| Jazz by decade |
|---|
In the1990s in Jazz,jazz rap continued progressing from the late 1980s and early 1990s, and incorporated jazz influence intohip hop. In 1988,Gang Starr released the debut single "Words I Manifest", samplingDizzy Gillespie's 1962 "A Night in Tunisia", andStetsasonic released "Talkin' All That Jazz", samplingLonnie Liston Smith. Gang Starr's debut LP,No More Mr. Nice Guy (Wild Pitch, 1989), and their track "Jazz Thing" (CBS, 1990) for the soundtrack ofMo' Better Blues, samplingCharlie Parker andRamsey Lewis. Gang Starr also collaborated withBranford Marsalis andTerence Blanchard. Groups making up the collective known as theNative Tongues Posse tended towards jazzy releases; these include theJungle Brothers' debutStraight Out the Jungle (Warlock, 1988) andA Tribe Called Quest'sPeople's Instinctive Travels and the Paths of Rhythm (Jive, 1990) andThe Low-End Theory (Jive, 1991).
In the 1990s and 2000s, a number of young musicians emerged, including US pianistsBrad Mehldau,Jason Moran andVijay Iyer, guitaristKurt Rosenwinkel, vibraphonistStefon Harris, trumpetersRoy Hargrove andTerence Blanchard, saxophonistsChris Potter andJoshua Redman, and bassistChristian McBride.
Well-established jazz musicians, such asDave Brubeck,Wynton Marsalis,Sonny Rollins,Wayne Shorter,Jessica Williams andGeorge Benson, continue to perform and record.
In the 1990s, punk jazz and jazzcore began to reflect the increasing awareness of elements ofextreme metal (particularlythrash metal anddeath metal) in hardcore punk. A new style of "metallic jazzcore" was developed byIceburn, from Salt Lake City, andCandiria, from New York City, though anticipated by Naked City and Pain Killer. This tendency also takes inspiration from jazz inflections intechnical death metal, such as the work ofCynic andAtheist.