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はてなキーワード:me companyとは
It's sudden, but rightnow inJapan, creativityis facing atrue crisis. Characterslike Uzaki-chan,Onsen Musume, and Tojo Rika arebeing targeted and flamed, game characterdesigns arebeing infiltratedbypolitical correctness,Johnny'sEntertainmentisbeing dismantled, swimsuitphoto sessions in parks arebeing canceled, Hitoshi Matsumotoisbeing publicly shamed, and the newAV lawwas enacted without considering the opinions of those directly involved. Every form ofexpression in every venueis currently under unreasonablepressure.
Howdoes thisconnect to theTokyo gubernatorial election? Infact, amajor event directly linked to thisis occurring in the 2024Tokyo gubernatorial election.As acreator, Ihope thismessage reachesyou.
What Iam about toshareis astory aboutsomeone namedHimasoraAkane,whoyou should know about to resist suchpressures. But before Idive into thatstory, I want toexpress mydeep gratitude to my oldfriendNozomi for giving me the opportunity to post this article in a place where manycreatorswill seeit.Assomeonewho also loves manga,anime, and games, Ihope this informationwillbenefitJapanesesociety and supportNozomi'sactivities.
HimasoraAkane Should Be the Governor ofTokyo
First, I wouldlike tomake a straightforward request toyouas acreator: please supportHimasoraAkane for governor. In this election, pleasewrite "HimasoraAkane"onyour ballot. The voting dayisJuly 7th. Even ifyou are not aTokyo resident, Iask thatyouat least listen to thisstory. Ifyou findit interesting, pleaseshareitwith yourfriends, family,and acquaintances.You can checkHimasoraAkane's campaignpromises and thebackground of their candidacyon theirTwitter (X) posts linked below:
HimasoraAkane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
HimasoraAkaneWill NotAllow Our Culture to Be Burned
HimasoraAkaneis an ordinaryotakuwho loves manga,anime, and games. Knownas "CognitiveProfiling DetectiveAkaneHimasora," hehas beenactiveonTwitter (X) andYouTube, andnow heis running for governor.Akane,whoisdeeply concerned about the repression and destruction ofotaku culture,is challenging thosewho seek to destroy our culturealone.Akanewill neverallow thosewhotry to burn our culture.
As mentionedat thebeginning,all forms ofexpression are currentlyunder pressure.Otaku culture, in particular, seems to be aprime target.
Uzaki-chanBlood Donation Poster Controversy (2019): A collaborationbetween theJapaneseRedCrossSociety and the manga Uzaki-chanwas flamed forallegedlybeing overly sexual initsPR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hiredby the Matsudo Police Department in ChibaPrefecturewas deemed too sexual for public agencyPR.
Onsen Musume Controversy (2021): Characters personifying local hotsprings were criticizedas sexist.
MieTransportOfficial Character Controversy (2024): A character in a bus driver's uniform releasedbyMieTransportwas flamed for evoking sexual images.
These controversies are often fueledby so-calledpolitical correctness and feminism. Forcreators, these are direct threats. If thesefactions labelyour workas sexual and demandit be burned toashes, couldyou resist? How wouldyoufeel ifyour painstakingly created work,likeyour own child,was trampledby peoplewho have no regard foryour efforts? Couldyoucontinueyourcreativeactivities while constantly shrinkingaway?
HimasoraAkanesawsomething behind these flaming incidents. Hestarted investigating thekey figure behind theOnsen Musume controversy, a representative of a general incorporatedassociation inTokyo. Thisassociation'score business, theYoungFemale Victims SupportProject, received substantial public funds fromTokyo.Akane submitted public document disclosure requests toTokyo and thoroughly dug into theorganization. Duringhis investigation,Akane uncovered many suspicions suggesting thisprojectwas unworthy of public funding, which he exposedonebyoneon social media.
Negligent accounting reports, takingprotected girls to the Henokobaseprotest inOkinawa,Communist Party members waiting in the bus used toprotect girls—these revelations drew significantattentiononline. The investigation extendedbeyond this general incorporatedassociation to other NPOs receiving public funds,and Akane named thiscluster ofissues the "WBPCproblem" after the initials of theseorganizations.
Akane'sYouTube Channel (WBPCProblem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
Fromhere,Akane'sstory expanded to resident audits, resident lawsuits, andnational compensation lawsuits concerning theTokyoYoungFemale Victims SupportProject.Akane discovered that behind many flaming incidents, thereis no clearcommandstructure but agroup of various politicalorganizationsand activists workingtogetherlike anamoeba. He named thisgroup the "NanikaGroup" (Nanika means "something" inJapanese), a reference to the mysterious, ominous "something fromanother place" in the mangaHUNTER×HUNTER, whichAkaneloves. The NanikaGroupis alsoconnected to welfare interests, where public fundsflow unchecked.Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
Forcreators, this means the tax money they earn through hard workis used to burn theirprecious works.It's an intolerable situation.
HimasoraAkaneIs Fighting Against ThoseWho Burn Our Culture
InNovember 2022, amajor event marked a turningpoint in this series of controversies. The general incorporatedassociation under scrutiny held apress conferenceat the parliamentary officebuilding, gathering mediaand announcing a lawsuit againstAkane. This "Legal HarassmentPress Conference,"asitwas calledonline, involved multiple layers ofpower: the government, the media,and a team ofseven lawyers targeting a single individual.
However,Akanedid not back down. Instead, he intensifiedhis pursuit, exploiting the opponent's careless statementsas lawsuit fodder. Thisled to an outpouring of supporton social media, withhisTwitter follower count skyrocketing and 160 millionyen in donations for legal fees.
The following year, a resident audit request filedbyAkane resulted inTokyo'sofficial website recognizing some improperpoints and deciding to audit theorganization. However,Tokyo's lenient auditledAkane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike forallocating public funds through dubioussole-source contracts.Tokyo began excessivelyredacting documents inresponse to public document requests,attempting to conceal theissue. Koike'spromise to end documentredaction quietly disappeared fromher campaign page.
Throughout this battle,Akanehas been a target of criminal complaints and faced threats, yet he persists.Hisbook "Netoge Senshi"was releasedamidbookstore threats, butonly the criminal complaintwas widely reportedby the media, portrayingAkane negatively.
HimasoraAkaneis an ordinaryotaku, atop-tieronline gamer duringhisstudent days,and a talented gamecreatorwho worked for amajor game company and later aventure company.His meticulous workonthe game "Shin Goku no ValhallaGate"was betrayedby the company'sCEO, leading to aseven-year legal battle thatAkane ultimately won, securing 600 millionyen. This experience fuelshis fierce opposition to havinghis creations burned.
Before investigating theYoungFemale Victims SupportProject,Akane exposed fraudulent feminist "knights"onhisYouTube channel, shaking theinternet. He detests lies andhas an uncanny ability to detect them.
Akaneis a special individual with extraordinary abilities, honed throughhis experiences in games, courtbattles, and extensive document analysis.His pursuit oftruth andjusticemakeshim a suitable candidate for governor,promising a world without lies and where honest people do not suffer.
What WeCan Do toProtect Our Culture
Creativeexpression can be crushed if we are not vigilant. Even in modernJapan,otaku cultureison thinice. The recent cessation ofVisa transactions forDMM (Fanza)is a reminder of how a single card company can wielditspower to dictate whatis deemed appropriateexpression.Expressionfreedomisfragile and constantly under threat.
To those reading this, I urgeyou to vote forHimasoraAkane. Supporthim toprotect our culture. Despitehis harsh demeanor andpreference forsolitarybattles, heisnow seeking help for the firsttime.Akanefeels thedanger in this gubernatorial election and believes that if hedoes not become governor,everythingwill end. Hehastaken a stand for the people ofTokyo andJapan.
I wrote this article to supporthisspirit and spread theword. Please vote forHimasoraAkane and help create amiracle.
英語の勉強傍ら、DeepLでの翻訳をもとに、英文化してみた。
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When Iwas incollege, I had a part-time job writing moaningvoices incessantly.
Itwas a part-time jobat an erotic game company that Iwas introduced tobyone of my seniors.
The company put a lot of effort into thestory of their erotic games, and thewriterswho worked there wereall peoplewho tookpride in their writing.
From theirpoint ofview,itwas apain towrite the moaningvoices in thesex scenes, so they decided to leaveit to the part-time workers.
First, Iwas given the "gist" of thesex scene, suchas "unzipping" or "moving hips faster.
2. I would thenadd my own moaningvoices, suchas "mmm ......" and "ahhhhhh", in a reasonable amount ofsalt.
3. the scenariowriter checksit andit's done.
Thismay sound easy, butitis surprisingly difficult.
First ofall, thereis a certain length to ansex scene, soitis necessary tomakeit exciting precisely within that range.
The sounds used must be gradual, so that the audiencedoes notget bored, andthe excitement must be gradually increased.
Itis also important to adjust the length of thetext.
If thetextis too short,it won't convey asexualpleasure feeling, but ifitis too long, thevoicewill become redundant.
In this way, asense of balance and systematic pacingis required toget abird's eyeview of eroticism.
Itwas definitely not a job that I could just bangon thekeyboardas I pleased.
My first workwas a "youngersister"story, and I had a hardtimeallocating the "a" sound forthe secondsex scene.
Ifshe said "aaaaah" from thebeginning,it would soundlike a seasonedwhore's moaningvoices, but ifShe said "an",it would not be erotic enough.
I finishedit after much effort, but thewriter said, "Couldn'tyoumakeit faster?” I'm disappointed.
As Iwas puzzlingover what to do with ...... in front of thecomputer leftby my predecessor (only the "A"keyon thekeyboardwas strangelyshiny), I noticedthe existence of a file.
Itwas anExcel file titled "moaning-editor.xls," anditwas a macro leftby my predecessor specifically for making moaningvoice.
By enteringlinesonebyone in the vertically aligned cells, the phoneticelements suchas vowels and consonants in eachline were automatically converted into numericalvalues.
Furthermore,byadding and subtracting the numericalvalues, avalue called "climaxlevel"was calculated.
This "climaxlevel"make abreakthrough to creating the ideal moaningvoice.
If the sentenceis constructed in such a way that thisvalue gradually increases from thebeginning to the end of the scene, thevoice comes ideally.
It seemed that my predecessor had single-handedly created such an amazingand awesomeExcel program.
I guess he wanted toshareit with me,his successor, while hidingit fromhisbossas asecrettool.
Thanks to thistool, my work became much easier, and I couldcontinue tomake moving sounds with a stable quality.
One day, while Iwas working, I noticedsomething.
Theoretically,anytext can be entered intothe cell where the moaningvoiceis supposed input.
In other words to that,anytext other than a moaningvoice could be used to calculate the "climaxlevel".
So I tried to calculate the "climaxlevel" of famous works in thehistory of literature.
For example, "I havealways calledhim teacher." for exampleis12, and "Heis recklesslikehis parents andhas been doingnothing but losing money since hewas a child. "is 30.
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I havealways calledhim teacher.
Kokoro
Author , Natume Soseki
Out , in 1914
Story of distressedmanwho robbed lover fromhisfriendby lying.
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Heis recklesslikehis parents andhas been doingnothing but losing money since hewas a child.
Bocchan
Author , Natume Soseki
Out , in 1906
Story that revenge ofone teacher,whowas naughty boy inyouth ,to nasty coworker.
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I hadn't expected this, butas I researched, Ifound thatmany of the masterpieces were writtenon the same principleas my work.
In other words, the degree of "climax" increases toward the end.
The most notable exampleisAkutagawa's "Nobody knows where the servant"is. Thenumber ofclimaxes in thisstoryis 367.
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Nobody knows where the servant
Author ,Akutagawa Ryunosuke
Out , in 1915
Story ofone fired servantstruggle tosurvive and he decide throwasidehishuman conscience.
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The scene in which a drugged marriedwoman faintswith the whites ofhereyesisatmost 330, soyou can see howastonishing thenumberis.
It turnsout that "climax"is auniversal rule that applies toall kinds of writing.
After realizing thisfact, Istarted towrite every sentenceas ifit were a gasp.
And I have been successful in everyaspect ofmy life.
In job-hunting entrysheets, too,itis the distribution of the "climaxlevel" thatis important.
For example, in theeducation section, ifyoudropout of the universitywith thename thathas the highest "climaxlevel" and useitasyourfinaleducation,itwilllook very different.
(It dependson thename of the university, but in general, "droppedout"has a higherclimaxlevel than "graduated.)
As some ofyoumay have noticed, I've been writing this article in such a wayas to gradually increase theclimaxlevel.
↑Theclimaxlevel of this sentenceis 290.
I'dlike to end this sentencehere, sinceit'sgetting quite high.
Ohhhh! Aaahhhh!
