
はてなキーワード:Official Websiteとは
It's sudden, but rightnow inJapan, creativityis facing atrue crisis. Characterslike Uzaki-chan,Onsen Musume, and Tojo Rika arebeing targeted and flamed, game characterdesigns arebeing infiltratedbypolitical correctness,Johnny'sEntertainmentisbeing dismantled, swimsuitphoto sessions in parks arebeing canceled, Hitoshi Matsumotoisbeing publicly shamed, and the newAV lawwas enacted without considering the opinions of those directly involved. Every form ofexpression in every venueis currently under unreasonablepressure.
Howdoes thisconnect to theTokyo gubernatorial election? Infact, amajor event directly linked to thisis occurring in the 2024Tokyo gubernatorial election.As acreator, Ihope thismessage reachesyou.
What Iam about toshareis astory aboutsomeone namedHimasoraAkane,whoyou should know about to resist suchpressures. But before Idive into thatstory, I want toexpress mydeep gratitude to my oldfriendNozomi for giving me the opportunity to post this article in a place where manycreatorswill seeit.Assomeonewho also loves manga,anime, and games, Ihope this informationwillbenefitJapanesesociety and supportNozomi'sactivities.
HimasoraAkane Should Be the Governor ofTokyo
First, I wouldlike tomake a straightforward request toyouas acreator: please supportHimasoraAkane for governor. In this election, pleasewrite "HimasoraAkane"onyour ballot. The voting dayisJuly 7th. Even ifyou are not aTokyo resident, Iask thatyouat least listen to thisstory. Ifyou findit interesting, pleaseshareitwith yourfriends, family,and acquaintances.You can checkHimasoraAkane's campaignpromises and thebackground of their candidacyon theirTwitter (X) posts linked below:
HimasoraAkane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
HimasoraAkaneWill NotAllow Our Culture to Be Burned
HimasoraAkaneis an ordinaryotakuwho loves manga,anime, and games. Knownas "CognitiveProfiling DetectiveAkaneHimasora," hehas beenactiveonTwitter (X) andYouTube, andnow heis running for governor.Akane,whoisdeeply concerned about the repression and destruction ofotaku culture,is challenging thosewho seek to destroy our culturealone.Akanewill neverallow thosewhotry to burn our culture.
As mentionedat thebeginning,all forms ofexpression are currentlyunder pressure.Otaku culture, in particular, seems to be aprime target.
Uzaki-chanBlood Donation Poster Controversy (2019): A collaborationbetween theJapaneseRedCrossSociety and the manga Uzaki-chanwas flamed forallegedlybeing overly sexual initsPR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hiredby the Matsudo Police Department in ChibaPrefecturewas deemed too sexual for public agencyPR.
Onsen Musume Controversy (2021): Characters personifying local hotsprings were criticizedas sexist.
MieTransportOfficial Character Controversy (2024): A character in a bus driver's uniform releasedbyMieTransportwas flamed for evoking sexual images.
These controversies are often fueledby so-calledpolitical correctness and feminism. Forcreators, these are direct threats. If thesefactions labelyour workas sexual and demandit be burned toashes, couldyou resist? How wouldyoufeel ifyour painstakingly created work,likeyour own child,was trampledby peoplewho have no regard foryour efforts? Couldyoucontinueyourcreativeactivities while constantly shrinkingaway?
HimasoraAkanesawsomething behind these flaming incidents. Hestarted investigating thekey figure behind theOnsen Musume controversy, a representative of a general incorporatedassociation inTokyo. Thisassociation'score business, theYoungFemale Victims SupportProject, received substantial public funds fromTokyo.Akane submitted public document disclosure requests toTokyo and thoroughly dug into theorganization. Duringhis investigation,Akane uncovered many suspicions suggesting thisprojectwas unworthy of public funding, which he exposedonebyoneon social media.
Negligent accounting reports, takingprotected girls to the Henokobaseprotest inOkinawa,Communist Party members waiting in the bus used toprotect girls—these revelations drew significantattentiononline. The investigation extendedbeyond this general incorporatedassociation to other NPOs receiving public funds,and Akane named thiscluster ofissues the "WBPCproblem" after the initials of theseorganizations.
Akane'sYouTube Channel (WBPCProblem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
Fromhere,Akane'sstory expanded to resident audits, resident lawsuits, andnational compensation lawsuits concerning theTokyoYoungFemale Victims SupportProject.Akane discovered that behind many flaming incidents, thereis no clearcommandstructure but agroup of various politicalorganizationsand activists workingtogetherlike anamoeba. He named thisgroup the "NanikaGroup" (Nanika means "something" inJapanese), a reference to the mysterious, ominous "something fromanother place" in the mangaHUNTER×HUNTER, whichAkaneloves. The NanikaGroupis alsoconnected to welfare interests, where public fundsflow unchecked.Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
Forcreators, this means the tax money they earn through hard workis used to burn theirprecious works.It's an intolerable situation.
HimasoraAkaneIs Fighting Against ThoseWho Burn Our Culture
InNovember 2022, amajor event marked a turningpoint in this series of controversies. The general incorporatedassociation under scrutiny held apress conferenceat the parliamentary officebuilding, gathering mediaand announcing a lawsuit againstAkane. This "Legal HarassmentPress Conference,"asitwas calledonline, involved multiple layers ofpower: the government, the media,and a team ofseven lawyers targeting a single individual.
However,Akanedid not back down. Instead, he intensifiedhis pursuit, exploiting the opponent's careless statementsas lawsuit fodder. Thisled to an outpouring of supporton social media, withhisTwitter follower count skyrocketing and 160 millionyen in donations for legal fees.
The following year, a resident audit request filedbyAkane resulted inTokyo'sofficial website recognizing some improperpoints and deciding to audit theorganization. However,Tokyo's lenient auditledAkane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike forallocating public funds through dubioussole-source contracts.Tokyo began excessivelyredacting documents inresponse to public document requests,attempting to conceal theissue. Koike'spromise to end documentredaction quietly disappeared fromher campaign page.
Throughout this battle,Akanehas been a target of criminal complaints and faced threats, yet he persists.Hisbook "Netoge Senshi"was releasedamidbookstore threats, butonly the criminal complaintwas widely reportedby the media, portrayingAkane negatively.
HimasoraAkaneis an ordinaryotaku, atop-tieronline gamer duringhisstudent days,and a talented gamecreatorwho worked for amajor game company and later aventure company.His meticulous workonthe game "Shin Goku no ValhallaGate"was betrayedby the company'sCEO, leading to aseven-year legal battle thatAkane ultimately won, securing 600 millionyen. This experience fuelshis fierce opposition to havinghis creations burned.
Before investigating theYoungFemale Victims SupportProject,Akane exposed fraudulent feminist "knights"onhisYouTube channel, shaking theinternet. He detests lies andhas an uncanny ability to detect them.
Akaneis a special individual with extraordinary abilities, honed throughhis experiences in games, courtbattles, and extensive document analysis.His pursuit oftruth andjusticemakeshim a suitable candidate for governor,promising a world without lies and where honest people do not suffer.
What WeCan Do toProtect Our Culture
Creativeexpression can be crushed if we are not vigilant. Even in modernJapan,otaku cultureison thinice. The recent cessation ofVisa transactions forDMM (Fanza)is a reminder of how a single card company can wielditspower to dictate whatis deemed appropriateexpression.Expressionfreedomisfragile and constantly under threat.
To those reading this, I urgeyou to vote forHimasoraAkane. Supporthim toprotect our culture. Despitehis harsh demeanor andpreference forsolitarybattles, heisnow seeking help for the firsttime.Akanefeels thedanger in this gubernatorial election and believes that if hedoes not become governor,everythingwill end. Hehastaken a stand for the people ofTokyo andJapan.
I wrote this article to supporthisspirit and spread theword. Please vote forHimasoraAkane and help create amiracle.
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PlanningDirector : Motoki Ohmori
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Ape:
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LightingDirector:Motoki Tanaka
1st Lighting Assistant:NodokaTakayabu
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Digital Single
PlanningDirector : Motoki Ohmori
Producer:Akinori Sasaki
Ape:
GENKI(Super SHIMADA Brothers),TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer:Koretaka Kamiike
1st Camera Assistant:Yoshihiro Hatae
2nd Assistant Camera:Yuto Mori
3rd Assistant Camera:Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
LightingDirector:Motoki Tanaka
1st Lighting Assistant:NodokaTakayabu
2nd Lighting Assistant:Akito Saito,Takahiro Shiba, Haruka Koshino,Akira Nishimoto, Yukinori Suda,Miyuki Kawajiri,Shun Tanaka
Production Designer:Hiroki Akimoto
Stage setting:Hiroshi Takizawa
Decoration:ToshihikoAbe,Kouichi Hayashi,Mio Shibata
Landscaping:Taishiro Ishigaki
Diorama:ShinnosukeWada(HEDGEHOG)
Casting:Tossy(TAKA & Tossy)
Stylist Assistant :Minori Ogawa,Go Kasuya
Artist Costume Production :DaisukeMatsubara(OfficeMatsubara)
Hat Production:Haruyo Inadome(Atelier Inadome)
Hair:Masahiko Fukuda
Hair-Makeup Assistant:Homma Aoi, ShiraiNene
Ape Costume Designer :Ryosuke Nakagaki
Specialmakeup artist:Kenji Sato
Specialmakeup artist Assistant :Ryosuke Dobashi, Sasaka Inoue,Luna Imanishi,Materu Takizawa
Colorist:Haruka Okutsu(imura office inc.)
Online Editor:Toyokazu Tanno
Assistant Editor:Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect:Simon Nagaike
ProductionManager:Miri Yatsuzuka,Daichi Koike,Ryota Teragaki,Koki Mugii, Miu Hosoi
Production:SHOWTiME INC.
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【コカ・コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒Coca-ColaTVCF
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Digital Single
PlanningDirector : Motoki Ohmori
Producer:Akinori Sasaki
Ape:
GENKI(Super SHIMADA Brothers),TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer:Koretaka Kamiike
1st Camera Assistant:Yoshihiro Hatae
2nd Assistant Camera:Yuto Mori
3rd Assistant Camera:Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
LightingDirector:Motoki Tanaka
1st Lighting Assistant:NodokaTakayabu
2nd Lighting Assistant:Akito Saito,Takahiro Shiba, Haruka Koshino,Akira Nishimoto, Yukinori Suda,Miyuki Kawajiri,Shun Tanaka
Production Designer:Hiroki Akimoto
Stage setting:Hiroshi Takizawa
Decoration:ToshihikoAbe,Kouichi Hayashi,Mio Shibata
Landscaping:Taishiro Ishigaki
Diorama:ShinnosukeWada(HEDGEHOG)
Casting:Tossy(TAKA & Tossy)
Stylist Assistant :Minori Ogawa,Go Kasuya
Artist Costume Production :DaisukeMatsubara(OfficeMatsubara)
Hat Production:Haruyo Inadome(Atelier Inadome)
Hair:Masahiko Fukuda
Hair-Makeup Assistant:Homma Aoi, ShiraiNene
Ape Costume Designer :Ryosuke Nakagaki
Specialmakeup artist:Kenji Sato
Specialmakeup artist Assistant :Ryosuke Dobashi, Sasaka Inoue,Luna Imanishi,Materu Takizawa
Colorist:Haruka Okutsu(imura office inc.)
Online Editor:Toyokazu Tanno
Assistant Editor:Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect:Simon Nagaike
ProductionManager:Miri Yatsuzuka,Daichi Koike,Ryota Teragaki,Koki Mugii, Miu Hosoi
Production:SHOWTiME INC.
https://www.coca-cola.com/jp/ja/brand...
【コカ・コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒Coca-ColaTVCF
https://www.youtube.com/watch?v=qk0vg...
【コカ・コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「CokeSTUDIO魔法のはじまり」篇 225秒メイキング特別映像Coca-ColaTVCF
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Publisher Houbunsha opened anofficial website for thetelevisionanime adaptation of Rasuko Ookuma's Hoshikuzu Telepath (Stardust Telepath) mangaon Thursday, revealing themain staff membersand akey visual (pictured above). Theanimeisset topremiere in 2023. Staff Directo... mangamanhwa.org
Theofficial website forAvex Pictures and Tatsunoko Production'soriginalPole Princess!!pole dancinganime began streaming a videoonFridayfeaturing thepole dancing routine of the characterSana Murafuji (voicedbyRinaHidaka).Hidaka also performs the song "Avaricious Heroine" featured in the video. Ayaka ofSTUDIO TRANSFORM choreographed the video. Source: mangabuddys.com
The staff previously streamed a video for Yukari Mikoshiro's routine in lateDecember. The staff also debuted a prologue episode 0onDecember23, and released the firstfive-minute episodeonYouTubeonJanuary 13. Future episodeswill also releaseonYouTube.
そのためには、どこの新聞社、どの記事に、どういう誤りがあったかを明確にするべきだ。
そうでないと、辻元が誤報のせいでデマ被害を受けたという話が、これまた事実かどうか検証することができない。
一部メディアが、立憲民主党は、党所属議員と自民党議員の夜の飲食を見合わせる方針を決めた。と報道しました。しかも私が指示したように報じられたことが、テレビやネットでも大々的に拡散したようです。
「自民と飲み会自粛令の謎」 (辻元清美official website)
一部メディアって、どこだよ。
辻元は、新聞社の社名、該当の記事をまったく明らかにしないまま、産経新聞に当てこすりをして誤報があったと主張している。
しかも今回、産経新聞はタイトルが煽り気味だったというだけで、記事の内容自体はきわめて事実に忠実であったと私は思う。
仮に産経新聞に何か問題があったり、産経新聞が誤報を流したと主張したいのであれば、辻元は正々堂々とその社名をさらして抗議するべきだ。それをやらずに被害者アピールする辻元は、卑怯者のそしりを免れない。
辻元が今日まで、たくさんのデマ被害に苦しめられてきたのは、まぎれもない事実である。
しかし、被害者の言っていることが100%正しいとは限らないのであって、その真偽を見極めることが我々には必要なのだ。
サッカーに詳しくない方々にまで広まっているようなので、用語を中心に簡単に解説します。
埼玉スタジアム浦和ゴール裏ゲートに張られた「JAPANESE ONLY」の弾幕について -Togetterまとめ
サガン鳥栖戦での出来事について|URAWARED DIAMONDSOFFICIAL WEBSITE
■ゴール裏209番ゲート
熱いサポーターが集まる北側ゴール裏エリア、なかでも中心部にある出入り口。
普段はサポーターによってサポーターに向けて「此処ニ求ムハ闘士ノミ」「行こうぜ 浦和と共に」と掲示されている。
問題の段幕が掲示されたのはスタンドの選手に向けてではなく、客席に入ろうとするサポーターに向けて。
写真の手前側は通路(コンコース)、段幕をくぐった奥側が客席。
なお下側に柵があるのは「満席」のため。他のゲートは通行可能。
り・ただなり/イ・チュンソン
2007年に日本国籍を取得し帰化した。韓国国籍の在日韓国人4世として生まれる。
2012年より浦和レッズに在籍している。元日本代表。2011年にはドイツのケルンでプレーしていた。
今回の問題についてTwitterで言及した。
■マルワン君
ドメサカブログ :テレ東「Youは何しに日本へ?」にフランス人の浦和サポーターが登場
http://blog.livedoor.jp/domesoccer/archives/52023789.html
■URAWABOYS
複数あるサポーター集団の一つで、代表的存在。コールリーダーがゴール裏全体の応援を統率している。
■ACL
AFC・チャンピオンズ・リーグ。アジア各国の強豪クラブチームが出場する大会。
■その他
今節と前節、スタメン・ベンチ入りした選手は全員日本人だった。
今シーズン在籍している唯一の外国人のマルシオ選手は、手術のためブラジルに帰国中。
一部の浦和レッズサポーター、新加入・李忠成にブーイング。差別的行為か?
http://supportalfootball.net/blog/2014/03/06/urawasabetsu/
しかし浦和には95年の曺貴裁(チョウ・キジェ)選手と郭慶根(クァク・キョングン)選手以降、韓国人選手は所属したことがない。
サポーター自身が排他的な傾向を持つことがある(例えば、女子供は去れなど)。
クラブ(浦和レッズ)は今後、当該サポーターに対して処分を科す可能性がある。