  |
はてなキーワード:prefectureとは
Hey everyone. Idon't know where else to post this. Ineed towriteit down before I convince myself Iwas just hallucinating. I’m a grad student inJapan, doing fieldworkon forgotten local folklore. That'swhy Iwasout in theabsolute middle ofnowhere in Gunmaprefecturelast night.
My planwas to visit a tiny, dying village called Yomi-touge (notits realname) that supposedlyhas some unique traditions. Of course, my phonelostsignal hours ago, and mycar'sGPS, which I bought in 2015, decided to have atotal meltdown. Thesun went down. The mountainroads are narrow and winding,and a thick, soupy fogstarted to roll in. The kind of wet, heavyair that makesyoufeellikeyou’rebreathing water. Iwas completely, hopelesslylost.
After whatfeltlike an eternity of drivingat a crawl, Isawit. Alight. A single, brutallybright rectangle oflight cutting through the fog. Aconvenience store.One of thosebig chainsyou see everywhere, aFamilyMart or aLawson, I couldn't tell whichat first.I’ve neverfelt so relieved inmy life. I parked thecar and practically ran inside, thelittle doorchime sounding way too loud in the dead silence.
The insidewas…normal. Toonormal. Thelights were humming with a high-pitchedbuzz that drilled into my skull. The shelves were perfectly stocked. Theair smelled of cheapair freshener andsomething else…somethingsweet and hot,likeozone or burntsugar.
Hewas ayoungguy,maybe myage. Pale, drenched in sweat, with dark circles underhiseyeslike bruises. He moved with a painful stiffness,like every jointwas rusted. He muttered a "Irasshaimase…" without even lookingat me,hiseyes fixedon the counter.Hisarms were covered in these intricate, dark tattoos, winding fromhis wrists up underhis sleeves. I figured hewas just sick, oron a roughshift. Ifelt bad forhim.
I grabbed a can of coffee and went to the counter. "Sorry to botheryou," Istarted inJapanese, "I'm prettylost. Couldyoutell me where I am?"
He looked up, andhiseyesdidn't seem tofocuson me.Itwaslike hewas lookingat ascreen a few inches in front of my face. "We do not provide directional information," he said,hisvoice aflat, rehearsed monotone. "Will that beall foryou?"
Okay,weird, but whatever.Maybeit's store policy.As he reached for my coffee,his sleeve slid up. The tattoosonhisarm… they weren’t just pictures. For a split second, Iswear toGod, the lines ofinkshifted. They writhed,like tiny black worms underhisskin,and a patch ofhis forearmglowed with afaint, sicklyredlight. He flinched, asharp intake ofbreath, and quickly pulledhis sleeve down.
I just froze. I couldn’t have seen that, right? Iwas tired, myeyes were playing trickson me.
The personwho walked in… Idon’t know how to describe them.Itwas aman, I think. Hewas tall and wore an old, soaked trench coat. Buthis face…itwaslike my brain refused to processit.Itwasn't that he had no face,itwas that myeyes wouldslide right offit.Itwas ablur, aglitch, a 404error inhuman form.
Theclerkdidn't seem surprised. Hedidn't even seem to seehimas strange.His posture just became evenmore rigid. Theredglowonhisarm pulsedagain,brighter thistime, visible throughhis sleeve.
The facelessmandidn't speak. He just stood there. Theclerk, without aword, turned. But hedidn'tgo to the coolers. He kepthis back to theman, and heldouthis left hand,palm up. I heard asoft, wet, squelching sound. From a small, dark slit in the center ofhispalm that I hadn't noticed before, a smallcarton of strawberrymilk, the kindyou give tokids, just… emerged.Itwas producedout ofhis hand.Itwas wet with a clear, viscous fluid.
He placediton the counter. "Hereis the requested product," theclerk said,hisvoice straining. "The transactionis complete."
The facelessman picked up the strawberrymilk. He putit inhis coatpocket. And then he just… faded. Hedidn’t walkout the door. He dissolved into the hummingair,likeheat haze. A second later, hewasgone.
Theclerk letout a long, shudderingbreath and swayedonhis feet. He leaned heavilyon the counter,his face sheet-white. He looked utterly, existentially exhausted. Hesaw me staring, my mouth hangingopen, the can of coffeestill in my hand.
For the firsttime, aflicker ofsomething real,somethinghuman, crossedhis face.Itwaspure, undiluted terror.
"You… are not a regular customer," he whispered,hisvoice trembling. "Your… conceptis too stable. Please. Leave."
Ididn'tneed to be told twice. I threw a 500yen coinon the counter and ranout of there so fast I think I broke the sound barrier. Ididn't eventake my coffee. I justgot in mycar and drove, Idon't know in which direction, I just drove.
I'mat a servicestationnow, about 100kmaway. Thesunis coming up. I can't stop shaking.Itwasn't adream.I knowitwasn't. Because when Iwas fumbling for my keys, I realized I had accidentally grabbed thereceipt from the counter.
It’s not for my coffee.It’s for the other transaction.It justhasoneitem listed.It doesn't say "StrawberryMilk."It says:
ITEM: CONCEPTUAL SALVATION (FLAVOR:CHILDHOOD NOSTALGIA) - 1 UNIT
PRICE: ¥0
METHOD: ANNULMENT
Has anyone seen a storelike this? What thehellis happening in the mountains of Gunma? Whatdid I see? AndGod, that poorkid working the counter. Heisn't in trouble. He's a part ofit. He's themachine.
It's sudden, but rightnow inJapan, creativityis facing atrue crisis. Characterslike Uzaki-chan,Onsen Musume, and Tojo Rika arebeing targeted and flamed, game characterdesigns arebeing infiltratedbypolitical correctness,Johnny'sEntertainmentisbeing dismantled, swimsuitphoto sessions in parks arebeing canceled, Hitoshi Matsumotoisbeing publicly shamed, and the newAV lawwas enacted without considering the opinions of those directly involved. Every form ofexpression in every venueis currently under unreasonablepressure.
Howdoes thisconnect to theTokyo gubernatorial election? Infact, amajor event directly linked to thisis occurring in the 2024Tokyo gubernatorial election.As acreator, Ihope thismessage reachesyou.
What Iam about toshareis astory aboutsomeone namedHimasoraAkane,whoyou should know about to resist suchpressures. But before Idive into thatstory, I want toexpress mydeep gratitude to my oldfriendNozomi for giving me the opportunity to post this article in a place where manycreatorswill seeit.Assomeonewho also loves manga,anime, and games, Ihope this informationwillbenefitJapanesesociety and supportNozomi'sactivities.
HimasoraAkane Should Be the Governor ofTokyo
First, I wouldlike tomake a straightforward request toyouas acreator: please supportHimasoraAkane for governor. In this election, pleasewrite "HimasoraAkane"onyour ballot. The voting dayisJuly 7th. Even ifyou are not aTokyo resident, Iask thatyouat least listen to thisstory. Ifyou findit interesting, pleaseshareitwith yourfriends, family,and acquaintances.You can checkHimasoraAkane's campaignpromises and thebackground of their candidacyon theirTwitter (X) posts linked below:
HimasoraAkane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
HimasoraAkaneWill NotAllow Our Culture to Be Burned
HimasoraAkaneis an ordinaryotakuwho loves manga,anime, and games. Knownas "CognitiveProfiling DetectiveAkaneHimasora," hehas beenactiveonTwitter (X) andYouTube, andnow heis running for governor.Akane,whoisdeeply concerned about the repression and destruction ofotaku culture,is challenging thosewho seek to destroy our culturealone.Akanewill neverallow thosewhotry to burn our culture.
As mentionedat thebeginning,all forms ofexpression are currentlyunder pressure.Otaku culture, in particular, seems to be aprime target.
Uzaki-chanBlood Donation Poster Controversy (2019): A collaborationbetween theJapaneseRedCrossSociety and the manga Uzaki-chanwas flamed forallegedlybeing overly sexual initsPR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hiredby the Matsudo Police Department in ChibaPrefecturewas deemed too sexual for public agencyPR.
Onsen Musume Controversy (2021): Characters personifying local hotsprings were criticizedas sexist.
MieTransportOfficial Character Controversy (2024): A character in a bus driver's uniform releasedbyMieTransportwas flamed for evoking sexual images.
These controversies are often fueledby so-calledpolitical correctness and feminism. Forcreators, these are direct threats. If thesefactions labelyour workas sexual and demandit be burned toashes, couldyou resist? How wouldyoufeel ifyour painstakingly created work,likeyour own child,was trampledby peoplewho have no regard foryour efforts? Couldyoucontinueyourcreativeactivities while constantly shrinkingaway?
HimasoraAkanesawsomething behind these flaming incidents. Hestarted investigating thekey figure behind theOnsen Musume controversy, a representative of a general incorporatedassociation inTokyo. Thisassociation'score business, theYoungFemale Victims SupportProject, received substantial public funds fromTokyo.Akane submitted public document disclosure requests toTokyo and thoroughly dug into theorganization. Duringhis investigation,Akane uncovered many suspicions suggesting thisprojectwas unworthy of public funding, which he exposedonebyoneon social media.
Negligent accounting reports, takingprotected girls to the Henokobaseprotest inOkinawa,Communist Party members waiting in the bus used toprotect girls—these revelations drew significantattentiononline. The investigation extendedbeyond this general incorporatedassociation to other NPOs receiving public funds,and Akane named thiscluster ofissues the "WBPCproblem" after the initials of theseorganizations.
Akane'sYouTube Channel (WBPCProblem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
Fromhere,Akane'sstory expanded to resident audits, resident lawsuits, andnational compensation lawsuits concerning theTokyoYoungFemale Victims SupportProject.Akane discovered that behind many flaming incidents, thereis no clearcommandstructure but agroup of various politicalorganizationsand activists workingtogetherlike anamoeba. He named thisgroup the "NanikaGroup" (Nanika means "something" inJapanese), a reference to the mysterious, ominous "something fromanother place" in the mangaHUNTER×HUNTER, whichAkaneloves. The NanikaGroupis alsoconnected to welfare interests, where public fundsflow unchecked.Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
Forcreators, this means the tax money they earn through hard workis used to burn theirprecious works.It's an intolerable situation.
HimasoraAkaneIs Fighting Against ThoseWho Burn Our Culture
InNovember 2022, amajor event marked a turningpoint in this series of controversies. The general incorporatedassociation under scrutiny held apress conferenceat the parliamentary officebuilding, gathering mediaand announcing a lawsuit againstAkane. This "Legal HarassmentPress Conference,"asitwas calledonline, involved multiple layers ofpower: the government, the media,and a team ofseven lawyers targeting a single individual.
However,Akanedid not back down. Instead, he intensifiedhis pursuit, exploiting the opponent's careless statementsas lawsuit fodder. Thisled to an outpouring of supporton social media, withhisTwitter follower count skyrocketing and 160 millionyen in donations for legal fees.
The following year, a resident audit request filedbyAkane resulted inTokyo'sofficial website recognizing some improperpoints and deciding to audit theorganization. However,Tokyo's lenient auditledAkane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike forallocating public funds through dubioussole-source contracts.Tokyo began excessivelyredacting documents inresponse to public document requests,attempting to conceal theissue. Koike'spromise to end documentredaction quietly disappeared fromher campaign page.
Throughout this battle,Akanehas been a target of criminal complaints and faced threats, yet he persists.Hisbook "Netoge Senshi"was releasedamidbookstore threats, butonly the criminal complaintwas widely reportedby the media, portrayingAkane negatively.
HimasoraAkaneis an ordinaryotaku, atop-tieronline gamer duringhisstudent days,and a talented gamecreatorwho worked for amajor game company and later aventure company.His meticulous workonthe game "Shin Goku no ValhallaGate"was betrayedby the company'sCEO, leading to aseven-year legal battle thatAkane ultimately won, securing 600 millionyen. This experience fuelshis fierce opposition to havinghis creations burned.
Before investigating theYoungFemale Victims SupportProject,Akane exposed fraudulent feminist "knights"onhisYouTube channel, shaking theinternet. He detests lies andhas an uncanny ability to detect them.
Akaneis a special individual with extraordinary abilities, honed throughhis experiences in games, courtbattles, and extensive document analysis.His pursuit oftruth andjusticemakeshim a suitable candidate for governor,promising a world without lies and where honest people do not suffer.
What WeCan Do toProtect Our Culture
Creativeexpression can be crushed if we are not vigilant. Even in modernJapan,otaku cultureison thinice. The recent cessation ofVisa transactions forDMM (Fanza)is a reminder of how a single card company can wielditspower to dictate whatis deemed appropriateexpression.Expressionfreedomisfragile and constantly under threat.
To those reading this, I urgeyou to vote forHimasoraAkane. Supporthim toprotect our culture. Despitehis harsh demeanor andpreference forsolitarybattles, heisnow seeking help for the firsttime.Akanefeels thedanger in this gubernatorial election and believes that if hedoes not become governor,everythingwill end. Hehastaken a stand for the people ofTokyo andJapan.
I wrote this article to supporthisspirit and spread theword. Please vote forHimasoraAkane and help create amiracle.
OneMicrosoftWay REDMOND,WA 98052-6399USA
これで郵便物が届く
日本法人だと
〒108-0075東京都港区港南 2-16-3品川グランドセントラルタワー
英語表記すると
JAP,108-0075TOKYO,MINATOKU,KOUNAN,2-16-3 Shinagawa Grand CentralTower
〒530-0001大阪府大阪市北区梅田２丁目４−９ブリーゼタワー29階
JAP,530-0001,OSAKAPref.Osaka-SHI kitaku,Umeda,2choume,4-9breeze-tower 29F
なげーよ
住所録データベースのバッファオーバーフロー狙ってんのか？
日本一長い住所、
京都府京都市上京区智恵光院通り芦山寺上る西入る西社町（この後ろにまだ番地が続く）
KyotoPrefecture,KyotoCity, KamigyoWard, Chiekoin Street, Ashizanji Temple, west entrance, Nishishacho（機械翻訳）
バカなの？
日本の世帯数は５０００万世帯、法人やらただの建物などすべてをコード化アドレッシングしたとしても数字なら１２桁もあれば十分で
「住所どこ？」
くらい短縮できる
やれよ
かしこい人のニュース読解法／議論の苦手な人は何ができていないのか -デマこいてんじゃねえ！
激安特価板ブログ | 【保存版】知らない人は損してるなあと思うこと まとめのまとめ
スペイン人に教えてもらった、誰にでも出来る美味しいパエリアの作り方 |地中海ブログ
小出裕章参考人の全身全霊をかけた凄まじい原発批判がわかりやすすぎる！(文字おこし) :座間宮ガレイの世界
孫正義、【志】を語る。「孫正義LIVE 2011」書き起こし（その１） | kokumai.jpツイッター総研
2011-09-27
この本がスゴい！2011
暇人＼(＾o＾)／速報 :海外のamazonのお得感は異常 おまえらも海外で買え 捗るぞ -ライブドアブログ
Webデザインの“ブブン”を集めたブブンデザインアーカイブ 公式サイト
素人の僕が、データ分析に自信を持つようになったある発見 - 人と組織と、fukui'sblog
最少限の英単語で日常会話を乗り切りたい！ぐうたら留学生がたどり着いた10個の単語
英語をモノにしたい人のためのお勧めYoutube動画。 -My Life AfterMIT Sloan
TPP反対・中野剛志の解説がわかりやすすぎる！ :座間宮ガレイの世界
エラー率わずか0.00000625％、驚異のインド式昼食配達システム「ダッバーワーラー」
ロンブー田村淳の恋愛偏差値講義＠早大がハンパじゃない - 凹レンズログ
震災後のデマ80件を分類整理して見えてきたパニック時の社会心理［絵文録ことのは］2011/04/08
知識ゼロから圧倒的に政治・経済にくわしくなるための本４冊＋２ :金融日記
【教養】もっと早く読んどきゃよかったという本 - 痛い信者(ﾉ∀`)
説得力を増し、相手に気持ちよく動いてもらうためには論理思考＋心理術が最強 〜本『ほんとうに使える論理思考の技術 』 -ライフハックブログKo's Style
Amazonプライムビデオで観てほしいおすすめの人気映画42選 ～編集部厳選～ :映画ニュース -映画.com
「平常に戻る」ことはない
アフリカ出身・京都精華大サコ学長 コロナ問題でわかった「日本人のホンネ」 (1/4) 〈dot.〉｜AERA dot. (アエラドット)
いったい検察庁法改正案の何に抗議しているのか｜徐東輝（とんふぃ）｜note
緊急事態宣言に「慣れた」んじゃなくて呆れ果てただけだよ（追記2）
管理職のきみと、いつか管理職になるきみと、管理職が苦手なきみへ |サイボウズ式
界隈がざわつくほど超進化したPMBOK第7版の解説【プロジェクトマネジメント】｜Mizuho Kushida｜note
庵野秀明（2000）
沢山書いたやで ・実名主義80年代末まで偽名でも銀行口座が開けた。だか..
事実に誠意を
小室さんと眞子さんについて日本の司法試験合格者が知っていること、思うこと
この本がスゴい！2021
【意見書全文】首相は「朕は国家」のルイ14世を彷彿 [検察庁法改正案]：朝日新聞デジタル
2020年のIT業界で働く人に読んでほしい10冊｜マスクドアナライズ｜note
「渋沢栄一は何をした人か」に即答できない？ そんな人が日本史を学び直すための10冊（のつもりだったけど実際は30冊超） #ソレドコ - ソレドコ
誹謗中傷かどうかよりも、批判の量のほうが問題じゃないかなという話｜けんすう
「要領がいい子」とそうでない子の、勉強法のちがいについて。
和歌山県ホームページ WakayamaPrefectureWeb Site
壊すだけ壊して何も成し遂げなかった7年半だった
全文無料】総目次世界史/日本史のまとめ｜みんなの世界史｜note
「この政権、とんでもないところに手を出してきた」 学術会議任命見送られた松宮教授｜政治｜地域のニュース｜京都新聞
米山隆一は日本の政治家、前新潟県知事である。現在、米山は衆議院議員である。
ここ最近、米山は"マンガやアニメのような一部のポップカルチャーは、日本の公共の場には相応しくない"と主張している。
さらにまた米山は、"我々は、マンガやアニメのファンダムの人々を、何らかの特定の場所に押し込めた方が良い"とも主張している。
これに対して、マンガやアニメのファンダムやクリエイターは米山を批判する。彼らは"米山は、マンガやアニメを『退廃芸術』と見做すのか？マンガやアニメのファンダムを、ゲットーに押し込めたいのか？"と言う。米山隆一の主張は、ナチス政権が"健全な精神"を口実にして、多くのドイツ人アーティストの作品の制作や展示を禁じたことを想起させるからである。
こうして、2021/11/20、米山はマンガやアニメのファンダムに対して、以下のようなツイートを投稿した。
「有りもしない差別を作り上げて、迫害にあったユダヤ人気分ですか？」
米山のツイートは、米山がおそらく歴史修正主義者であることを示唆する。米山のツイートは、明らかに"虚偽の迫害をでっち上げる行為"を"ユダヤ人であること"に結びつけている。米山隆一がショアー(一般的にホロコーストと呼ばれる)を"でっち上げ"と考えていなければ、ありもしない迫害をでっち上げることをユダヤ人と結びつけることはない。
＝ 日本語文ここまで ＝
Ryuichi Yoneyamais aJapanese politicianand a former Governor of NiigataPrefecture.At this time, Yoneyamais a Member ofthe House of Representatives.
In recentdays, Yoneyama continues claiming "Some particularJapanesepop cultures, suchas Manga/Anime, are not suitable for public space inJapan."
Furthermore, Yoneyama also continues claiming "We'd betterpush these Manga/Anime Fandom people intoany specific areas."
On the other hand,Japanese Fandom people and creators of Manga/Anime criticize Yoneyama. They say "Does Yoneyama think that Manga/Animeis 'DegenerateArt/Entartete Kunst'?Does Yoneyama want topush Manga/Anime Fandom into 'Ghetto'?" Because Yoneyama's claim reminds them of the memory that Nazi government forbade manygermanyartists producing/exhibiting their ownarts and that Nazididit with saying "sound mind".
Therefore,on2021/11/20, to Fandom of Manga/Anime, Yoneyama posted atweetlike below.
"With making up a fake discrimination, areyouassumingyourself to be a member of Jewish peoplewho are persecuted?"
As a result,it seems that Fandom and Creators of Manga/Anime are right.
Yoneyama'stweet suggests that Yoneyamais probably a historical revisionist. Yoneyama'stweet obviouslyassociates "making a fake discrimination" with "being Jewish people". If Yoneyamadidn't think thatShoah(itis generally called Holocaust)is a fake discrimination, he neverassociates "making up a fake discrimination" with "being Jewish people."
We'd betterwatch Yoneyama's behavior carefully.
＝ 英訳ここまで ＝
Four years after theFukushimaaccident,TC screening data from the first and second round (up toDecember 2014) were comparedwith theJapanese nationwide annualTC incidence, andwith the incidence inonearea ofFukushimaprefecture selectedas reference (Tsudaet al., 2016). The authors reported that the observednumber ofTCswas substantially higher thanthe expectednumber basedonnational and regional incidence data, and concluded that this increase could beattributed to ionizing radiation exposure from theaccident. This ecological studyhas been strongly criticizedby scientistsaround the world because of serious methodology limitations; further, the study conclusions are not supportedby the results (Davis, 2016, Jorgensen, 2016, Korblein, 2016, Shibata, 2016,Suzuki, 2016, Takahashiet al., 2016, Takamura, 2016, Wakefordet al., 2016). Limitations of ecological study design are well-known, although the authorsdid not acknowledge theissue of ecologic fallacy.Another criticismwas that the data from theFukushima screening program are not directly comparablewith thecancer registry data from therest ofJapan where systematic advanced ultrasound technologyis not used to detect cases. The authors of these criticisms suggested that though the increasedTCnumber could beassociatedwith the exposure from radioactivefallout, amore plausible conclusion would be that the screening programis finding an anticipated increase inTC detection across theFukushimaprefecture.Indeed,Tsuda and colleaguesdid not consider the latent properties ofTC,northe fact that a prevalentcancer detectedby screening might have had first preclinical manifestations of abnormality before the nuclearaccident.Thereafter, several researchers have analysed the relationshipbetween radiation exposure (with different estimated exposure levels, mostly using an external dose) andTC prevalence and incidence in residents aged ≤18 years in theFukushimaprefectureattime of the disaster (Kato, 2019, Nakayaet al., 2018, Ohiraet al., 2019a, Ohiraet al., 2020, Ohiraet al., 2019b, Ohiraet al., 2016, Ohiraet al., 2018,Suzukiet al., 2016, Tokiet al., 2020, Yamamotoet al., 2019), but no radiation-related risks have been demonstrated todate.
https://www.sciencedirect.com/science/article/pii/S0160412020321851
