| dbo:abstract | - In Japanese literature, the Bundan (文壇, Bundan) is a term used to refer to a "system" of literary cliques and coteries that allow small in-groups of established authors, critics, and publishers to selectively advance the careers of favored protégés by controlling access to publication in prestigious literary magazines and dominating the selection committees for prestigious literary prizes such as the Akutagawa Prize. The Bundan has also been described as an "unofficial literary guild." The Bundan focuses on highbrow literary fiction (純文学 jun bungaku, literally "pure literature"), and generally does not concern itself with "middlebrow" or "genre" fiction (大衆文学 taishū bungaku, literally "literature for the masses"). Not all authors join the Bundan, but many aspiring authors feel compelled to do so in order to advance their careers. Authors who became independently famous without the patronage of established authors have generally remained aloof; examples of well-known authors not connected to the Bundan include Natsume Sōseki and Mori Ōgai in the early 20th century and Haruki Murakami in more recent years. Equivalent terms exist to describe networks of well-connected insiders in the world of fine art (画壇 gadan), poetry (詩壇 shidan), music (楽壇 gakudan), and the business world (財界 zaikai). (en)
- 文壇（ぶんだん）とは、作家、文芸評論家、雑誌編集長、出版社の編集者など文学・文筆活動を取り巻く人たちのつながりと付き合いの世界のこと。 文士という言葉が通用した時代には、頻繁に使われた言葉。文壇バーなどというものもあった。こうした作家たちの付き合いで、年一回、親睦を兼ねて、出版社の肝いりで「文士劇」なるものも上演された。 類語である楽壇（音楽業界）、画壇（美術業界）が、ポピュラーミュージック、流行歌や商業美術、マンガを含まないニュアンスで用いられることが多いのに対し、文壇という言葉には大衆文学を排除する性格はほとんどない。 (ja)
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| rdfs:comment | - 文壇（ぶんだん）とは、作家、文芸評論家、雑誌編集長、出版社の編集者など文学・文筆活動を取り巻く人たちのつながりと付き合いの世界のこと。 文士という言葉が通用した時代には、頻繁に使われた言葉。文壇バーなどというものもあった。こうした作家たちの付き合いで、年一回、親睦を兼ねて、出版社の肝いりで「文士劇」なるものも上演された。 類語である楽壇（音楽業界）、画壇（美術業界）が、ポピュラーミュージック、流行歌や商業美術、マンガを含まないニュアンスで用いられることが多いのに対し、文壇という言葉には大衆文学を排除する性格はほとんどない。 (ja)
- In Japanese literature, the Bundan (文壇, Bundan) is a term used to refer to a "system" of literary cliques and coteries that allow small in-groups of established authors, critics, and publishers to selectively advance the careers of favored protégés by controlling access to publication in prestigious literary magazines and dominating the selection committees for prestigious literary prizes such as the Akutagawa Prize. The Bundan has also been described as an "unofficial literary guild." (en)
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