shaped Pool was named one of the best albums of the year and decade by many publications. It was the fifth Radiohead album nominated for theMercury Prize, and was nominated forBest Alternative Music Album andBest Rock Song (for "Burn the Witch") at the59th Annual Grammy Awards. It topped the charts in several countries, becoming Radiohead's sixth number one on theUK Album Charts, and was a bestseller on vinyl. It iscertified platinum in the UK and Canada, and gold in the US, Australia, France and Italy.
Several songs onA Moon Shaped Pool were written years before the recording. Radiohead first performed "True Love Waits" in 1995, and attempted to record it several times, but could not settle on an arrangement. Over the years, it became one of their best-known unreleased songs.[1] Radiohead first worked on "Burn the Witch" in the sessions forKid A (2000) and again in subsequent album sessions.[2] The songwriter,Thom Yorke, first performed "Present Tense" in a solo set at the UKLatitude Festival in 2009.[3][4]
During the tour for their eighth album,The King of Limbs (2011), Radiohead performed new material, including the futureMoon Shaped Pool tracks "Identikit" and "Ful Stop".[3] On tour in 2012, they recorded two songs at theThird Man Records studio in Nashville, Tennessee, including a version of "Identikit",[5] but discarded the recordings as substandard.[6] After the tour ended that year, Radiohead entered hiatus and the members worked on side projects.[7]
Radiohead began work onA Moon Shaped Pool with their longtime producer,Nigel Godrich, in their Oxfordshire studio in September 2014.[8] Yorke had prepared fewdemos and there was no rehearsal period. According to the guitaristEd O'Brien, "We just went straight into recording ... The sound emerged as we recorded."[9] Radiohead were slow to regain momentum after their break and worked in "fits and starts".[10][11] They initially worked on songs written by O'Brien, but found that they did not fit Radiohead. O'Brien saved the material for his debut solo album,Earth (2020).[12]
The Oxfordshire sessions lasted until Christmas.[13] In 2015, Radiohead spent three weeks in the La Fabrique studio nearSaint-Rémy-de-Provence, France, building on their recordings.[8] The studio, originally a 19th-century mill producingart pigment, had been used by musicians includingMorrissey andNick Cave and houses the world's largestvinyl record collection.[14] Instead of using computers, Godrich recorded totape with analogmultitrack recorders,[15] inspired byMotown and earlyDavid Bowie records.[8] This added creative limits, as rerecording a take meant erasing the previous take.[15] According to the bassist,Colin Greenwood, this forced the band to "make decisions in the moment; it's very much the opposite of having your album stored on a terabyte hard drive".[8]
For the introduction to "Daydreaming", Radiohead slowed the tape, creating apitch-warping effect. The guitaristJonny Greenwood used the music programming languageMax to manipulate the piano on "Glass Eyes".[15] "Identikit" developed from loops of Yorke's vocals recorded during theKing of Limbs sessions.[8] The drummerClive Deamer, who had performed with Radiohead on theKing of Limbs tour and appeared on their 2011 double single"The Daily Mail" and "Staircase",[16][17] played additional drums on "Ful Stop".[18]
Thestrings andchoir sections were arranged by Jonny Greenwood and performed by theLondon Contemporary Orchestra, withHugh Brunt as conductor. The orchestra had previously worked with Greenwood on his score for the 2012 filmThe Master.[7][19] The strings were recorded atRAK Studios in London.[18] For "Burn the Witch", the players usedguitar plectrums rather than bows,[20] creating a percussive effect.[21] Yorke described "Daydreaming", finished early in the La Fabrique sessions, as a breakthrough for the album.[22] Greenwood had the cellists detune their cellos, creating a "growling" sound.[23] Additional string and choir parts were recorded but cut.[24]
Godrich's father died on the day of the recording of the strings for "Burn the Witch". According to Godrich, "I literally left him on a fucking table in my house and went and recorded. And it was a very, very emotional day for me. He was a string player as well so it was one of those things where it felt like he would want me to go and just do this."[25] The special edition of the album is dedicated to Vic Godrich and the drum technician Scott Johnson, who died in the2012 stage collapse before Radiohead's scheduled show inDownsview Park, Toronto.[26] Yorke's ex-wife,Rachel Owen, died of cancer several months after the album was released.[9] Yorke toldRolling Stone: "There was a lot of difficult stuff going on at the time, and it was a tough time for us as people. It was a miracle that that record got made at all."[9]
Work was interrupted by the recording of "Spectre", commissioned for the2015 James Bond film. The film producers rejected the song as "too dark".[23] Godrich said: "That fucking James Bond movie threw us a massive curveball. It was a real waste of energy ... In terms of makingA Moon Shaped Pool it caused a stop right when we were in the middle of it."[25] In December 2015, at theUnited Nations Climate Change Conference in Paris, Yorke performed threeMoon Shaped Pool songs: "The Numbers" (then known as "Silent Spring"), "Present Tense" and "Desert Island Disk".[27] On Christmas Day, Radiohead released "Spectre" on the audio streaming siteSoundCloud.[28] Jonny Greenwood estimated that 80% of the album was recorded in two weeks.[15] After Radiohead finished work in France, Godrich edited andmixed the album in London.[8]
A Moon Shaped Pool incorporatesart rock,[29][30]folk,[31]chamber music,[31]ambient music[32] andbaroque pop.[33] It combines electronic elements such asdrum machines andsynthesisers, acoustic timbres such as guitar and piano, andstring andchoral arrangements,[34] which feature more heavily than on previous Radiohead albums.[19]The Guardian characterisedA Moon Shaped Pool as more restrained and "pared back" than Radiohead's earlier work.[35] Jonny Greenwood cited the jazz musicianAlice Coltrane as an influence, saying: "I'm conscious on this record that we've been occasionally skirting round the edge of something that could be terrible, which is kind of fun ... You have big ambition and you get as far as you can with it."[36]
The songs are sequenced alphabetically.[19] Greenwood said this was chosen only because the order worked well.[37] "Burn the Witch" features "pulsating" strings and electronic percussion.[38] "Daydreaming" is anambient song[32] with a "simple, sad" piano motif, "spooky"backmasked vocals, and electronic and orchestral elements.[39] "Ful Stop" features "malevolent" synthesiser, a "bustle" of rhythms,[40] andphasing guitararpeggios.[41] "Glass Eyes" has manipulated piano,[15] strings, and lyrics evocative of an "unguarded phone call".[14] "Identikit" has ajam-like opening, choral vocals, and "spacey" electronics, and ends with an "agitated"guitar solo.[42][43]
"The Numbers" begins as a "loose-limbed, early 70s jam session",[31] with strings reminiscent ofSerge Gainsbourg's 1970 albumHistoire De Melody Nelson.[42] "Present Tense" is a ballad withbossa nova elements.[35] "Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief" features strings, electronic percussion and distorted synthesiser.[44] "True Love Waits" is a piano ballad withpolyrhythmic loops and textures.[45][44] The special edition ofA Moon Shaped Pool contains two additional tracks: "Ill Wind", featuring a bossa nova rhythm and "icy" synthesisers,[46] and "Spectre", an orchestral piano ballad.[47]
Thom Yorke performing on theMoon Shaped Pool tour in 2016
The lyrics discuss love, forgiveness, and regret with, according to Larson, "a sense that beyond tectonic heartbreak there is an anaemic acceptance that is kind of beautiful if you don't get too sad about it".[19] Several critics felt the lyrics were coloured by Yorke's separation from his partner of almost 25 years,Rachel Owen, noting that the backmasked vocals of "Daydreaming", when reversed, resemble the words "half of my life".[19][44][48][49] Spencer Kornhaber of theAtlantic wrote thatA Moon Shaped Pool "makes the most sense when heard as a document of a wrenching chapter for one human being".[50]
Other themes includeclimate change[50] and call for revolution on "The Numbers",[31] and the dangers of authority andgroupthink on "Burn the Witch".[21] Yorke feared that political songs alienated some listeners, but decided it was better than writing "another lovey-dovey song about nothing".[51] He was conscious that lyrics such as "a river running dry" and "the system is a lie" were cliches, but felt there was no other way to state them: "How else are you supposed to say 'the system is a lie'? Why bother hiding it? It's a lie. That's it."[51]
The Guardian wrote that whereas Radiohead's 2003 albumHail to the Thief had addressed the era ofTony Blair andGeorge W. Bush,A Moon Shaped Pool could become the "accidental soundtrack" to theDonald Trump presidency.[35] Of the refrain "one day at a time" from "The Numbers", Yorke said: "One day a time, mate, you will be impeached shortly, mate. You are not a leader, love ... You can't sustain this. It's not gonna work. One day a time. We ain't stupid."[51]
The artwork forA Moon Shaped Pool was created by Yorke with the longtime Radiohead collaboratorStanley Donwood.[52] Donwood worked in a barn with speakers connected to the La Fabrique studio where they recorded nearby, allowing their music to influence his art.[14] Wanting to move away fromfigurative art and create work that was more a product of chance, Donwood initially conceived a robotic device that would squirt paint at canvases, but this proved technically difficult. Instead, he experimented with weather, leaving canvases outdoors to allow the elements to affect the paint. Donwood continued the weathering process in Oxfordshire during the band's winter break, with "completely different results", before photographing the works and editing them inPhotoshop with Yorke.[53]
Ahead of the release, Brian Message, a partner in Radiohead's management company, said he hoped Yorke would allow the album to be released onSpotify.[58] Yorke and Godrich had publicly criticised Spotify in 2013, arguing that it cannot support new artists.[59][60] Message said Yorke felt Spotify did not have enough paying subscribers.[58] Spotify had been in "advanced discussions" with XL and Radiohead's management to makeA Moon Shaped Pool the first album available exclusively to users with premium subscriptions, but no agreement was reached. A Spotify spokesperson, Jonathan Prince, said Spotify and Radiohead had explored "new approaches", but could not overcome technical problems in time.[61]A Moon Shaped Pool was added to Spotify on 17 June.[61]
CD and LP editions were released in Japan on 15 June throughHostess Entertainment[62] and in other countries on 17 June throughXL Recordings.[55] Radiohead sold a special edition from their website, which shipped from September.[63] It contains the album on CD and two heavyweight12" vinyl records, plus an additional CD with two extra tracks:[64] "Ill Wind" and the previously released "Spectre".[46] The special edition features packaging inspired by the albums for 78rpmshellac records in the La Fabrique studio, additional artwork and an original piece ofmaster tape, less than a second in length, from one of Radiohead's prior recording sessions. As tape degrades over time, the band decided to include it in the special edition rather than have it "end up as landfill".[64] On 20 June 2020, a white vinyl repress was released through independent online record stores forLove Record Stores Day.[65]
Radiohead conducted no interviews and did not tour before the release ofA Moon Shaped Pool.[66] O'Brien said the band members were not ready to talk about it when it was released: "We didn't want to talk about it being quite hard to make. We were quite fragile, and we needed to find our feet."[9]
On 30 April 2016, days before the album was announced, fans who had previously made orders from Radiohead received embossed cards with lyrics from the lead single, "Burn the Witch".[67] On 1 May, Radiohead deleted all content from their website andsocial media profiles, replacing them with blank images.[68]Pitchfork interpreted the move as symbolic of Radiohead's re-emergence.[66] Donwood said the idea had been "a way of getting rid of all of that had gone before ... It was like being some sort of evil Bond villain or something, in some lair, pressing buttons ... It was creatively brilliant fun."[53]
After releasing excerpts onInstagram, Radiohead released "Burn the Witch" as adownload on 3 May. It was accompanied by astop-motion animated music video that homages the 1960s children's television seriesTrumpton and the 1973 horror filmThe Wicker Man.[69][70] Three days later, Radiohead released "Daydreaming", accompanied by a music video directed byPaul Thomas Anderson, for whom Greenwood had scored several films.[55] The video was projected in35mm film in select theatres.[71] On the same day, Radiohead announced that their next album would be released online the following Sunday, but did not reveal the title.[55]
BBC Radio 6 Music playedA Moon Shaped Pool in its entirety on the day of release.[72] The following week, Radiohead released the first in a series of video vignettes set to clips from the album by artists and filmmakers includingMichal Marczak,Tarik Barri,Grant Gee,Adam Buxton,Richard Ayoade,Yorgos Lanthimos andBen Wheatley.[73] These were followed by a fan competition to create a vignette for "Daydreaming".[74] In September and October, Radiohead released video performances of "Present Tense" and "The Numbers". The videos, directed by Anderson, feature Yorke and Greenwood performing with aCR-78 drum machine.[75][76]
On 17 June 2016, the day of the album's retail release, participating record shops held a promotional event, "Live From a Moon Shaped Pool". The event featured an audio stream curated by Radiohead, a recording of their performance at theRoundhouse, London,[77] and competitions, artwork and other activities.[78] A participating shop in Istanbul closed following an attack by a gang angered by customers drinking beer and playing music duringRamadan. Radiohead released a statement condemning the attack and offering fans in Istanbul "love and support".[79]
Radiohead performing at theZénith Paris, 24 May 2016
Radiohead toured Europe, North America and Japan from May to October 2016.[80] As with theKing of Limbs tour, Radiohead were joined by a second drummer, Clive Deamer.[81] They began a second US tour in March 2017, culminating in April with a headline slot at theCoachella Festival in California.[82] The tour was supported byJames Blake, Oliver Coates, the Jewish-Arabic bandDudu Tassa and the Kuwaitis, and Jonny Greenwood's projectJunun.[83][84]
A European tour followed in June and July with further festival shows,[85] including Radiohead's third headline performance atGlastonbury Festival in the UK.[86] In 2018, Radiohead toured North and South America from April to August,[87] including four nights atMadison Square Garden in New York City.[88] The worldwide tour was the 61st-highest-grossing of 2018, earning more than US$ 28 million.[89]
On 19 July 2017, Radiohead performed in Tel Aviv, disregarding theBoycott, Divestment and Sanctions campaign for an international culturalboycott of Israel.[90] The decision was criticised by creative figures includingRoger Waters andKen Loach, and a petition urging Radiohead to cancel the concert was signed by more than 50 prominent figures.[91] Yorke responded in a statement: "Playing in a country isn't the same as endorsing the government. Music, art and academia is about crossing borders not building them, about open minds not closed ones, about shared humanity, dialogue and freedom of expression."[92] A concert in Glasgow was attended bypro-Palestinian protestors, triggering anger from Yorke on stage.[93] The Israeli musicianDudu Tassa said Radiohead selected his band to support them in the US because they wanted to bring people from Israel after performing in Tel Aviv.[94]
A Moon Shaped Pool was Radiohead's sixth number one on theUK Albums Chart.[95] It also reached number one in Ireland, Norway and Switzerland, and the top ten in several other countries. It wascertified gold in the UK on 24 June 2016 for sales of over 100,000 copies.[96] Following the retail release in June,A Moon Shaped Pool returned to the top of the UK chart with sales of 44,000. Of these, 39,000 were retail copies, including 10,500 vinyl, making it the week's bestselling vinyl record.[97] It was the UK's fourth-bestselling vinyl album of 2016, behindBlackstar byDavid Bowie,Back to Black byAmy Winehouse and theGuardians of the Galaxy soundtrack.[98] "Burn the Witch" was the year's 26th-bestselling UK vinyl single.[98]
In the US,A Moon Shaped Pool sold 181,000 copies in its first week, reaching number three on theBillboard 200, the week's highest debut.[99] It was Radiohead's best American sales week since the release of their 2003 albumHail to the Thief.[99] With the release of the special edition a few months later,A Moon Shaped Pool rose to number 11 on theBillboard 200 and number one on the vinyl album chart, selling 21,000 vinyl copies in one week.[100][101] It was certified gold in the US on 9 November 2018, for sales of over 500,000 copies.[102] After the bonus track "Ill Wind" was added to streaming services in 2019, it reached number eight on theBillboard Alternative Digital Songs chart[103] and number 24 on theHot Rock Songs chart.[104]
On thereview aggregator websiteMetacritic,A Moon Shaped Pool has a score of 88 out of 100 based on 43 reviews, indicating "universal acclaim".[106] Patrick Ryan ofUSA Today wrote that "the brooding, symphonic and poignantA Moon Shaped Pool ... was well worth the wait".[115] Chris Gerard ofPopMatters felt it was "worthy of Radiohead's peerless catalog, a rich addition to what is the most vital and important string of rock albums of the last 30 years".[116] Jamieson Cox of theVerge praised the string arrangements and "emotional magnanimity".[117] Andy Beta ofRolling Stone described it as "a haunting, stunning triumph" and Radiohead's "most gorgeous and desolate album", praising its timbres and melodies.[34] TheRolling Stone critic Will Hermes wrote that "it's Yorke's voice that holds the emotional centre, and it's never been more affecting ... [A Moon Shaped Pool is] one of their most musically and emotionally arresting albums."[113]
Sam Richards ofNME describedA Moon Shaped Pool as "an album of eerie, elusive beauty that is strange, shimmering and uncertain all at the same time".[110] Stephen Thomas Erlewine wrote forAllMusic that "there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scatteredKing of Limbs and even the sleek alienation ofKid A".[107] ThePitchfork editor Jayson Greene felt the album was coloured by Yorke's separation: "The impact of trauma, a sort of car crash of the soul, is palpable. The music here feels loose and unknotted, broken open in the way you can only be after a tragedy."[40]Pitchfork later named "Daydreaming" and "True Love Waits" among the best songs of 2016.[118]
Eric Renner Brown ofEntertainment Weekly praised the variety and scale: "By nature, Radiohead albums will always be somewhat epic, but this one is more consistently grandiose than any of the band's releases since 2000's masterpieceKid A."[40]Jon Pareles, writing forThe New York Times, wrote thatA Moon Shaped Pool was perhaps Radiohead's "darkest statement – though the one with the band's most pastoral surface".[44] He praised Yorke's vocals and Greenwood's string arrangements, writing: "Both Mr. Yorke and Mr. Greenwood are relentlessly inquisitive listeners, lovers of melody and explorers of idioms, makers of puzzles who don't shy away from emotion."[44] Chris Barton of theLos Angeles Times describedA Moon Shaped Pool as "a rich and engrossing listen that somehow finds more undiscovered territory for a band that has built a career on doing just that".[119]MTV's Simon Vozick-Levinson wrote: "A Moon Shaped Pool provides a thrilling answer to the existential concerns that confront any band that's made it this far ... After all this time, hearing these five old friends challenge themselves into a new phase of evolution can still blow even a jaded fan's mind."[49]
InThe New York Observer, Justin Joffe wrote thatA Moon Shaped Pool was "a stunning display of naked vulnerability and a notable achievement ... Radiohead remain dedicated craftsmen of strange new sonic universes."[48] Like Joffe, Nina Corcoran ofConsequence of Sound praised the inclusion of older songs such as "True Love Waits", writing that "Radiohead finally feels connected enough to perform them with meaning ... Waiting to release a studio recording of a song over two decades old allowed Radiohead to peel its words when riper than ever."[120] InThe Guardian, Lanre Bakare praised the evolution of "Present Tense" from Yorke's earlier "sketchy guitar number" to "beautifully wrought, bossa nova-tinged ballad".[35]
Mike Diver of theQuietus felt the older songs created the unwelcome feeling of a compilation album, writing: "Certain tracks feel less than fully fleshed out, really given the treatment that their age warrants ... There's simply so little spark here, barely glowing embers and blackened dust where once Radiohead blazed a fascinating, furious trail for others to attempt to follow."[121] TheNew Republic writer Ryan Kearney likened the album to "taking a warm, occasionally agitated bath; it's soothing and all, but the longer you immerse yourself, the colder it leaves you". He criticised Yorke's lyrics as predictable, and said it was "no coincidence that the only moving song on the album, 'True Love Waits', was written two decades ago".[122] He felt that Yorke was "the most overrated lyricist in music today".[122]
Jamie Milton ofDIY felt thatA Moon Shaped Pool needed "another breakneck force shock to the system" similar to "Ful Stop", and that it contained unnecessary elements, such as the "over-tinkering echo" of "Present Tense" and the "jagged closing section" of "Decks Dark". Nonetheless, he concluded: "These are gorgeous, human, complete works – some of the best of [Radiohead's] remarkable career."[123]Alexis Petridis of theGuardian criticised the "suffocating gloom" of the lyrics, but felt the album was an improvement overThe King of Limbs and that Radiohead had achieved something new.[42]
A Moon Shaped Pool was the fifth Radiohead album nominated for theMercury Prize, making Radiohead the most shortlisted act in Mercury Prize history.[124] At the59th Annual Grammy Awards,A Moon Shaped Pool was nominated forBest Alternative Music Album andBest Rock Song (for "Burn the Witch").[125] It was also shortlisted for theIndependent Music Companies Association Album of the Year Award for the best album released on an independent European label.[126] It appeared on numerous publications' lists of the best albums of the year and decade.
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
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