Presently, most commercial cider is made in the UK (ca 100+milliongallonsannually) followed by France, Ireland, Spain, Germany and Switzerland.Productionin other countries is small but in North America and Australasia is rapidly increasing. Although cider seems to have beenmade in the Mediterranean basin around the time of Pliny (1st centuryAD),it became well-established in Normandy and Brittany in early medievaltimes(from 800 AD onwards), probably arriving there from the Atlantic coast of Spain . Shortly afterwards it seems to have taken holdinBritain, and the first mention of established production in thiscountryis from 1205.
Although cider was once made all over the UK even as far north asYorkshire, the centre of UK cider production is now in a bandstretchingnorthwards from Devon, through Somerset, Gloucestershire,Worcestershireand Herefordshire, with sporadic local operations in Suffolk, Kent,Sussex, Berkshire and the Midlands. In the 17th and 18th centuries itseemed to have reachedsomethingof a zenith, with cider being compared to the best French wines andexportedfrom the West Country to London. A number of manuals on the subjectwerepublished at this time, including Worlidge's famous 'Vinum Britannicum- a treatise on Cider and Perry'. John Evelyn, the diarist, politicianand arboriculturalist, published his 'Pomona' in 1670, which discussesfruit growing in general and cider making in particular, and includescontributionsfrom authors throughout the country. This book (part of his epic'Sylva')went through several editions and is still available in facsimiletoday.
Cider did not seem to last as a serious competitor to wine(possiblydue to punitive taxation), and by the end of the 19th century it seemsto have been made without much care on most West Country farms. It wasoften considered as part of the labourers' wages, particularly atharvesttime when last season's cider would be consumed. The growth of railtransportand bottling technology, however, enabled a new market to beestablishedin towns and cities throughout the 20th century, dominated by a fewlargemanufacturers. From the 1990's there has been a new divergence, between themass-market producers on the one hand and the smaller specialistproducerson the other. This website and series of articles is mostly concerned with the cider made by smaller 'craft' producers.
Despite this, much of the present mystique of cider makinglies withthe selection of 'true' cider apples - that is, those cultivars grownforno other purpose. In the West Country and in Northwest France, wherearguablythe finest ciders are made, these are centred on the high-tannin'bittersweet'and 'bittersharp' varieties (if low in tannin, these arecorrespondinglydescribed as 'sweets' or 'sharps'). Since these are generallyunavailableon the open market except in glut years ,anyone planting a new cider orchard would be well-advised to go forthese'true' cider apples. Not only do they have the extra 'body' and 'bite'due to high tannin, but they also press much more easily than dessertapplesdue to their fibrous structure. Some of these varieties, at least, alsopossess the elusive character of 'vintage quality' which sets apart thebest cider from the run of the mill. But if you do not have theseapples,do not despair - just make sure you select full flavoured dessertvarietieslike 'Cox' and 'Russett' rather than 'Bramley' and 'Golden Delicious',with a modicum of crab apples (to supply the tannin) if you can getany.
A word about 'tannin' is probably in order here, since it issofrequentlymentioned in connection with cider and yet is so frequently confusedwithacidity. This is perhaps because in most 'crab' apples (which are not atrue species, merely domestic apples which have gone wild from seed)bothacidity and tannin are high. Acidity is easy to understand - a lemonprovidesa good example of this. Tannin is exemplified by the mouth-puckeringtasteof strong tea, or by the taste of a sloe - it can be both bitter and/orastringent ('hard' or 'soft'), depending on its chemical structure andmolecular size. In cider making, we need both tannin and acidity inmoderateamounts, as will appear later. The other major component we need issugarto ferment into alcohol. This can of course come in a bag from Tate andLyle but is better for our purpose if it comes from a bittersweet ciderapple!
Cideris made only from apples, with a possible admixture of pears.Other so-called ciders which are made or flavoured with other fruitsand herbs are not ciders at all. At best they are fruit wines(known legally as 'made wines') and at worst they are alco-popsfor indiscriminating and generally young drinkers. You will not findany advice on how to make such products here. Nor will you findany 'recipes' on this website. Cider is not a beer and the concept of'recipe' does not apply to cider.To extract the juice from the pulp, wooden screw 'pack'presses wereused from medieval times onwards. The apple pulp had first to be builtinto a 'cheese' using alternate thin layers of pulp and straw. Pressurewas then applied to the cheese, the straw providing drainage channelssothat juice could flow to a receiving tray and thence to a barrel as thecompressed pulp diminished in volume. This principle is still used inmanymodern cider presses, large and small. The straw has long been replacedby wooden slats and terylene cloths, and the pressure is provided by anhydraulic pump, but the principle of making the cheese still remains.Small-scaleversions of this press are readily available from specialist suppliers.
In the horizontal piston press (Bucher-Guyer) which is nowused inlargecider factories, flexible nylon drainage channels are providedthroughoutan enclosed steel cylinder which is filled with pulp and graduallycompressed.New types of belt press, where a thin layer of pulp is squeezedcontinuouslybetween two endless woven steel and nylon belts, were originallydevelopedfor sewage sludge dewatering, but have recently become popular incommercialjuice and cider factories! A modern but smaller alternativefor the hobbyist is the 'bladder press' which is driven by mains waterpressure alone.
Small-scale basket presses are relatively cheap and widelyavailablefor domestic use, being commonly used for grapes, but they do notalwaysgive good juice yields on apples because no allowance is made fordrainagechannels in the pulp and not all the juice can find a pathway out.Problemswith 'slimy pulp' will be discussed in a later section.
The interval between milling and pressing is nowadays keptveryshortby most cidermakers and is usually only a matter of minutes, the pulpbeingfed straight to the press. However, this was not always the case intraditionalcidermaking, particularly in France, and various interesting and usefulenzymic changes take place if this period lasts for several hours('cuvage').Similarly, the way in which the juice is treated before fermentation('keeving')can also have important implications for cider quality. These aspectsareconsidered in a later article.
The 'new traditionalist' may by good luck produce a superbcider butall too often it is acetic, murky, full of strange odours and reallyquiteunpleasant to drink, except to the committed fanatic or to theunsuspectingtourist who expects no better of his 'scrumpy'. The factory makeralwaysproduces a consistent product, but it is bland and undistinguished,competingwith the lager market in suburban pubs and clubs. Somewhere betweenthesetwo extremes lies the middle ground of highest quality where thesmall-scale'craft' cider maker is aiming to operate and which these articles are intended to help.
Whether traditional or otherwise, certain features shouldremain thesame. The right sort of yeast must be present, and must dominate otherless desirable organisms. There must be sufficient nutrient in additionto sugar for the yeast to grow, it must convert much of the sugar toalcohol,and it must generate desirable flavour characteristics as it does so.Afterfermentation, most or all of the yeast should be removed and the cidershould be stored in the absence of air, protected from spoilage yeastsand bacteria. Otherwise it acquires peculiar off-flavours andeventuallyturns to vinegar.
Exactly how we achieve these objectives is the subject of thefollowingarticles. To conclude this introduction, we list an outline flow chartfor cider making, with options which any individual cider maker maychooseto exercise as he wishes. These options are discussed in detail as theseries proceeds.
APPLES | Varietal selection Nutrient levels |
HARVEST | . |
STORAGE | Fruit blending |
WASHING | . |
MILLING | 'Cuvage' of pulp Pectinase addition |
PRESSING | Keeving Pectinase addition pH (acidity) adjustment SO2 addition Yeast addition Nutrient addition |
FERMENTATION | Use of concentrate Addition of sugar |
RACKING | Malo-lactic fermentation SO2 addition Natural (arrested) sweetening. |
STORAGE IN BOTTLE OR CASK | Fining Filtration Added sweetener and preservative SO2 addition Pasteurisation |
© Andrew Lea 1997. Lightly revised 2016